The Koh-I-Noor - 1893 - New York Articles Page 5

CBS is bringing the classic variety show KIDS SAY THE DARNDEST THINGS from CBS Studios and Anvil 1893 Entertainment back home to the Network for the 2020-2021 broadcast season.

With the cancellation of The Joffrey Ballet's annual engagement of Christopher Wheeldon's critically acclaimed version of The Nutcracker in 2020, the Joffrey is pleased to announce a myriad of festive, interactive virtual offerings throughout the holiday season, including the debut of a newly animated digital display as part of Chicago's Art on theMART — the largest permanent digital art projection in the world.

More than ever before, the past few months have made me realize how much work I have to do on my own as a white female, and specifically, a white female in theater, to combat the racial injustices that line our country's past and present.

Fresh off of news that The Broadway League's plans to audit diversity and inclusive within the theatre industry, IATSE's General Executive Board has announced their own plans for action.

To raise awareness for the plight of artists worldwide amidst the coronavirus pandemic, pianist and 2018 Gilmore Artist Igor Levit gives a 20-hour, live-streamed, marathon performance transcending geographical borders and time zones.

The Chicago Symphony Orchestra Association (CSOA) and WFMT (Chicago's Classical Music Station) announce the release of a new set of seven programs in the Chicago Symphony Orchestra (CSO) radio broadcast series From the CSO's Archives: Maestro's Choice-For All Music Lovers in These Difficult Times.

According to Deadline, IATSE, the union for theatrical stagehands, has just announced that it will close offices to both members and public. IATSE Stagehands Local One president James J. Claffey, Jr. said in a statement:

Ashley Wheater MBE, The Mary B. Galvin Artistic Director of The Joffrey Ballet, has announced the Company's 2020-2021 inaugural season at Lyric Opera House, featuring a ballet masterpiece from legendary choreographer Sir Kenneth MacMillan, a world premiere from choreographer Cathy Marston, a Joffrey debut from George Balanchine, a Chicago premiere from Hamburg Ballet Chief Choreographer John Neumeier, and the fifth anniversary of Christopher Wheeldon's holiday classic The Nutcracker. The Joffrey Ballet begins its 65th season with MacMillan's iconic Manon, October 14-25, 2020, followed by Wheeldon's magical production of The Nutcracker, December 5-27, 2020. For its winter engagement, the Joffrey presents a mixed program that includes the world premiere adaptation of John Steinbeck's Of Mice and Men by Marston and the Joffrey premiere of Serenade by Balanchine, February 17-28, 2021. Closing the season is the Chicago premiere of Neumeier's acclaimed The Little Mermaid, April 21- May 2, 2021.

Inspiring musical by Angelica Cheri and Ross Baum examines race, family and identity in the Wild West.

As a reviewer you generally find something wrong with a production no matter how much you enjoy it. Signature Theatre's latest World Premiere Musical Gun & Powder is a rare breed of show because it is literally a perfect theatrical experience. Under the fantastic direction of Robert O'Hara it features a superb cast, a compelling story, and possibly one of the best new scores of the season to be heard here or anywhere else.

With its new production of A Woman of No Importance, Walnut Street Theatre hit its stride in producing classic works with a creative twist. 

The Morris Museum commemorates International Holocaust Remembrance Day (January 27) and the 75th anniversary of the liberation of Auschwitz with an exhibition of paintings by David Friedmann (1893-1980), a renowned portraitist in Berlin and Prague before his deportation to Lodz Ghetto in 1941. The works on view portray Friedmann's haunting memories of survival during the Holocaust, from life in the Ghetto, to internment at Auschwitz-Birkenau concentration camp and sub camps Gleiwitz I and Blechhammer until his liberation in 1945.  The selected works, created in Prague from 1945-1948, are part of a series entitled, Because They Were Jews!

There's not a Christmas tree in sight, but there's plenty of uplifting, feel good spirit in the Umbrella Stage Company's TUCK EVERLASTING, the third production of their inaugural season in their gleaming new building in Concord. Under the direction of Elliot Norton Award-winner Nancy Curran Willis, the simplicity and magic of the story shine through the captivating performance of Madi Shaer as 11-year old Winnie Foster, a girl whose life is inexorably changed when she runs away and meets the Tuck family in the woods of Treegap, New Hampshire.

Pianist Stephen Hough's album Brahms: The Final Piano Pieces explores the composer's last four sets of piano miniatures—the Fantasias, Op. 116; Intermezzos, Op. 117; and Clavierstücke, Op. 118 & 119. The recording, Mr. Hough's sixth all-Brahms album, is released digitally and on disc by Hyperion Records on Friday, January 3. Digital pre-orders are currently available from Amazon and Apple Music / iTunes.

This December, The Umbrella Stage Company is proud to be the first professional to company to bring to local audiences this newest musical, magical adaptation of Natalie Babbitt's classic children tale, Tuck Everlasting, which also inspired a 2002 Disney film.

