Steps Leading Up 1941

Works & Process Underground Uptown Dance Festival presents commissioned street and social dances at the Guggenheim and Lincoln Center. Join the Underground Uptown Ball in the Morgan Stanley Lobby.

Works & Process at the Guggenheim presents the Underground Uptown Dance Festival, a festival of commissioned street and social dances taking place in the subterranean Frank Lloyd Wright-designed theater at the Guggenheim from January 10-16, 2024 and at Lincoln Center's Alice Tully Hall on January 12.

New Adventure's Production of the tale of Cinderella has never been more salacious or delicious. The dancing is superb, as well as the artistry involved in every facet of the production. With the updated scenario created, Cindy's world is smack dab in the middle of World War II. Directed and Choreographed by the incredible Sir Matthew Bourne, and loosely based on his parent's war stories, we are taken to London in the '40s, during the middle of air raids, bombings and destruction. The set design and wardrobe is all very drab in muted black and grey reflecting the tone of the environment. Wickedly creative is the choreography, the sets, the costumes, lighting and sound, not to mention the score by Prokofiev. Cinderella Opus 87 is such a melodious wonderland for a choreographer and his artistic team to work with. There is such power, intensity and magic in this lively piece. In Sir Matthew Bourne's hands, and feet, it is a fabulous, imaginative display of artistry and brilliance.

The Sheen Center for Thought & Culture has announced its 2019 winter/spring season, a rich program of theater, film, music, poetry, art, and talk events featuring artists and thought leaders including Grammy Award-winning singer-songwriter Mary Chapin Carpenter;Tony Award winner Lena Hall; Grammy Award-winning musician and recording artist Eileen Ivers; Pulitzer Prize and Tony Award nomineeAlexander Gemignani;and journalist and former Wall Street Journal columnist Sohrab Ahmari.

Macy Medford and Arden Guice may only be college students, but their performances as Violet and Daisy Hilton, the heroines of Side Show - the iconic musical by Bill Russell, Henry Krieger and Bill Condon that debuted on Broadway some 20 years ago - in Belmont University Musical Theatre's production that runs for just one weekend, are nothing less than a professional triumph for each young woman. Thoroughly committed and startlingly focused, Medford and Guice perform an oftentimes tricky, always challenging, task in order that the two young women effectively become their characters, ensuring the musical packs an emotional wallop delivered straight to the collective heart of its audience, while showcasing the evolution of a musical theatre program at the Nashville university, which over the years has gained a national reputation as the training ground of the next generations of Broadway stars yet to be.

Actors Co-op Theatre Company (Ovation Award-Winner 2017 Best Play, Intimate Theatre for 33 Variations) presents the first show in its 27th Season with the thriller ROPE, written by Patrick Hamilton, directed by Ken Sawyer, produced by Kevin Shewey.  ROPE will preview on Thursday, September 20 at 8pm and will open Friday, September 21 at 8pm and run through Sunday, October 29 at the Actors Co-op Crossley Theatre, 1760 N. Gower St. 90028 (on the campus of the First Presbyterian Church of Hollywood) in Hollywood.

Lincoln Center has revealed its calendar of events for July, including the Mostly Mozart Festival lineup. Check out the full listings below:

City Winery Chicago, 1200 W. Randolph Street, announces versatile jazz master Chick Corea and more. The following shows go on sale to the public on Thursday, May 31 at noon. All tickets will be available at citywinery.com/chicago.

Coventry's Belgrade Theatre is getting into the Scottish spirit this season with a brand new adaptation of Compton MacKenzie's comic novel Whisky Galore.

NBC Shares Primetime Schedule For 3/19-4/15

The question of gender parity in the theatre is a matter that has long been explored within our community. While recent Broadway seasons have taken encouraging steps toward better female representation, both on and offstage, the question of gender equality within the theatre continues to be a hotly debated issue across the theatrical sphere.

From today. March 12 - 22, 2015 Houston Ballet offers up Modern Masters, a spring mixed repertory program showcasing works by three of the twentieth century's greatest choreographers.

From March 12 - 22, 2015 Houston Ballet offers up Modern Masters, a spring mixed repertory program showcasing works by three of the twentieth century's greatest choreographers.

When Gaston Leroux published THE PHANTOM OF THE OPERA back in 1911, little did he realize the numerous chandeliers that would come crashing down through the decades, and I've witnessed a good number of them. First, in 1925, there was 'the Man of a Thousand Faces,' Lon Chaney, Sr., who frightened poor Mary Philbin (a well-done version, even IF the film was silent); then, for Universal in 1941, Claude Rains (Bette Davis' favorite co-star) was a more subdued vocal coach for soprano Susanna Foster (a wooden Nelson Eddy, alas, is a greater impending horror as 'Raoul'). I could go on - even Herbert Lom, the actor who was the harried police superior to Peter Sellers' 'Inspector Clousseau,' took a swing on the old light fixture. (And let us not forget diminutive Paul Williams in the slightly askew PHANTOM OF THE PARADISE.) All of these pale, of course, in comparison to the legendary interpretation by Michael Crawford in the Andrew Lloyd Webber musical, which first brought the audience to its feet in 1986.

This season's revival of George S. Kaufman and Moss Hart's Pulitzer Prize-winning play YOU CAN'T TAKE IT WITH YOU opens on Broadway tonight, and in honor of the playwriting pair's long list of contributions to the theatre, we've rounded up some of their most notable works. Scroll down to learn more about the duo's canon!

The 'Alley Theatre @ UH' season begins with Betty Buckley, Hallie Foote, Annalee Jefferies and Veanne Cox in award-winning Texas playwright Horton Foote's The Old Friends, a Southwestern premiere.

From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.

The 'Alley Theatre @ UH' season begins with Betty Buckley, Hallie Foote, Annalee Jefferies and Veanne Cox in award-winning Texas playwright Horton Foote's The Old Friends, a Southwestern premiere.

Now through June 1, 2014 Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Jir?i? Kylia?n's comic and delightful Sechs Ta?nze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center.

From today, May 22 - June 1, 2014, Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters.

Flat Rock Playhouse announced today that producing artistic director Vincent Marini will step down on May 31st to pursue new opportunities. Lisa K. Bryant, currently Flat Rock Playhouse associate artistic director, has been named interim artistic director.

From May 22 - June 1, 2014 Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Jir?i? Kylia?n's comic and delightful Sechs Ta?nze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center. Tickets start at $19, and may be purchased at www.houstonballet.org or by calling Houston Ballet box office at 713-227-2787, or 1-800-828-2787.

From May 22 - June 1, 2014, Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Ji?i Kylian's comic and delightful Sechs Tanze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center. Tickets start at $19, and may be purchased at www.houstonballet.org or by calling Houston Ballet box office at 713-227-2787, or1-800-828-2787.

Yesterday's MEET THE PRESS WITH DAVID GREGORY featured interviews with Senate Armed Services Committee chairman Sen. Carl Levin (D-MI), House Homeland Security Committee chairman Rep. Peter King (R-NY), Rep. Gregory Meeks (D-NY), and Honeywell CEO David Cote; and a roundtable conversation with MSNBC's Rev. Al Sharpton, National Republican Senatorial Committee vice chair Carly Fiorina, New York Times columnist David Brooks, documentary filmmaker and historian Ken Burns, and NBC News chief foreign affairs correspondent Andrea Mitchell.