In the beginning, two people got kicked out of a garden for eating fruit. Many years later, Adam—a transgender man expecting a child—meets with his twin sister, Eve, a pioneering scientist. She offers her brother prenatal services from her cutting-edge practice. But what exactly does that entail? And does Adam even want Eve’s help?
Written by bold new talent D.A. Mindell and helmed by the refreshingly innovative director Jess McLeod, On the Evolutionary Function of Shame is a compelling exploration of identity, family, and the courage it takes to live authentically, no matter the expectations of society—or those closest to you.
The show runs approximately 90 minutes without an intermission.
Mindell is a third-year student in Columbia’s playwriting MFA, and On the Evolutionary Function of Shame is receiving a full production as part of Second Stage’s Next Stage Festival, which is dedicated to supporting early-career writers. That’s great — and, at the same time, even given space to breathe on Signature Center’s big Irene Diamond Stage, the play still feels like it’s searching for itself. Along the way—and this is the real rub—it’s too eager to show its work while, at the same time, not having done quite enough of it.
In all, Mindell is to be congratulated and thanked for a fervent screed on behalf of continuing trans presence, even though his energetic fervor often obscures his theatrical vision.
| 2025 | Off-Broadway |
Off-Broadway |
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