The Hook-up - 1935 - Broadway Articles Page 1

Patrick Hamilton (1904-1962) wrote his semi-autobiographical trilogy as a dark celebration of the seedy, smoggy, smutty London he inhabited in the late 1920s. Published first as Bob’s story (The Midnight Bell 1929), then with Jenny’s back-story (the salaciously titled The Siege of Pleasure 1932) and finally Ella’s simultaneous story to Bob’s (The Plains of Cement 1934, originally titled ‘Time, Gentlemen, Please’), Twenty Thousand Streets Under the Sky – A London Trilogy was compiled and published in one volume 1935.

American jazz trumpeter Ambrose Akinmusire joins the BBC Concert Orchestra and Miho Hazama for a celebration of jazz legend Miles Davis on the centenary of his birth. Although diverse and enjoyable, it is a little less Davis and a little more everything else thanks to some over-orchestration.

HBO has renewed IT: WELCOME TO DERRY for a second season, with Brad Caleb Kane serving as showrunner. Season two will be set in Derry during the Great Depression, following the Bradley Gang.

Two new sponsors have joined Garden Theatre on Plant's upcoming season in Winter Garden, Florida, following a sold-out opening concert tribute to Elton John.

Over the years, Broadway has seen a number of family acts sharing the stage. It’s extra special when family members team up to write a Broadway show together. The Great White Way has seen many instances of this historically, in a variety of different situations. While last week’s column focused on spouses penning shows together, this week is all about blood relatives partnering to write work. 

Micaela Diamond and Will Pullen have joined Manhattan Theatre Club's Broadway revival of Clifford Odets' Awake and Sing!, directed by Tyne Rafaeli at the Samuel J. Friedman Theatre.

Jackalope Theatre Company has announced the plays, playwrights and casts for its 17th Annual Living Newspaper Festival, staged at the Jackalope Theatre in the Broadway Armory in Chicago.

Drama professor, historian, director, and writer Amnon Kabatchnik has penned a new book in his reference series, Bloody Broadway: Plays of Menace, Murder, and Mystery, Volume II.

Miss Maybell & Her Ragtime Romeos celebrated the release of Under the Midnight Moon with an infectious set of newly unearthed ragtime, blues, and early jazz. Brilliant musicianship, irresistible energy, and forgotten songs made for a fabulous set.

Over the years, Broadway has seen a number of family acts sharing the stage. It’s extra special when family members team up to write a Broadway show together. The Great White Way has seen many instances of this historically, in a variety of different situations. 

Princeton Summer Theater’s (PST) 2026 season continues with THE 39 STEPS, a noir farce full of danger, mystery, and laughs.

This season, 46th Street will join these special ranks when the new musical Warriors moves into the Lunt-Fontanne Theatre. Warriors, with book, music, and lyrics by Lin-Manuel Miranda and Eisa Davis, moves in across the street from Hamilton in its long-time home at the Richard Rodgers. Hamilton, with book, music, and lyrics by Miranda, already has a history of inspiring block party vibes on 46th Street with Ham4Ham, their in-person lottery turned pop-up concert event. Will there be a crossover lottery event for both shows? Perhaps Warriors will be the Lunt-Fontanne show to finally reopen the theater’s long-dormant retractable rooftop and wave to their neighbors? 

Epheverie Theatre Company will co-produce WONG SIDE OF TIME, a new queer Asian musical inspired by Anna May Wong, as part of the SheNYC Festival at Classic Stage Company in Manhattan.

Simon & Schuster Audio will release the 1993 Broadway benefit reading of Larry Kramer's THE NORMAL HEART on digital audio for the first time, featuring Kevin Bacon, Stockard Channing, Harry Hamlin, and a rare stage appearance by Barbra Streisand.

2026 is halfway over, which means that the 2026/27 Broadway season has just begun! All eyes are already on the lineup for the new Broadway season and many Broadway productions have already revealed full details of their upcoming engagements.

Rise and shine, BroadwayWorld! It is June 2, 2026 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.

BEHIND THE SPOTLIGHT at AMT Theater, a lecture series of interesting info and personal opinions and experiences by three men of the the theater with something to say. Read some highlights of the series

What did our critic think of THE 39 STEPS IS A DELIGHTFUL ROMP AT ELMWOOD PLAYHOUSE at Elmwood?So pronounced is the raucous, madcap flavor of the show – consciously channeling the vaudevillian humor of early 20th Century English music halls, a setting that bookends the play – that the plot itself virtually plays second fiddle to the non-stop shenanigans, which are enough to make you plotz with guffaws throughout.

Kathleen Marshall’s sumptuous revival of (Top Hat) transforms the Théâtre du Châtelet into a 1930s fantasia of tap brilliance, screwball romance, and Irving Berlin classics. Phillip Attmore and Nicole‑Lily Baisden lead a radiant cast through a whirlwind of mistaken identities, Art Deco glamour, and showstopping choreography. Running until 3 May.

59E59 Theaters has announced the productions in its Summer 2026 season, featuring a mix of solo performance, comedy, and new plays. Learn more about the lineup here!

The Missoula Children's Theatre (MCT) is leaking water from the roof. If MCT does not have a functioning roof, the staff and programming are at risk. Learn more about how to help!

Florida Repertory Theatre announced five plays selected for its 2026 PlayLab Festival of New Works, running April 30–May 3 in Fort Myers. Works by Dominic Finocchiaro, Kenneth Jones, Kelundra Smith, Stephen Spotswood, and Jenny Stafford are featured.

Alliance Theatre has revealed its 2026/27 season, featuring the world premiere musical Alice in Neverland, a world premiere adaptation of Winnie the Pooh, and more.

Theater West End has once again delivered a hit with this production of COMPANY. Opening night was practically sold out, and the energy in the room reflected it – an audience eager to see how this beloved musical would unfold on the intimate Sanford stage.

Revival of 1935 play could have much relevance to today, but cannot find a route out of slow and dated writing