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The Beach Boys, Movie In The Parks Series and More Are Coming to RiverEdge Park This Summer

by Chloe Rabinowitz - Mar 30, 2026

RiverEdge will present a lineup featuring The Beach Boys, Cheap Trick, and other artists as part of its summer concert series, along with $3 concerts and a Movie in the Parks series.

Rosanna Hyland, Amber Davies, and Sarah Goggin Will Return to BACK TO THE FUTURE For One Night Only

by Stephi Wild - Feb 25, 2026

BACK TO THE FUTURE The Musical's acclaimed alumni cast Rosanna Hyland, Amber Davies and Sarah Goggin will make a special return to the production as ‘Lorraine Baines' at the Adelphi Theatre on Monday 9 March.

THE HAPPY TOGETHER TOUR 2026 To Return To The Smith Center

by A.A. Cristi - Feb 23, 2026

The Happy Together Tour 2026 will return to The Smith Center on July 18. The lineup includes The Association, The Troggs, Jason Scheff, Gary Puckett, The Fortunes, Ron Dante, The Vogues, and The Cowsills.

Review: CLUE: LIVE ON STAGE at Gammage Auditorium

by Tim Shawver - Feb 19, 2026

There have been previous stage versions of the Parker Brothers' board game Clue, none that had any connection to the beloved 1985 film or made any significant mark artistically or commercially.

THE NORMAL HEART Will Open at Lakewood Playhouse Next Week

by Stephi Wild - Feb 13, 2026

In one week, Lakewood Playhouse opens Larry Kramer's searing and deeply human drama The Normal Heart, continuing the theatre's 87th Season with a story about individuals who refuse to be silent in the face of crisis.

Sir Trevor Nunn Directs EASY VIRTUE at Arts Theatre Cambridge

by Stephi Wild - Jan 20, 2026

Renowned director Sir Trevor Nunn returns to Arts Theatre Cambridge to direct EASY VIRTUE, featuring Alice Orr-Ewing, Michael Praed, and Greta Scacchi.

Photos: CLUE at The John W. Engeman Theater

by Stephi Wild - Sep 17, 2024

Performances are now underway for The John W. Engeman Theater's production of CLUE. Check out photos of the cast in action here!

Photos: Opening Night of CLUE at The John W. Engeman Theater

by Genevieve Rafter Keddy - Sep 15, 2024

The John W. Engeman Theater's production of CLUE is now open, and BroadwayWorld was there to capture the festivities. See photos from the opening celebration below!

Review: DADDY LONG LEGS at Theatre 29

by Charlie Thomas - Apr 7, 2024

What did our critic think of DADDY LONG LEGS at Theatre 29?

Review: MAN OF LA MANCHA, This Tale of A Knight Errant Proves No Fool's Errand at Theatre 29

by Charlie Thomas - Mar 5, 2024

“Don Quixote”, Miguel de Cervantes’ epic Spanish masterpiece and arguably the world’s first modern novel, has survived the ravages of time since its initial publishing in 1605 as well as the pernicious predations of countless other “authors” who stole Cervantes’ story and published unofficial sequels to the tale over following years, particularly in the new world.

BWW Review: HEIDI DUCKLER DANCE PRESENTS “THE CHANDELIER “ at The Wallis Annenberg

by Valerie-Jean Miller - Aug 28, 2021

They got hit with a double whammy. Not only were they sidelined first by the pandemic for a year and a half, but to now present 'The Chandelier' all this time later, and still under many Covid restrictions, the entire piece, which was to be 'site-specific' had to be reworked and reimagined. Heidi Duckler, the Founder/Artistic Director of Heidi Duckler Dance, and Choreographer of the piece gave a short introduction explaining how this World Premiere presentation came to be. 'The Chandelier' was inspired by a novel of the same name written by Brazilian Clarice Lispector and published originally in 1946. The book was translated recently from Portuguese into English by Magdelena Edwards and Benjamin Moser. The piece was first constructed to be performed at the Wallis Annenberg Center, highlighting different areas and spaces inside and outside of the theatre, different architectural patterns and settings, to tell the story of a young woman, Virginia, through her own musings and ideations. That was the original plan, however with all the Covid rules and restrictions still in place, it was realized it needed to be performed outside, and contained in one space, with the audience socially distanced. What was created was an innovative, stylized space that became different sets/places as the narrative unfolded, magically and mystically bringing her inner imagination to life.

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