Did You Know That These Broadway Shows Originally Had Different Names?
by Jennifer Ashley Tepper - May 17, 2026
Perhaps the most well-known instance of a show changing titles during the development process belongs to the groundbreaking 1943 phenomenon, Oklahoma! The Rodgers and Hammerstein musical that changed the art form in terms of subject matter, integration of elements, and more was originally titled Away We Go! when it went out of town for a New Haven tryout. Oklahoma! is far from the only instance where a musical changed its title along the development road.
Interview: Theatre Life with Jefferson A. Russell
by Elliot Lanes - Mar 30, 2026
Today’s subject Jefferson A. Russell is currently living the theatre life onstage at Folger Theatre playing the roles of Duke Senior and Duke Frederick in their current production of As You Like It. The production runs through April 19th.
Review: ONCE at Helsingborgs Stadsteater
by Annette Stolt - Mar 24, 2026
This is my first visit to Helsingborg Stadsteater but probably not my last. Well-organized and good with lots of free lockers for your jacket and large items. Great modern theatre auditorium with a excellent grading between the rows in the stalls.
Interview: Vaneh Assadourian of ENGLISH at ALLEY THEATRE
by Brett Cullum - Feb 22, 2026
I play the character of Goli. She's the youngest character in the play; she's 18. For Goli specifically, her relationship to English is really sweet. She's described as this young, sweet spirit in the classroom. She's just carefree and has fun.
From Stage to Stage: The Greatest Theater Dynasties in Broadway History
by Jennifer Ashley Tepper - Mar 1, 2026
This history gives context to the legacies of theatrical dynasties—considered to consist of at least three subsequent generations of theatre creators. In 2026, there is a stigma around any successful professional who follows a parent into their line of work, with this being seen as a pattern of nepotism.
Review: & JULIET at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Jan 7, 2026
If “& Juliet” works at all, it’s because it commits to the premise without apology: a Shakespearean remix told through the lens of pop music, meta-theatre, and a general belief that stories never really die, they just get re-written. This touring production of the still-running Broadway musical leaned into this ethos with a cast that understood the assignment – treating the material with enough sincerity to make it land, but enough wryness to make it feel like commentary.
Interview: Theatre Life with Rachel Portman
by Elliot Lanes - Dec 10, 2025
Today’s subject Academy and Emmy Award winning composer Rachel Portman has a career that includes scoring for over100 films, television and a stage musical of Little House on the Prairie. This week her foray into opera can be seen and heard in the Terrace Theater At Kennedy Center as Washington National Opera (WNO) presents The Little Prince as their annual family opera offering. The show runs for only five performances between December 12th and 14th. WNO first performed it 2014. It premiered at Houston Grand Opera in 2003.
Review: AND THEN THERE WERE NONE at Resident Ensemble Players
by Greer Firestone - Nov 8, 2025
There’s something deliciously unnerving about sitting in a theater knowing that no one on stage will make it out alive. Resident Ensemble Members production of Agatha Christie’s And Then There Were None—the best-selling mystery novel of all time, is that rare, perfect storm of tight plotting, psychological suspense, and gallows humor.