REVIEW: Guest Reviewer Hamavand Engineer Shares His Thoughts On ELVIS: A MUSICAL REVOLUTION
ELVIS: A MUSICAL REVOLUTION offers a captivating glimpse into the life and music of Elvis Presley
The latest reviews and critic recommendations from Sydney, Australia.
ELVIS: A MUSICAL REVOLUTION offers a captivating glimpse into the life and music of Elvis Presley
Bernadette Robinson's performance in Divas was a testament to her remarkable talent and passion for music.
Step into the world of FAULTY TOWERS THE DINING EXPERIENCE, where you'll find yourself immersed in a delightful blend of delectable cuisine and uproarious entertainment.
What Young Women Want could be another name for Bakehouse Theatre Company’s 2024 season launch of LOW LEVEL PANIC
As part of the Mardi Gras season Director Alex Kendall Robson brings JORDAN SEAVEY's new play at the the New Theatre stage.
Queensland Theatre brings Cheryl Strayed’s TINY BEAUTIFUL THINGS to the Belvoir stage
NIGHT SONGS AT CONEY ISLAND a stunning spectacle of sight and sound.
RIZO: PRIZMATISM is the 40 year old twenty something that brings her unique New York Cabaret vibe to the Sydney Festival.
GOTESBORGS OPERANS DANSKOMPANI is a must see for any contemporary dance enthusiasts.
sex, drugs and techno (sorry, no rock and roll in these homosexual nightclubs), with the portrayal of Gordon’s (Lawrence Boothman) journey to self-discovery at its centrepiece.
ARE WE NOT DRAWN ONWARD TO NEW ERA is the ultimate arts festival show.
TIDDAS, the first production for the year at the iconic Belvoir Theatre is a blast!
What appears to be acrobatic acts of sheer skill and genius, is actually a much deeper story around Cambodia’s staple food….
Guest Reviewer Kym Vaitiekus Shares His Thoughts On ITS A SIN: SONGS OF LOVE AND SHAME
Director Jason Langley along with Canberra’s Heart Strings Theatre bring their production to the Hayes theatre.
To be blunt, if you’re into theatre of social commentary and/or socially minded comedy, Brokentalkers and Adrienne Truscott’s ‘Masterclass’ is, simply, brilliant.
SMASHED: THE NIGHTCAP sets the scene for a fabulous 2024 SYDNEY FESTIVAL and proves to be a must-see show.
Imara Savage (Director) brings Andrew Upton’s fifth Chekov play adaptation to the stage with a new imagining of THE SEAGULL.
Eamon Flack’s adaptation (script and direction) of Mikhail Bulgakov’s THE MASTER & MARGARITA is an intriguing retelling of the Russian writer’s last novel that remained hidden to decades after his death.
The marvelous minds behind THE WHARF REVUE: PRIDE IN PREJUDICE have created another clever commentary on Australian and global politics.
Ella Hickson’s OIL takes the audience on a journey through Britain's relationship with petroleum, providing a warning for the future as the environmental impact takes hold and resources dwindle.
Verity Laughton’s adaptation of Pip William’s debut novel, THE DICTIONARY OF LOST WORDS, is a beautiful interpretation of the historical fiction that seeks to highlight the invisible women and their influence in undocumented language.
Brilliantly funny with relatable moments, THE MEMORY OF WATER combines comedy with scientific theory to challenge how memories are retained and altered over time.
A MIGRANT’S SON is the engaging and passionate story of Michaela Burger’s family history expanding over 100 years.
Review: Kym Vaitiekus Shares His Thoughts on A LITTLE NIGHT MUSIC.
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We Are The Tigers Hayes Theatre (10/09-11/08) |
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FuturesPast Merrigong Theatre Company (9/17-9/19) |
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Play In A Day: Henry VI Part 2 The Neilson Nutshell, Pier 2/3 (9/15-9/15) |
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Morning Melodies: What's New, Pussycat Kingston City Hall (8/25-8/25) |
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Faulty Towers The Dining Experience - Pokolbin Hunter Farm & Adventure Centre (5/07-10/22) |
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I Love Your Faces: The Don Lane Story Jetty Memorial Theatre (9/05-9/05) |
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Top Silk Ensemble Theatre (7/31-9/12) |
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Cruise Seymour Centre (10/09-10/31) |
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Dixon and Daughters by Deborah Bruce Old Fitz Theatre (9/18-10/03) |
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Forget Me, Please Forget Me, Please (9/01-9/11) PHOTOS |