Review: ERMA BOMBECK: AT WIT’S END at Austin Playhouse
by Sabrina Wallace - May 26, 2026
Funny, warm, and painfully relatable, Austin Playhouse’s Erma Bombeck: at wit's end transforms domestic chaos into razor-sharp comedy. Sarah Fleming Walker commands the stage in a captivating solo performance that captures the exhaustion, wit, ambition, and quiet resilience behind Bombeck’s iconic voice.
INDECENT Will Come to 1st Stage in June
by Stephi Wild - May 5, 2026
1st Stage Theatre in Tysons, VA will present INDECENT, Paula Vogel's drama inspired by the controversial 1923 Broadway debut of Sholem Asch's 'God of Vengeance,' directed by Artistic Director Alex Levy.
BWW Q&A: Michael Cyril Creighton Talks THE ADDING MACHINE at The New Group
by Joshua Wright - Apr 1, 2026
Best known to television audiences as the lovably neurotic Howard Morris on Hulu's Only Murders in the Building, Michael Cyril Creighton has built a career on quietly stealing scenes — in Spotlight, American Fiction, and on stages across New York. But his latest role may be his most audacious yet.
Interview: Dain Geist of LEOPOLDSTADT at MAIN STREET THEATER
by Brett Cullum - Mar 26, 2026
Tom Stoppard has such a knack for language. It feels a little like surfing sometimes, but, like, we did a run the other day, and I'm a little exhausted. Not physically, just sort of vocally, from having to talk so much.
Review: BRIGHT STAR Takes Center Stage at Manatee Players
by Drew Eberhard - Mar 9, 2026
Bright Star is a Bluegrass/Folk musical written and composed by Steve Martin and Edie Brickell. Its tale is set in the vast landscape of North Carolina’s Blue Ridge Mountains between the years 1945-46, and features flashbacks to the year 1923. The pair produced a Grammy-winning album in 2013 entitled Love Has Come For You, in which the musical is inspired by its lyric-scape and the true story of the Iron Mountain Baby.
Feature: Ilana Lucas Picks the Top Toronto Theatre 2025
by Ilana Lucas - Jan 5, 2026
In a world where AI increasingly tries to consume and simulate real human experiences, theatre sometimes feels like one of the last gasps of being in a room together. When we watch a show with others, respiration synchronizes, empathy increases, and information retention improves. It’s one of my favourite feelings.
A TASTE OF JAZZ Comes to Bailey Contemporary Arts
by Stephi Wild - Oct 1, 2025
The Gold Coast Jazz Society (GCJS) and Pompano Beach Arts invites you to join us for unforgettable evenings on the second Thursday of each month with 'A Taste of Jazz' at Bailey Contemporary Arts in the City of Pompano Beach!
BWW Q&A: Isa Venere Talks The Cottage at Repertory Theatre of St. Louis
by Joshua Wright - Sep 12, 2025
In The Cottage a woman decides to expose her latest affair to both her husband—and her lover's wife. As secrets unravel and passions collide, the meaning of love, identity, and marriage are all thrown into question, and served in a way only the British can serve it: with tea.
The Company Theatre To Present THE COTTAGE This October
by A.A. Cristi - Sep 9, 2025
The Company Theatre will present The Cottage – A Comedy Behind Closed Doors from October 10–26 at its Norwell home. Set in the English countryside in 1923, this riotous comedy offers audiences a web of sex, betrayal, and love where nothing is as it seems.
Review: THE COTTAGE at Loretto-Hilton Center
by Rob Levy - Sep 9, 2025
Roaring laughter meets the roaring twenties in The Repertory Theatre of St. Louis’ The Cottage. A dramedy in the classic sense, the company’s 59th season starter offers an endless barrage of scandalous dalliances, clever double entendres, and mistaken identities.
Review: THE COTTAGE at Wichita Community Theatre
by John Dalton-White - Sep 8, 2025
This play has audiences in stitches. Be prepared to have a great time! Wichita Community Theatre opens its 2025-2026 season with Sandy Rustin’s side-splitting comedy and recent 2023 Broadway production of THE COTTAGE, under the direction of veteran Mary Lou Phipps-Winfrey.