Review: THE PRICE, Marylebone Theatre
by Clementine Scott - Apr 27, 2026
Much like All My Sons, the virtuosic Arthur Miller tragedy revived in the West End earlier this year, Miller’s lesser-known 1967 play The Price holds a mirror up to the American Dream and finds people varying degrees of broken by their desire to succeed. “I want money,” declares a character early on. “Congratulations,” another drily replies.
Interview: THE NOAH TODD BAND at famed WELLINGTON SQUARE FARMERS MARKET!
by Gavin Glynn - Mar 13, 2026
Live performances have been trending upwards in public spaces such as Los Angeles Farmers Markets, Chicago community bandstands, NY parks & recreation and even Dallas airport concourses are discovering authentic music crowds. The Noah Todd Band is an excellent example of high quality performers who just want to make more music but be heard by the masses.
Interview: Julie Reiber & Bryce Ryness of North Carolina Symphony's HOLLYWOOD HITS
by Jeffrey Kare - Mar 6, 2026
On March 13th & 14th, the North Carolina Symphony will be presenting HOLLYWOOD HITS. Two guest vocalists are coming down to the Triangle area to perform iconic songs from memorable movies and binge-worthy TV such as A STAR IS BORN, TOMMY, ROCKETMAN, BOHEMIAN RHAPSODY, ROCK OF AGES, LOVE ACTUALLY, TOP GUN, ELVIS, and more.
Review: THE GRADUATE is a Winner at Desert Theatreworks
by Audrey Liebross - Feb 25, 2026
THE GRADUATE, Desert Theatreworks’ current farce, which also contains elements of heavy drama, is, in my opinion, a must-see, both because of the writing and because of DTW’s casting, acting, directing, and staging.
Review: A Literary Work Becomes a Phenomenon With THE OUTSIDERS: A NEW MUSICAL at the Straz Center
by Drew Eberhard - Jan 3, 2026
The year, 1967, the place, Tulsa, Oklahoma, and its central narrative came from the scrawlings of a 16-year-old named Susan Eloise Hinton, and the rest as we know it is solidified into literary history. History so much, that it has sparked a re-birth with a new generation and with the new stage adaptation of Hinton’s subliminal novel, a pandemonium and cultural phenomenon was created.
Feature: Ilana Lucas Picks the Top Toronto Theatre 2025
by Ilana Lucas - Jan 5, 2026
In a world where AI increasingly tries to consume and simulate real human experiences, theatre sometimes feels like one of the last gasps of being in a room together. When we watch a show with others, respiration synchronizes, empathy increases, and information retention improves. It’s one of my favourite feelings.
Review: THE OUTSIDERS at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Dec 17, 2025
One of the most effective things the musical gains by moving from page to screen to stage is permission to reframe the story without betraying it. By leaning harder into the Curtis brothers as the emotional spine, the musical clarifies a distinction that’s always been present in the text but rarely foregrounded this explicitly: Darry, Soda, and Ponyboy are family by blood, bound by obligation and grief; while the Greasers are family by choice, bound by loyalty and survival.
Review: THE OUTSIDERS National Tour at Durham Performing Arts Center
by Jeffrey Kare - Dec 3, 2025
Based on S. E. Hinton’s 1967 novel of the same name as well as Francis Ford Coppola’s 1983 film adaptation. The Outsiders is set in Tulsa, Oklahoma in the 1960s. The story follows Ponyboy Curtis, his best friend Johnny Cade, and their Greaser family of ‘outsiders’ as they battle with their affluent rivals, the Socs. Together, the Greasers fight for survival and a quest for purpose in a world that doesn't accept them.
Surprising Celebrities Who Began Their Careers in HAIR
by Jennifer Ashley Tepper - Oct 24, 2025
Diane Keaton made her Broadway debut in the original Broadway production of Hair at the age of 22. The landmark musical started out at the Public Theater off-Broadway in 1967 before transferring to the Biltmore Theatre on Broadway in 1968. Keaton joined the cast for the Broadway run, originating her track in the show.