REVIEW: The Annual Tradition of THE WHARF REVUE Returns With 2023's offering PRIDE IN PREJUDICE
The marvelous minds behind THE WHARF REVUE: PRIDE IN PREJUDICE have created another clever commentary on Australian and global politics.
The latest reviews and critic recommendations from Sydney, Australia.
The marvelous minds behind THE WHARF REVUE: PRIDE IN PREJUDICE have created another clever commentary on Australian and global politics.
Ella Hickson’s OIL takes the audience on a journey through Britain's relationship with petroleum, providing a warning for the future as the environmental impact takes hold and resources dwindle.
Verity Laughton’s adaptation of Pip William’s debut novel, THE DICTIONARY OF LOST WORDS, is a beautiful interpretation of the historical fiction that seeks to highlight the invisible women and their influence in undocumented language.
Brilliantly funny with relatable moments, THE MEMORY OF WATER combines comedy with scientific theory to challenge how memories are retained and altered over time.
A MIGRANT’S SON is the engaging and passionate story of Michaela Burger’s family history expanding over 100 years.
Review: Kym Vaitiekus Shares His Thoughts on A LITTLE NIGHT MUSIC.
Dance Makers Collective celebrate their ten-year anniversary with BIG DANCE 2.
SKANK SINATRA A thoroughly entertaining night of clever, comic, crude and cheeky cabaret
Brilliantly funny, William Finn (Music and Lyrics) and Rachel Sheinkin’s (Book) THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE is presented by the new generation of musical theatre stars under Dash Kruck’s insightful direction.
Director Francesca Savige delivers three distinct performances for Hillary Bell’s SUMMER OF HAROLD, ENFANT TERRIBLE, and LOOKOUT, collectively billed under the first work.
Almitra Mavalvala's BLACKLISTED is storytelling at its best and contained enough vulnerability to be able tell a story of such depth, yet enough nostalgia to evoke memories of the past.
If an education in cleaning chicken carcasses is what you’re looking for, you’ll find it at The Hen House.
The comedy of Oscar Wilde’s THE IMPORTANCE OF BEING EARNEST loses power with a performance that fails to trust the source material.
Director Lisa Leguillou’s tweeked version of Joe Mantello’s original production of Stephen Schwartz (Music and Lyrics) and Winnie Holzman’s (Book) multi-award winning WICKED arrives in Sydney for the 20th Anniversary of the multi award winning musical’s opening on Broadway.
PLENTY OF FISH IN THE SEA Conceived and directed by Emily Ayoub and Madeline Bathurst, they perform the show along with Christopher Samuel Carroll.
REVIEW: New Australian Work, THE DISMISSAL AN EXTREMELY SERIOUS MUSICAL COMEDY Is A Brilliant Exploration Of The Time Democracy Was Undermined By The Governor General.
Based on the real life story of when the razor gangs battled for supremacy on the streets of Sydney in the 1920’s, RAZOR GANG WARS is staged in the unique setting of a 200-year-old sandstone crypt beneath St James’ Church in Sydney
These are the GODZ of Sydney Fringe.
Marc Lucchesi, Sarah Nandagopan and Jayan Nandagopan (joint Writers and Composers) new work THE MARVELLOUS ELEPHANT MAN THE MUSICAL arrives in Sydney as part of its current tour of the Fringe Festival Circuit.
Christine Dunstan Productions and Director Darren Yap bring Tim McGarry’s stage adaptation of Colleen McCullough’s novel, TIM, to The Riverside Theatre.
Presented by Opera Australia, Cameron Mackintosh’s Revival of MISS SAIGON reunites the creatives from the 2004 Touring Production, which reached Australia in 2007, to reincorporate elements of the 1989 West End original while shifting the focus to make a more powerful message than the central love
Yoruba and Ngati Tuwharetoa musician Samuel Gaskin has created a multi art form performance that is a powerful celebration of indigenous culture using storytelling, original songs, and dance.
Kellen Blair (Book and Lyrics) and Joe Kinosian’s (Book and Lyrics) clever comic murder mystery MURDER FOR TWO is brought to life by Gabbi Bolt and Maverick Newman under Richard Carroll’s direction.
Presented as part of Belvoir St Theatre’s 25A series, SATURDAY GIRLS is an honest expression of the teen female experience with the added challenge of sexual discovery.
Highlighting mature women’s stories, THE WEEKEND is brought to the stage with Sarah Goodes (Director) presentation of Sue Smith’s adaptation of Charlotte Wood’s 2019 novel of the same name.
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Britten's War Requiem Sydney Opera House (10/17-10/17) |
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Where is the Green Sheep? Riverside Theatres (10/07-10/10) |
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Captain Corelli's Mandolin Genesian Theatre (9/04-10/10) |
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Islander Australian Theatre for Young People (10/06-10/17) |
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La Bohème Joan Sutherland Theatre, Sydney Opera House (1/02-3/17) |
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Shrek The Musical Pioneer Theatre (10/30-11/08) |
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I Love Your Faces: The Don Lane Story Ballina RSL (10/18-10/18) |
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Monty Python's Spamalot Coliseum Theatre, Rooty Hill (10/22-10/25) |
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A Beautiful Noise Sydney Lyric Theatre (11/14-12/20) |
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The Magic Flute Joan Sutherland Theatre, Sydney Opera House (1/13-3/23) |