The Koh-I-Noor - 1893 New York History , Info & More
The Koh-I-Noor - 1893 - New York Articles Page 7
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by Jack L. B. Gohn - Nov 7, 2018
If you go expecting, as it were, wild Wilde, you won't be disappointed.
by A.A. Cristi - Oct 29, 2018
The Joffrey Ballet's critically acclaimed reimagined classic, The Nutcracker, by Tony Award-winning choreographer Christopher Wheeldon, returns to open the holiday season at the historic Auditorium Theatre of Roosevelt University, in downtown Chicago at 50 East Congress Parkway, in 29 performances, December 1-30, 2018.
by A.A. Cristi - Oct 22, 2018
Joined by Chicago Symphony Orchestra cellist Richard Hirschl, New Philharmonic, will perform two concerts featuring works by Beethoven, Tchaikovsky and Rachmaninoff. The concerts, conducted by Maestro Kirk Muspratt, will be held at the McAninch Arts Center, 425 Fawell Blvd.; Saturday, Nov. 3 at 7:30 p.m. and Sunday, Nov. 4 at 3 p.m. A free MAC Chat will precede each concert. The concert program is as follows:
by Barry Lenny - Oct 13, 2018
At the Bal du Paradis, 'La Mome' Pistache presents the Can Can.
by A.A. Cristi - Oct 4, 2018
Joined by Chicago Symphony Orchestra cellist Richard Hirschl, New Philharmonic, will perform two concerts featuring works by Beethoven, Tchaikovsky and Rachmaninoff. The concerts, conducted by Maestro Kirk Muspratt, will be held at the McAninch Arts Center, 425 Fawell Blvd.; Saturday, Nov. 3 at 7:30 p.m. and Sunday, Nov. 4 at 3 p.m. A free MAC Chat will precede each concert. The concert program is as follows:
by BWW News Desk - Oct 5, 2018
Mandala Arts Presents Masks & Myths at The Logan Center, October 6 & 7 2018. These performances are the culmination of an extraordinary year-long collaboration between Mandala Arts and dancers and musicians from Sri Lanka, celebrating cross-cultural exchange and examining the often-unanticipated historic results.
by Tori Hartshorn - Oct 4, 2018
American Composers Orchestra (ACO) will open its 2018-2019 season with a concert honoring Phenomenal Women presented by Carnegie Hall in Zankel Hall on Friday, November 2, 2018 at 7:30pm. The performance, conducted by ACO Music Director George Manahan, will feature the world premiere of Valerie Coleman's Phenomenal Women performed by the Imani Winds with ACO; as well as the world premiere of Alex Temple's Three Principles of Noir with singer Meaghan Burke, director Amber Treadway, and costumes by Storm Garner. Grammy and Grawemeyer Award-winning composer Joan Tower's Chamber Dance from 2006, which treats the orchestra as a chamber ensemble, completes the program.
by Kaitlin Milligan - Oct 4, 2018
American Composers Orchestra (ACO) will open its 2018-2019 season with a concert honoring Phenomenal Women presented by Carnegie Hall in Zankel Hall on Friday, November 2, 2018 at 7:30pm. The performance, conducted by ACO Music Director George Manahan, will feature the world premiere of Valerie Coleman's Phenomenal Women performed by the Imani Winds with ACO; as well as the world premiere of Alex Temple's Three Principles of Noir with singer Meaghan Burke, director Amber Treadway, and costumes by Storm Garner. Grammy and Grawemeyer Award-winning composer Joan Tower's Chamber Dance from 2006, which treats the orchestra as a chamber ensemble, completes the program.
by A.A. Cristi - Oct 1, 2018
Placido Domingo, LA Opera's Eli and Edythe Broad General Director, has announced final details about the company premiere of Satyagraha by Philip Glass.
by Stephi Wild - Sep 21, 2018
Australia's Orava Quartet brings their unique brand of youthful intensity and passion to the Sydney Opera House's Utzon Room for one night only, Friday 26 October, performing Haydn, Schulhoff and Debussy in a concert titled 'Czech Fantasy'. Their Melbourne performance, at the Melbourne Recital Centre, will take place on Thursday 25 October
by Jeffrey Ellis - Sep 19, 2018
Ernie Nolan and his stellar crew of theatrical collaborators at Nashville Children's Theatre once again prove their mettle with a production worthy of adulation and acclaim, thanks to their world premiere of the TYA (theater for young audiences) version of the recent Broadway musical Tuck Everlasting. Based on Natalie Babbitt's 1975 novel - long considered one of the finest works ever written expressly for young readers - Tuck Everlasting is a thing of beauty, whether onstage or on the page, and audiences unfamiliar with either the book or the play are in for an emotional, thought-provoking journey that reverberates long after the final bows ring down the show's curtain.
by Julie Musbach - Aug 27, 2018
Mandala Arts Presents Masks & Myths at The Logan Center, October 6 & 7 2018. These performances are the culmination of an extraordinary year-long collaboration between Mandala Arts and dancers and musicians from Sri Lanka, celebrating cross-cultural exchange and examining the often-unanticipated historic results.
