Review: Make Farce Funny Again with POTUS at Theater West End
by Albert Gutierrez - May 3, 2026
There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.
Billy Crystal Will Return to Broadway in New Solo Show, 860
by Nicole Rosky - Apr 15, 2026
Tony and Emmy Award-winner Billy Crystal will return to Broadway this fall in a new one-man show, 860, written and performed by Mr. Crystal and directed by Olivier Award-winner Scott Ellis. We have all of the details!
Interview: Sara Jean Ford of Theatre Raleigh's COME FROM AWAY
by Jeffrey Kare - Mar 25, 2026
From April 1st-19th, Theatre Raleigh will be presenting the Tony-winning musical COME FROM AWAY at the De Ann S. Jones Theatre. Sara Jean Ford and I previously spoke in 2023 talking about North Carolina Theatre’s production of MARY POPPINS.
16 Theater Books for Your Spring 2026 Reading List
by Nicole Rosky - Apr 26, 2026
Need a great book to spring into the new season? This spring, Broadway's best have put pen to paper to turn out theatre page-turners of every kind. From theatre biographies to theatre fiction; theatre books for kids to theatre history; check out our collection of 16 new Broadway books for every theatre lover's Spring 2026 reading list.
MAMMA MIA! Will Return To Toronto's Princess Of Wales Theatre
by A.A. Cristi - Mar 9, 2026
The beloved musical MAMMA MIA! is returning to Toronto, bringing its classic hits and vibrant performances back to the stage. The production, known for its engaging storyline set to the timeless songs of ABBA, will open its doors to the public once again, offering a fresh opportunity to experience its magical allure.
Review: ANGELS IN AMERICA, PART TWO: PERESTROIKA at Theater West End
by Albert Gutierrez - Feb 21, 2026
Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.
Review: HARRY POTTER AND THE CURSED CHILD at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Jan 29, 2026
The reason the play works at all is because of the sheer strength of its production values and the commitment of its cast. When you look at all the design elements – sets, lighting, illusions, choreography – and combine it with performers who move through that space with the same ease as one breathes, it create a cohesive, immersive world that feels both magical and meticulously controlled.
From Stage to Stage: The Greatest Theater Dynasties in Broadway History
by Jennifer Ashley Tepper - Mar 1, 2026
This history gives context to the legacies of theatrical dynasties—considered to consist of at least three subsequent generations of theatre creators. In 2026, there is a stigma around any successful professional who follows a parent into their line of work, with this being seen as a pattern of nepotism.
Review: MAMMA MIA at Shea's 710 Theatre
by Michael Rabice - Jan 20, 2026
One of the highest grossing movie musicals of all time just happens to be that wonder hit MAMMA MIA based on the 2001 Broadway stage musical . Thought to be the most successful jukebox musical ever, the story of a young bride-to-be's quest to find out who here real dad is on the eve of her wedding is merely the springboard to launch a musical score chock full of ABBA's greatest hits. The stage version has toured for years and is yet again on Broadway right now.
Historic Spots To See From Your Favorite Broadway Shows
by Jennifer Ashley Tepper - Dec 14, 2025
One of the best parts of seeing a show in New York City is how there is often a relevant historic spot to visit, just steps away from the show you’re seeing. Here's just a few examples...
COME FROM AWAY & More Lead Seattle's November 2025 Top Theatre Shows
by Team BWW - Oct 31, 2025
Seattle is never lacking outstanding theatre, whether epic Broadway shows, engrossing dramas or bold fringe offerings. BroadwayWorld is rounding up our top recommended theatre every month. Selections for November 2025 include Come From Away and more.
Review: MOULIN ROUGE! THE MUSICAL Returns to OC’s Segerstrom Center
by Michael Quintos - Oct 30, 2025
After making a splash when it first visited the OC back in 2022, MOULIN ROUGE! - THE MUSICAL—the dazzling, Tony Award-winning 2019 Broadway stage adaptation of Baz Luhrmann's groundbreaking 2001 movie musical—is back full throttle at Segerstrom Center for the Arts in Costa Mesa for a limited week-long engagement that continues through November 2, 2025 (the show then travels an hour north to Los Angeles' Hollywood Pantages Theatre for performances running November 4-16, 2025). More impressive than before, this vibrant, high-octane, gorgeous-looking musical extravaganza continues to be an overwhelming spectacle for the senses.
Interview: 'It Has To Be Fresh”: Director and Choreographer Lynne Hockney on Reviving Sir Peter Hall's Iconic A MIDSUMMER NIGHT'S DREAM at Glyndebourne
by Aliya Al-Hassan - Oct 22, 2025
Celebrated choreographer and director Lynne Hockney has been involved in Sir Peter Hall’s iconic version of Benjamin Britten’s A Midsummer Night’s Dream at Glyndebourne since 2001. Now playing for the first time in the venue’s Autumn season, the production has been revived regularly since its premiere in 1981, bringing Shakespeare’s enchanting story of magic and mayhem to life. BroadwayWorld spoke to Hockney about her long association with the production, Sir Peter Hall’s enduring vision and how no one involved in the production is more important than anyone else.