Tony, Emmy, Golden Globe and Academy Award winner Al Pacino and Tony Award winning director Daniel Sullivan reunite to bring the Public Theater's critically acclaimed production of William Shakespeare's The Merchant of Venice to Broadway following a sold-out run in Central Park.
Pacino and Sullivan expertly tackle one of Shakespeare's most controversial plays, offering modern audiences a new, shattering take on this rarely performed play.
The must-see event runs for only 78 performances! Don't miss this legendary production that the Wall Street Journal declared "cries out to be seen by everyone with a passion for truly great theater. The best Merchant I have ever seen!"
Due to a film commitment in Mr. Pacino's schedule, THE MERCHANT OF VENICE went on hiatus following the performance on Sunday, January 9 (when it was originally scheduled to close) and resumed performances on Tuesday, February 1 for an additional three week run through Sunday, February 20.
Now that Mark Wendland's revolving wrought-iron set has been fitted into a smaller indoor space, with the black-painted theater wall serving as a backdrop, the emphasis has shifted to the darker story of Shylock (Pacino), the revenge-hungry Jewish moneylender bent on exacting a pound of flesh from Antonio (Byron Jennings), the merchant of the title and bosom friend of Bassanio. When the two tales converge in the blistering trial scene, theatrical fireworks explode as two heavyweights at the top of their game—Pacino and Rabe—clash.
Language is always key when it comes to the Bard. But Sullivan's excellent production finds eloquence between the lines, too, in two silent scenes. One imagines Shylock's conversion to Christianity as an act of brutal violence. The other is a final tableau of Jessica, seated at water's edge, and Portia, again, in a tower but not camera-ready as she considers her life. The uncertainty etched on their faces speaks says it all; things won't be picture perfect.
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