Sometimes orchestras program pieces to meet popular demand, and at other times, they program works to meet expectations or fulfill a sense of obligation. It's so easy to yield to inertia. This past weekend's Charlotte Symphony concerts balanced both types of choices. The DVOŘÁK'S NEW WORLD SYMPHONY is so popular in the Queen City that an extra row of seats was set up at Belk Theater behind the already-packed Grand Tier.

Open Fist's clever, hilarious World Premiere musical adaptation of Neil Simon's MUSICAL FOOLS is a hilarious musical adaptation of his play, Fools, with book and lyrics by Simon, and music and lyrics by Phil Swann and Ron West, a veteran comedy genius from Chicago's Second City, who has directed the laugh fest like a Monty Python version of Fiddler on the Roof performed by the original Not Ready for Prime Time Players. Off-the-wall hysterical choreography by Louisa Kendrick Burton greatly enhances the comedy, with musical direction by Jan Roper often adding in the flavor of Eastern European Klezmer music.

A very watchable and at times funny show.

The Joffrey Ballet's critically-acclaimed reimagined classic, The Nutcracker, by Tony Award-winning choreographer Christopher Wheeldon, returns to open the holiday season at the historic Auditorium Theatre, in downtown Chicago at 50 East Ida B. Wells Drive, in 29 performances only, November 30-December 29, 2019. This season's production marks the last time The Nutcracker will take place at the Auditorium Theatre since its world premiere in 2016. The Company moves to the Lyric Opera House with the start of the 2020-2021 season.

A new multi-space, multi-dimensional 42,000 sq. ft. art, entertainment and events destination, Epiphany Center for the Arts, 201 S. Ashland Ave., formerly the iconic Church of the Epiphany, will open this winter. One of the largest cultural venues in the city and a designated Chicago landmark, this architecturally significant property has been acquired in a multi-million-dollar transaction by Chicago Developer David Chase; he along with his wife, Kimberly Rachal have lovingly preserved the historic church and its adjacent buildings. The revitalization and renovation project, which houses artifacts from the church originally built in 1885, will feature three unique event spaces, a café, courtyard and other ancillary spaces to support the visual, performing and culinary arts. Epiphany Center for the Arts will once again become a place for the community to congregate, All for the Good of Art, Entertainment and Events.

Dumba?? dumbera?? dumbest? Open Fist Theatre Company presents the world premiere of Neil Simon's Musical Fools, an adaptation of the Simon play Fools, with book and lyrics by Neil Simon and music and lyrics by Phil Swann and Ron West (deLEARious, The People Vs Friar Laurence). West also directs, with music direction by Jan Roper and choreography by Louisa Kendrick Burton. Neil Simon's Musical Fools opens Oct. 12 at Atwater Village Theatre, where performances will continue through Nov. 17; pay-what-you-want previews begin Oct. 4.

Carnegie Hall today announced the launch of its new online Digital Collections, inviting the general public to search, explore, and download more than 80,000 recently digitized historic items from its archives for the very first time. This initial preview, drawn from the Hall's legacy collections, offers a window into the richly diverse history of events at the Hall since its opening in 1891, with an emphasis on the Hall's earliest decades. It includes Carnegie Hall concert programs from 1891–1925; flyers; photographs; correspondence; newspaper clippings; autographs; booking ledger pages; and a select number of promotional films. The goal of this digital initiative is to provide broader public access to the Hall's archival collections, providing a new way for people to engage with Carnegie Hall's history and share it with others.

Sacred Fools Theater Company is launching its 23rd season with the World Premiere of the musical DEADLY by Vanessa Claire Stewart with Music by Ryan Thomas Johnson and directed by Jaime Robledo. Taking place in 1893, a time of hope and optimism as the World's Fair turns the globe's eyes toward Chicago and the cultural explosion of art and technology on display. But it is also a time when a demon lurks beneath, taking advantage of the adventuresome spirit of modern-thinking and very independent women. It just wouldn't do to forget who they were.

Kazakhstan's oldest theatre, the Abay Kazakh State Academic Opera and Ballet Theatre, makes its UK debut at the London Coliseum on Sunday, November 17th with performances of the classic one-act ballets Chopiniana (left) and Scheherazade.

Hailed as a?oeone of the great amateur choruses of our timea?? (New York Today) for its a?oefull-bodied sound and supplenessa?? (The New York Times), the 50-member Dessoff Choirs begins its 2019-20 season highlighting choral works by esteemed composers of the 19th and 20th centuries. Featuring full orchestra, and soloists Laquita Mitchell (soprano) and Donovan Singletary (baritone), the program is centered around the original 1893 version of Gabriel Fauré's Requiem, the composer's masterpiece. Complementing the Requiem is Ich lasse dich nicht, a motet attributed to J.S. Bach, William Schuman's evocative Prelude for Voices, and the a?oeKyriea?? from Louis Vierne's Messe solennelle.