The stars of screen and stage align as Orlando Bloom (Pirates of the Caribbean) and Tony Award Nominee Condola Rashad (Stick Fly) take on the roles of Shakespeare’s legendary star-crossed lovers, ROMEO AND JULIET.
The most famous love story ever told returns to Broadway for the first time in 36 years in a stunning new production from five-time Tony nominee David Leveaux. Jealousy. Prejudice. Betrayal. And the chance that true love could actually conquer all. That’s Romeo and Juliet.
When you get to the theater, make sure to share the love! Patrons are encouraged to bring locks to hang on our #RJLOVELOCK fence outside of our theater. Patrons can also check into ROMEO AND JULIET on Broadway on Facebook and receive a free lock from the merchandise stand.
Alas, these lovers are not just star-crossed but so mismatched that they could be from different galaxies in director David Leveaux's busy-with-brainstorms but broad and surprisingly unmoving production. Bloom -- more famously the elf prince and a Caribbean pirate -- makes a dashing, appealing, if not exactly youthful Romeo. He has a flashy entrance in ripped jeans on a motorcycle that, ask not why, is never seen again and he catapults from a playful romantic to a doomed one with a winning grace. It hurts to have to say this, but Rashad -- who has much-deserved Tony nominations for 'Stick Fly' and 'The Trip to Bountiful' -- is not a natural Shakespearean. Her voice has little variety, and she basically has two expressions -- happy and n
Leveaux is a highly intelligent director but for the life of me I couldn't find much meaning in the objects that waft semi-symbolically throughout the performance...there are spectacular bursts of fire, generating more heat than Bloom and Rashad, apart from a passionate first kiss, manage to do...I cannot complain about the panoply of acting styles here; uniformity of performance usually means monotony of performance. It is, in fact, the jolting difference between Rashad and her nurse, the ever-valuable Jayne Houdyshell, that invests their scenes with aliveness. The disparity between Rashad's timidity and the power of Chuck Cooper, as Lord Capulet, also drives the performance. Christian Camargo, so disturbingly good as the title character's older brother on TV's Dexter, brings a similar eerie intensity here to Mercutio.
| 1754 | Broadway |
Broadway |
| 1869 | Broadway |
Broadway |
| 1899 | Broadway |
Broadway |
| 1903 | Broadway |
Broadway |
| 1903 | Broadway |
Broadway |
| 1904 | Broadway |
Broadway |
| 1905 | Broadway |
Broadway |
| 1907 | Broadway |
Broadway |
| 1907 | Broadway |
Broadway |
| 1909 | Broadway |
Broadway |
| 1910 | Broadway |
Broadway |
| 1910 | Broadway |
Broadway |
| 1911 | Broadway |
Broadway |
| 1911 | Broadway |
Broadway |
| 1911 | Broadway |
Broadway |
| 1912 | Broadway |
Broadway |
| 1913 | Broadway |
Broadway |
| 1915 | Broadway |
Broadway |
| 1915 | Broadway |
Broadway |
| 1918 | Broadway |
Broadway |
| 1922 | Broadway |
Broadway |
| 1922 | Broadway |
Broadway |
| 1923 | Broadway |
Broadway |
| 1930 | Broadway |
Broadway |
| 1930 | Broadway |
Broadway |
| 1934 | Broadway |
Broadway |
| 1935 | Broadway |
Broadway |
| 1940 | Broadway |
Broadway |
| 1951 | Broadway |
Broadway |
| 1956 | Off-Broadway |
Off-Broadway |
| 1956 | Broadway |
Broadway |
| 1962 | Off-Broadway |
Off-Broadway |
| 1968 | Off-Broadway |
Off-Broadway |
| 1977 | Broadway |
Broadway |
| 1986 | Broadway |
Broadway |
| 1988 | Off-Broadway |
Off-Broadway |
| 1990 | Off-Broadway |
Off-Broadway |
| 1991 | Off-Broadway |
Off-Broadway |
| 2001 | Off-Broadway |
Off-Broadway |
| 2004 | Off-Broadway |
Off-Broadway |
| 2007 | Off-Broadway |
Off-Broadway |
| 2013 | Broadway |
Broadway Revival Broadway |
| 2013 | Off-Broadway |
Classic Stage Company Production Off-Broadway |
| 2016 | West End |
Kenneth Branagh West End Revival West End |
| 2018 | West End |
RSC Production at the Barbican West End |
| 2024 | Broadway |
Broadway Revival Production Broadway |
| 2026 | West End |
West End |
Videos