Review: GIFFORDS CIRCUS: WATERFIELD, Chiswick House & Gardens
by Franco Milazzo - Jun 1, 2026
There is a moment, somewhere between the knife-thrower's insane grin and Brian the Goose making his entrance with the unruffled authority of a minor aristocrat, when you simply have to give in to the magic. Giffords Circus has this effect on people. It has had this effect on people for twenty-six years, and Waterfield — this season's new production, themed around the riverbanks and hedgerows of an England that exists mainly in children's literature — gives absolutely no indication that the spell is about to wear off.
Review: BLUE/ORANGE, OSO Arts Centre, Barnes
by Aliya Al-Hassan - May 3, 2026
Joe Penhall's incendiary play, Blue/Orange, was garlanded with awards after its 2000 debut at the National Theatre, winning the Olivier, Critics' Circle and Evening Standard awards for Best New Play in 2001. It has been revived many times and endures as its themes remain both prescient and urgent. Now the tiny OSO Arts Centre in Barnes plays host, and it is as intense and provocative as ever.
See Works from Inside SHOWSTOPPERS: THE ART OF STAGE AND SCREEN Exhibition at Helicline Fine Art
by Nicole Rosky - Apr 2, 2026
Helicline Fine Art is now presenting Showstoppers: The Art of Stage and Screen, a dynamic new exhibition celebrating nearly a century of performance as seen through the eyes of some of the most influential artists and designers of the 20th century. On view through May 10, 2026, the exhibition brings together more than three dozen works that capture the spectacle, emotion, and cultural impact of live theatre, film, dance, opera, and popular entertainment.
Richard Maltby Jr. Reflects on Completing His Trilogy With ABOUT TIME Off-Broadway Premiere
by Jennifer Ashley Tepper - Mar 8, 2026
Tony Award winner Richard Maltby, Jr. discusses with Jennifer Ashley Tepper About Time, his new revue written with collaborator David Shire which, alongside Starting Here, Starting Now and Closer Than Ever, completes the writing team’s trilogy. They also chat about friendship with Stephen Sondheim, how Off-Broadway has evolved since the 1960s, the role Yale University has played, and more.
Linda Eder, Kate Baldwin, Jenn Colella and More to Perform at 54 Below for Women's History Month
by Chloe Rabinowitz - Feb 27, 2026
Next month, 54 Below will present some of the brightest stars from Broadway, cabaret, jazz, and beyond for Women's History Month, including Linda Eder, Kate Baldwin, Jenn Colella and more.
Review: DEEP AZURE, Sam Wanamaker Playhouse
by Cindy Marcolina - Feb 18, 2026
While most people knew Chadwick Boseman for his blockbuster appearances in the Marvel Cinematic Universe as T’Challa/Black Panther, the actor was also a playwright and director. His early career was spent treading the boards in New York, where he became a Drama League Directing Fellow at 24 years old in 2000. His most celebrated play is now premiering in the UK 21 two decades after its American debut. Written in lyrical verse with direct references to the Shakespearean structure, it brings hip-hop to the Sam Wanamaker Playhouse. It’s a treat to see something so modern and pertinent to our times being staged on the cloistered stage, but the piece is frantically overlong and unfocused. There’s lots to love, but it ultimately doesn’t satisfy.
Review: IN THE WAKE at The Bent will make theatregoers think.
by Audrey Liebross - Feb 17, 2026
The Bent, the Coachella Valley’s LGBTQ+ theatre, is presenting a wonderfully directed and acted and technically superb dramedy, IN THE WAKE, by Lisa Kron. The play is well-written and generates lots of laughs and lots of pathos, although I consider it a bit too wordy. Still, it is well worth seeing.
Review: JOSH SHARP: TA-DA!, Soho Theatre
by Katie Kirkpatrick - Feb 14, 2026
Josh Sharp’s ta-da! is a million miles a minute ride through everything from queerness to quantum theory, told through 2000 powerpoint slides. And despite being exactly as mental as it sounds, it really works.
WICKED: FOR GOOD Soundtrack Gets New Limited Pop-Up Edition
by Josh Sharpe - Feb 11, 2026
Just in time for the streaming debut of Wicked: For Good on Peacock, Republic Records will release a brand-new pop-up vinyl edition of the soundtrack featuring an embossed cover and a pop-up gatefold jacket depicting Elphaba, Glinda, Grimmerie pages, and more.
Review: EUGENE ONEGIN at San Francisco Ballet
by Jim Munson - Jan 26, 2026
San Francisco Ballet is kicking off its 2026 repertory season with the massively ambitious world premiere of Yuri Possokhov’s Eugene Onegin. It’s a tall order to create a full-length contemporary classical ballet to compete with the warhorses we’ve seen a zillion times, but SFB has given it their considerable all.
Top Viral Moments on Broadway in 2025: BOOP!, 'Hamilten,' & More
by Michael Major - Jan 1, 2026
Top viral moments on Broadway this year included Rachel Zegler in Evita, Nicole Scherzinger's megaphone, Death Becomes Her on TikTok, John Proctor is the Villain, Paddington the Musical, Jonathan Groff in Just In Time, BOOP!, Hamilton, and more.
Review: IRVING BERLIN’S WHITE CHRISTMAS at Musicalfare At Shea’s 710 Theatre
by Michael Rabice - Dec 7, 2025
A heartfelt holiday story based on a beloved Christmas film sprinkled with iconic Irving Berlin tunes just about sums up the delightful stage musical WHITE CHRISTMAS now on stage at Shea’s 710 Theatre. Musicalfare has settled into their new digs after a record breaking production of COME FROM AWAY. Let’s just say, their new home fits like a glove
Back to Nubia: Stories from the Making of AIDA After 25 Years
by Caitlin Hornik - Dec 6, 2025
In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.