by A.A. Cristi - Aug 14, 2018
The Sacred Fools Theater Company is excited to announce its upcoming 22nd Season (2018-2019) along with the opener for its 23rd Season in the fall of 2019. The announced shows include three World Premieres and a West Coast Premiere, plus a co-production of a local favorite that took home the Top of Fringe award from the Hollywood Fringe Festival.
by Tori Hartshorn - Aug 7, 2018
Baruch Performing Arts Center announces their 2018/2019 season, featuring premieres by composers Huang Ruo, Gregory Spears, and the late Matt Marks, and choreographer Dusan Týnek. The season includes the 27th year of the Milt Hinton Jazz Perspectives series, a 5th Anniversary celebration of the CUNY Dance Initiative, and work in progress by veteran writer-performer Penny Arcade. For more information and tickets, visit http://www.baruch.cuny.edu/bpac/. All performances take place at 55 Lexington Ave. (enter 25th Street between Lexington & 3rd Aves.)
by A.A. Cristi - Aug 7, 2018
Baruch Performing Arts Center announces their 2018/2019 season, featuring premieres by composers Huang Ruo, Gregory Spears, and the late Matt Marks, and choreographer Dusan Týnek. The season includes the 27th year of the Milt Hinton Jazz Perspectives series, a 5th Anniversary celebration of the CUNY Dance Initiative, and work in progress by veteran writer-performer Penny Arcade. For more information and tickets, visit http://www.baruch.cuny.edu/bpac/. All performances take place at 55 Lexington Ave. (enter 25th Street between Lexington & 3rd Aves.)
by A.A. Cristi - Aug 1, 2018
The French Institute Alliance Francaise (FIAF), New York's premier French cultural institution, today announced Crossing The Line Festival 2018, featuring leading international artists in a wide-ranging program of events, performances, and exhibitions from September 18 to October 13, 2018. Tickets are now available at crossingthelinefestival.org.
by Alan Henry - Jul 3, 2018
Stefan Herheim, one of Europe's most exciting directors, makes his company debut with Glyndebourne's first new production of Pelléas in nearly 20 years.
by Stephi Wild - May 11, 2018
During 2018, the Finborough Theatre celebrates 150 years of the Finborough Theatre's building - and its birthday also coincides with the 150th anniversary of the birth of French symbolist playwright Paul Claudel. As part of the #Finborough150 celebrations, the London premiere in English of Paul Claudel's Break of Noon (Partage de Midi) plays for six Sunday and Monday evenings and Tuesday matinees from Sunday, 27 May 2018 (Press Night: Monday, 28 May 2018 at 7.30pm).
by Julie Musbach - May 9, 2018
The York Theatre Company in association with Documentary Arts presents the world premiere of the new musical Lonesome Blues, based on the true story of legendary bluesman Blind Lemon Jefferson, created by Alan Govenar (Texas in Paris) and Akin Babatunde (Blind Lemon Blues), directed by Katherine Owens (How Is It That We Live or Shakey Jake + Alice), performed by Akin Babatunde with David Weiss on guitar.
by Monica Moore - May 7, 2018
George Bernard's Shaw's play is a sharp comedy that rides on a social commentary based on his beliefs that prostitution is not about moral failure but economic necessity.
Awarding-winning director Eleanor Bishop ( Boys 2017) is both a writer and director creating feminist theatre. Bishop has deconstructed and re-framed Shaw's work adding an extra character in the form of Kitty Warren's sister Liz who provides a window from a of a sex worker's perspective.
by Alan Henry - Apr 25, 2018
The Met is hosting the return of Bartlett Sher's production of Gounod's sumptuous Shakespeare adaptation of Romet et Juliette, which was a hit of the 2016-17 Met season ('a revelation' declared the Huffington Post). Now the sweeping tragedy returns with Ailyn Pérez and Charles Castronovo as the star-crossed young lovers. Plácido Domingo conducts.
by Macon Prickett - Apr 24, 2018
NEW YORK, April 24, 2018 /PRNewswire/ Lil Wayne stars in a hilarious new commercial for Bumbu, a premium craft rum from Barbados.
by A.A. Cristi - Apr 12, 2018
Hale Centre Theatre's season continues with the opening of a top-notch revival of Oscar Wilde's endlessly entertaining comedy The Importance of Being Earnest. Directed by Cambrian James, this sparkling comedy which the London Telegraph calls "the most perfect comedy in the English language" plays April 5 through May 12, 2018. Tickets are $32.00 and are on sale now to the general public. Discounts are available for children and groups of 10 or more.
by Julie Musbach - Apr 2, 2018
Opera Orlando returns to the intimate setting of the Alexis and Jim Pugh Theater at the Dr. Phillips Center for the Performing Arts for part of their 2018-2019 season. Three productions comprise The Opera on the Main Stage series as the company presents its third season of fully staged operas. The company also will inaugurate its Opera on the Town series in 2018-2019, performances in various venues in Central Florida. Numerous special events also will be held.
by Olga El - Mar 21, 2018
Belly dance's roots in Eastern cultures, North African cultures in particular, is undeniable. Black and Brown dancers fill the scenes of ancient Egyptian wall paintings and of dance history gems such as Dr. Magda Saleh's 1975 documentary “Egypt Dances.” So why is it so hard to find Black and Brown dancers making a name and a living for themselves in the modern belly dance scene?
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