Let and Sub-Let - 1930 - Broadway Articles Page 6

Electric Lodge & Fringe Management,LLC present New Light Theater Project's HITLER'S TASTERS. Winner of the 2017 Susan Glaspell award, Hitler's Tasters was named a?oeBest of the Fringea?? by The Stage, with a sold-out run at the Edinburgh Festival Fringe 2019. 

The Raymond F. Kravis Center for the Performing Arts is offering Broadway's biggest hit, plus amazing concerts and memorable special events for every entertainment preference, from classical music to razzle dazzle dancers, from international performing artists to musical favorites from the Great American Songbook, along with several fascinating talks and lectures throughout the month of February.

Valentine's Day is coming up soon and San Diego theatres have some options for everyone to share the theatre love on any day!

Ghostlight Records recently recorded a new cast album of Cole Porter's 1930 musical The New Yorkers, based on the 2017 production from New York City Center Encores! Inspired by legendary cartoonist, Peter Arno's work for The New Yorker, this upbeat and dazzling soundtrack captures the hustling energy of New York, from the second you press play. The listener then has the opportunity to bask in the hilarity, romance, wit, and admiration used to express affection for a city celebrated by its unique cast of characters.

London Classic Theatre today celebrate 20 years as an unsubsidised, independent production company working in the UK and Ireland. Since 2000 the company has transitioned from one of the success stories of the London Fringe to its current position as one of the UK's leading touring companies, producing 41 tours and visiting over 250 venues. Today the company announces their 2020 season.

On the eve of her death, Anne Boleyn reflects on the journey that led her to become a queen, a mother, and, eventually, a woman condemned. A fascinating look at one of history's most famous marriages. Part of the 2nd Stages Series.

Performing in his 25th country, Goodwill Cultural Ambassador Ronald Rand will represent the United States at the Kenya International Theatre Festival, during his 20th year touring around the world in his celebrated solo play, LET IT BE ART! as Harold Clurman, 'the elder statesman of the American Theatre' on November 3rd in Nakuru at the Nakuru Players Theatre, and on November 5th at the Kenya National Theatre in Nairobi.

Pride Films and Plays announces its first FL!P Fest - four nights of staged readings of full-length funny lesbian plays.

Keith Pinto is one of those fortunate stage actors who seems to work almost constantly. If you attend Bay Area theater with any regularity, chances are you've seen him, most likely in a role that showcases his energetic performance style and talent for movement. His latest role is the iconic a?oesweet transvestitea?? Frank-N-Furter in San Jose Stage Company's new production of a?oeThe Rocky Horror Show.a?? Mr. Pinto recently chatted with BroadwayWorld about his process while he was between rehearsals.

Two love stories. Two suicides. Padua Playwrights presents theNYC premiere of Mayakovsky and Stalin, written and directed by legendary poet/playwrightMurray Mednick (Theatre Genesis) opening at theCherry Lane Theatre for a four-week run beginningOct. 17.

Alan Paul directs and demonstrates the power of live theater.

John Wilson and his orchestra return to the BBC Proms in a concert titled a?oeThe Warner Brothers Storya??, taking audiences on a whirlwind trip through the mammoth catalogue of music written for 1930-1960s Hollywood movies.

Goodwill Cultural Ambassador Ronald Rand will represent the United States, performing in his internationally celebrated solo play, LET IT BE ART! bringing to life Harold Clurman, 'the elder statesman of the American Theatre in the Colombo International Theater Festival, in Colombo, Sri Lanka on August 4th.

Theatre for a New Audience founding artistic director Jeffrey Horowitz, having just received the Lifetime Achievement Award at the 2019 OBIEs, today announces TFANA's 40th anniversary season. The 2019-2020 programming exemplifies what makes TFANA, in the words of the OBIE committee, one of the city's most vital institutions championing adventurous and urgent productions of Shakespeare alongside other writers.

Folger Theatre's Love's Labor's Lost, directed by Vivienne Benesch, compliments the uniqueness of this comedy through a delightfully funny cast and production set during the 1930's.

Tennessee Women's Theater Project presents the revival of the most popular show in company history when SISTAS the Musical opens at the Z. Alexander Looby Theatre for a May 3-19 run.

42nd Street, the iconic Broadway masterpiece and winner of the Tony Award for Best Musical in 1980, is tap-dancing its way onto the Charleston Coliseum & Convention Center's Little Theater stage in Charleston, WV from April 26th, 2019 through May 11th, 2019 courtesy of the talented performers and crew of the Charleston Light Opera Guild.

The Academy Theatre and Impact Theatre Atlanta present "Hi De Hi De Ho: Cab Calloway", opening May 3rd! Rob Jerome Jones will star in this show that brings the story and music of one of America's most beloved jazz icons to the stage!

Radio show host and songwriter Sean McCollough will release Earworm, his third album of songs for kids and their grownups, on May 11th. With 13 stick-in-your-head original and cover songs, Earworm features guests including Billy Jonas, Molly Ledford, members of The Lonetones and the Kidstuff Singers.

On Tuesday, April 30th at 7:30pm, The University of North Alabama College of Arts and Sciences, Department of Entertainment Industry proudly presents RONALD RAND bringing to life Harold Clurman, 'the elder statesman of the American Theatre' in his internationally-celebrated solo play, LET IT BE ART! in the George S. Lindsey Theatre, in Florence, Alabama.

Actor/cabaret singer Stephanie Trudeau will perform an updated version of her docu-cabaret musical, 'Chavela: Think Of Me,' at Don't Tell Mama, 343 West 46th Street, April 12 and May 17.

The idea of two companies in one community doing the same show within a few months of each other poses many questions. Sometimes the rights to a popular musical become available and there is something of a feeding frenzy - a dedicated theatergoer could have availed themselves of no less than four productions of Mamma Mia! in this area in the last year. Perhaps they were all stellar productions. I certainly didn't hear any complaints about poor attendance, which indicates either an insatiable appetite for an ABBA jukebox musical or the payoff of careful cultivation of core audience support by each company. In any case, nobody appeared to suffer any ill effects from the repetition.

The first Glenn Miller Orchestra did not make it at all. It was a total and absolute economic failure. But Glenn knew what he wanted, held to that dedication and relentlessly worked to succeed. He launched his second band-the one that lives on today-in March of 1938. The Glenn Miller Orchestra has been a 'hit' ever since.