Kym Vaitiekus

DEAR SON – love from the heart. DEAR SON invites us into the warmth, wisdom, and enduring strength of an Indigenous men’s gathering. Based on the book of the same name by Thomas Mayo, and adapted for the stage by director Isaac Drandic along John Harvey, this is theatre as conversation, ceremony, and offering.

NOW YOU SEE ME LIVE – Your jaw will hit the floor, the perfect Christmas treat. NOW YOU SEE ME LIVE is the perfect Christmas treat – a high-energy blend of wonder, humour, and jaw-dropping illusions inspired by the popular Now You See Me film franchise.

Get to the Grand Electric where LA RONDE electrifies your night to tantalize, excite, impress and take you beyond your expectations with its transcendent spark

Review: & JULIET — A Pop-Fuelled Blast of Heart, Humour, and Girl Power, PACA Productions’ staging of & JULIET bursts onto the Riverside Theatre stage with infectious energy, flair, and wit

OVERTURE exemplifies how dance, unlike a scripted production, is not always literal, yet its intent is vividly conveyed through the dancers' movements, leaving a profound impact. A remarkable feat

Sport for Jove’s production at Hayes Theatre, led by co-directors Miranda Middleton and Damien Ryan with Musical Director Alec Steedman, orchestrates an exceptional ensemble to deliver a radiant and masterful piece of musical theatre.

Director, Lee Lewis, brings Melanie Tait’s new work to the ensemble theatre. The world premiere of HOW TO WRITE A HIT IN TWO DAYS. 

HOW TO WRITE A HIT IN TWO DAYS, Melanie Tait’s heartfelt and hilarious world premiere at the Ensemble Theatre. Review by Kym Vaitiekus

In a serene forest setting, Silven guides us through a poignant memory of being lost in the woods at age 12—a defining moment that shaped his life. Each detail of that day carries enduring significance, reflecting on his experience as a child of separated parents.

Amy Herzog’s MARY JANE directed by Rachael Chant at The Old Fitz Theatre, is a semi-autobiographical drama that immerses viewers in the life of Mary Jane, a single mother caring for her chronically ill son, Alex, who suffers from nemaline myopathy. Set in a modest Brooklyn apartment and various medical settings, the play unfolds through naturalistic dialogue, capturing the relentless grind of caregiving.

Belvoir St Theatre presents BIG GIRLS DON’T CRY, a debut work by writer Dalara Williams, directed by Ian Michael.

BLOOM fills your heart with joy. Director Dean Bryant brings BLOOM to the Syndey stage after a successful 2023 run with the Melbourne Théâtre Company. With exuberant music by Kate Weston and book and lyrics by Tom Gleisner of Working Dog fame, the productive Australian comedy team, known for The Castle, Frontline, The Dish and Utopia,  

Director Liesel Badorrek brings Tennessee Williams’ career-defining debut work to the Ensemble stage with a bold, multifaceted production. With a fresh and inventive eye, she breathes exuberant life into this classic, eliciting richly layered performances full of subtlety and emotional depth from every cast member.

You’ll laugh, your jaw will hit the floor, your mind will be challenged and your heart with fill with joy and amazement. Magic icons PENN & TELLER begin their 50th anniversary tour in Sydney Australia. The dynamic duo have been entertaining audiences since the late 1970’s.

Review: Kym Vaitiekus shares his thoughts on THE LORD OF THE RINGS – A MUSICAL TALE. Epic story, Epic cast, Epic staging, Epic enjoyment.

Kym Vaitiekus shares his thoughts on DARK NOON as it duels it out with the Wild West legacy.

REVIEW: Kym Vaitiekus shares his thoughts on MULTIPLE BAD THINGS

REVIEW: Kym Vaitiekus shares his thoughts on MAUI, bought to the Sydney Opera house by Fresh Movement Collective

REVIEW: Kym Vaitiekus shares his thoughts on A GAY ESCAPADE A rollicking queer Cabaret, not to be missed

REVIEW: Kym Vaitiekus shares his thoughts on THE WOMAN IN BLACK. WATERS and MACPHEARSON outshine THE WOMAN IN BLACK