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MUCH ADO ABOUT NOTHING by William Shakespeare, produced by The Baron's Men and currently playing at The Curtain Theatre is a stellar achievement for the veteran company.

Backed by Brett Aiken's set design, D. Scott Withers' direction, and Katrina Sanders' choreography, Rusty Ferracane rules the stage in a pitch-perfect performance as the MAN OF LA MANCHA in Theatre Works' season opener.

AMADEUS, currently presented by Utah Repertory Theater Company, is a captivating drama about art, music, religion, and our relationship with God. It asks and answers insightful philosophical questions, all while unraveling a fascinating story of jealousy and intrigue.

If you are looking for a good laugh, 17th Century-style, then look no further than this season's production of Ben Jonson's THE ALCHEMIST, currently on stage at the Stratford Festival's Tom Patterson theatre. What a riot! This production, directed by Artistic Director, Antoni Cimolino, had the audience in hysterics. The phenomenal cast committed fully to the hijinks, the costuming was spectacular, the stage and set was used very well, and the choice of music used to open each Act allowed for the play to feel fresh and new. All in all, this play was a great success.

Below, check out quotables from NBC's 'THE TONIGHT SHOW STARRING JIMMY FALLON', for the week of August 3!

The new touring production of THE PHANTOM OF THE OPERA, currently playing at the Segerstrom Center in Costa Mesa, is a must-see. The music, costumes, and sets are hauntingly beautiful and the performances are generally superb. Katie Travis, as Christine Daae, is a standout.

This is one show for which it is imperative that someone yells "Don't forget the wine!" so that each character is mentally prepared for what mess is to come. Now that that has been said and everyone has been sufficiently warned, the audience is give a trio of middle-aged, divorced women who spend their free time in book clubs, Spanish classes and holding female-only sleepovers; if there is not already wine visible on the table, someone is bound to pull it out of her handbag or from some hidden compartment soon enough. There is Mary, Jo and Liz: three women who are more adventurous and eager to prove themselves right than one would ever imagine; between boyfriends, daughters' boyfriends and their images as older women who just need the non-killer type of guy to make their lives that much more dramatic, the Cape Playhouse's production of Women in Jeopardy provides enough excitement and whodunit humor that will have audiences captivated until the final moment when our three heroines are finally able to put the wine down.

William Shakespeare's THE TAMING OF THE SHREW is a comedic, character-driven piece about the courtship of volatile Katherina and obnoxious Petruchio. Character pieces require great characters, naturally, and great performers. In his ballet adaptation, John Cranko delivers. In the Houston Ballet production, so do the dancers.

Madcap mayhem and farcical hilarity set the tone for Lantern Theater Company's production of The Hound of the Baskervilles by Sir Arthur Conan Doyle, adapted by Steven Canny and John Nicholson which closes the Lantern's season, running tonight, May 28-June 28. Directed by Matt Pfeiffer, the three-person cast features Damon Bonetti, Daniel Fredrick and Dave Johnson in multiple, quick-change roles.

Director Brian Enzman brings the Parisian Barricade to the stage at Dutch Apple Dinner Theatre

Florida Grand Opera (FGO) with its new artistic vision, is proud to announce casting for the four productions of its 2015-16 Season, which include Gioachino Rossini's The Barber of Seville (Il barbiere di Siviglia), Vincenzo Bellini's Norma, Mieczys?aw Weinberg's The Passenger (Passazhirka), and Gaetano Donizetti's Don Pasquale.

Tonight's episode of BROOKLYN NINE-NINE, 'Johnny and Dora,' is the much anticipated finale! In the episode, Jake and Amy go undercover to catch an identity thief. The investigation brings them closer together. Meanwhile, the precinct has an unexpected goodbye to say. Keep reading for the full recap, but beware of major finale SPOILERS!

The finale of Washington National Opera's season, Cinderella, is an enchanting and vibrant retelling of a classic fairy tale with an imaginative twist.

Madcap mayhem and farcical hilarity set the tone for Lantern Theater Company's production of The Hound of the Baskervilles by Sir Arthur Conan Doyle, adapted by Steven Canny and John Nicholson which closes the Lantern's season, running May 28-June 28.  Directed by Matt Pfeiffer, the three-person cast features Damon Bonetti, Daniel Fredrick and Dave Johnson in multiple, quick-change roles.

Canadian Stage presents Nongogo, The Meal, Hatched, Ubu and the Truth Commission, Dominion and Chandelier in a three-week festival of South African performance as part of Spotlight South Africa. A tribute to the extraordinary vitality and originality of artistic work produced in the country, the festival will feature a variety of dance, drama, performance art and puppetry from Apr. 8 to 25 at Canadian Stage's two homes, the Berkeley Street Theatre (26 Berkeley St.) and the Bluma Appel Theatre (27 Front St. E).

Classic Stage Company welcomes Peter Dinklage (Tyrion Lannister on HBO's Game of Thrones) and Taylor Schilling (Piper Chapman on Netflix's Orange Is The New Black) in Ivan Turgenev's A Month in the Country, opening tonight, January 29, for a limited engagement through Sunday, February 22. Let's see what the critics had to say...

Bridget Everett, performing a reprise of her one-woman cabaret show, Rock Bottom (at Joe's Pub for an limited run), has become the darling of the alt-cabaret scene because she occupies the clown/fool/buffoon space to the hilt, creating a hilarious and cathartic experience for those who can take it. Everett has not met a taboo she does not dare to decimate.

According to an article on Slate, Stanford University students responded to the cancellation of their production of the satirical musical BLOODY, BLOODY ANDREW JACKSON with a cabaret called DID WE OFFEND YOU? The new show premiered last weekend to a sold-out audience and featured controversial tunes from musicals including RENT, THE PRODUCERS and, of course, 'ANDREW JACKSON'.

Gary Naylor sees a spectacular musical that has its heart, if not always its sense of humour, in the right place as the Essex Girls of 1968 come out on top.

Gary Naylor sees a revival of one of the 90s classic comedies that retains plenty of punch, nearly twenty years on

We've all heard of the plight of Marie Antoinette, but those that make a visit to Woolly Mammoth Theatre Company throughout the next few weeks can perhaps see it in a slightly different light. And that's a good thing.

Selected for inclusion in WQXR's Salute The ARts Initiative, a program that profiles 36 small cultural non-profit organizations in the New York Metropolitan area, we are honored to have earned a place on WQXR's roster. It is with joy and exhilaration that we share our upcoming roster and events with you.

A strong ensemble is crucial in most any play, especially when dealing with commedia dell'arte as each performer takes on typical archetypes which when combined create a solid show. Assuming, that is, there are no weak links. Luckily with STAGEright's current commedia production of "I Gelosi" the ensemble here is quite strong. Furthermore David Bridel's play goes beyond a simple commedia and delves into a potential history of one of Europe's most famous commedia troupes and creates an intriguing and heartfelt piece about the power of theater.

Czech born Thomas Stoppard is a Jewish British playwright who escaped from his birth country in 1939, just before the Nazi occupation. Living, in England, he has gained a reputation as one of modern English language's greatest playwrights. The recipient of an Academy Award and four Tony Awards, it is generally agreed by theatre analysts that 'Arcadia,' a production of which is now on stage at Mamai Theatre, is one of the western world's greatest plays.

Jim Dale's career as an actor grew out of his success as a music hall performer and musician. He put those music hall skills as a wit, singer, musician, and physical comedian to work in performances of William Shakespeare's many clowns and fools.