Previews: A STREETCAR NAMED DESIRE at The Studio@620
by Deborah Bostock-Kelley - Apr 20, 2026
The production also reframes the Kowalski home as a biracial marriage, a choice that deepens the story’s examination of identity, power, and community. Director Erica Sutherlin notes that both Stella and Stanley, as well as Eunice and Steve, are biracial couples in this world. “Of course, we can have conversation about the racial tension within the narrative, but we also get to explore relationship tensions, the cultural dynamics that seep into the room because of who they are in 1965. Or how they have chosen to love. Who are these people existing in this landscape? How do they define community because there is a community in the world of this play. Honestly, no one escapes culpability in this play. No one is completely good or bad or completely strong or weak. People are shades, gradients of the whole.”
Interview: Migdalia Cruz of MACBETH at Magic Theatre
by Jim Munson - Mar 13, 2026
BroadwayWorld chats with award-winning playwright Migdalia Cruz about the world premiere of her adaptation of Shakespeare's 'Macbeth' running at the Magic Theatre from March 18 through April 5 in San Francisco.
Review: SUFFS at Providence Performing Arts Center
by Andria Tieman - Jan 21, 2026
White Women in the United States didn’t earn the right to vote until 1920, and Black women weren’t allowed to vote until 1965. This shocking history and the effort it took for women to secure these rights is something many of us didn’t learn in school, but thankfully the musical Suffs is here to fill in those gaps, along with some fantastic songs and affecting moments.
Review: South Coast Repertory Presents THE HEART SELLERS
by Michael Quintos - Nov 10, 2025
An intermission-less, two-character, conversational-centric play that focuses on a pair of women's specific immigrant experiences—marked with loneliness, hopes, fears, and puzzlements big and small—Pulitzer Prize finalist Lloyd Suh's absorbing, touching, and occasionally (thankfully) very funny play explores the emotional tug-of-war between comfortable, familiar cultural traditions left behind and the need to accept, learn, and assimilate to the often confounding realities of their new home environment—a sometimes exciting, but sometimes heartbreaking concept that many first-generation immigrants know all too well. Continues at South Coast Repertory through November 16, 2025.
Review: THE STUTTGART BALLET IN JOHN CRANKO'S ONEGIN at Kennedy Center Opera House
by Emily Berger - Oct 10, 2025
Ballet is back at the Kennedy Center for the 2025-2026 season with multiple outstanding companies on the roster this year. This season opened with the Stuttgart Ballet, arguably Germany’s (and one of Europe’s) best ballet company. For the first time in over 30 years Stuttgart returned to the US this weekend’s performances of John Cranko’s Onegin.
Review Roundup: SUFFS North American Tour
by Stephi Wild - Sep 24, 2025
The North American Tour of SUFFS, the empowering and acclaimed Tony Award-winning musical, is now underway! Read the reviews as they come in here and learn more about the show.
A History of Three-Handers on Broadway
by Jennifer Ashley Tepper - Oct 5, 2025
While a lot has been written about two handers, a term for two-person shows, less has been penned about three-handers. Yet, three-person plays are just as common a genre on Broadway as pieces with only two players. Currently, Art, by Yasmina Reza, is receiving an all-star revival at the Music Box.
Breaking Down Broadway's Spookiest Musicals
by Jennifer Ashley Tepper - Oct 12, 2025
This past season contained a higher than usual amount of Broadway shows involving death; in fact, Operation Mincemeat and Dead Outlaw both specifically revolved around transporting a corpse! And Death Becomes Her leans into the hilarity as two women become gorgeous living corpses before our very eyes, thanks to a touch of magic. But plays and musicals about death and its attendant macabre topics have been a part of the theatre landscape for many decades...
Interview: Rebekah Scallet And Ellie Schwetye of THE HEIDI CHRONICLES at New Jewish Theatre
by James Lindhorst - May 22, 2025
Up next at New Jewish Theatre is Wendy Wasserstein’s Pulitzer Prize and Tony winning play The Heidi Chronicles, a semi-autobiographical story of Wasserstein’s life experiences over three decades. The play is considered groundbreaking for its examination of feminism, the changing roles of women, relationships, social consciousness, and shifting cultural norms. The comedic drama premiered Off-Broadway in 1988 before transferring to Broadway where it played 622 performances.
EGOT Explained: Who Has Joined the Elite Group and Who Is Close to Making History?
by Sidney Paterra - May 26, 2025
Few honors in entertainment are as coveted—or as rare—as achieving EGOT status. This elite distinction marks a career filled with versatility, longevity, and extraordinary talent across multiple mediums. What does it all mean? We're taking a closer look at the artists who have managed to join one of the industry’s most exclusive clubs.
South Coast Repertory Reveals 2025/26 Season
by Stephi Wild - May 8, 2025
South Coast Repertory has announced its 2025-26 season, featuring the return of Million Dollar Quartet, the milestone 45th anniversary of Charles Dickens’ A Christmas Carol, and more.
BOEING BOEING to be Presented at The Shawnee Playhouse
by Chloe Rabinowitz - Apr 11, 2025
The Shawnee Playhouse, celebrating its forty-sixth season, will present Boeing Boeing, an adult themed, comedic, French play, written by Marc Camoletti. Learn more and see how to purchase tickets here!