Limón Dance Company will present a program at The Joyce Theater in NYC featuring José Limón's 1958 work Mazurkas, performed in full for the first time since 1964, alongside Aszure Barton's 2025 commission Join.
Michelle Leigh directs the play version of Auntie Mame, which is seldom presented on stage these days. Thank goodness patrons of the Brookfield Theatre can rediscover this delightful play.
Overture Center's Duck Soup Cinema will present the 1924 silent film THE SIGNAL TOWER, with live organ accompaniment by Jelani Eddington and vaudeville acts, marking the season's final screening.
Lake Tahoe Dance Collective will present its 14th annual Lake Tahoe Dance Festival, featuring artists from New York City Ballet, American Ballet Theatre, Boston Ballet, Houston Ballet, and Broadway across multiple venues in North Lake Tahoe.
Quintessence Theatre announced its 17th season, themed 'The Outsider,' featuring seven productions including WITCH, PIPPIN, MEDEA, and a Tennessee Williams double bill of SUDDENLY LAST SUMMER and THE PARADE.
New York Festival of Song announced the release of MY BROTHER'S KEEPER on NYFOS Records, featuring six leading Black male vocalists co-produced by baritone Justin Austin and GRAMMY-nominated pianist Steven Blier.
All new photos have been released of RIA JONES (Lou) and SALLY ANN TRIPLETT (Peggy) in the world premiere of the brand-new musical FOURTEEN AGAIN at The Victoria Wood Theatre, Bowness-on-Windermere. Check out the photos here!
Troupe has announced the world premiere of Simon Reade's new stage adaptation of Twenty Thousand Streets Under the Sky by Patrick Hamilton. Learn more here!
The USC Department of Theatre and Dance will present Orlando, Sarah Ruhl's theatrical adaptation of Virginia Woolf's groundbreaking story of self-discovery.
Milwaukee Chamber Theatre will present I AM MY OWN WIFE, a Pulitzer and Tony Award-winning play, from January 23 to February 8, 2026. Directed by Alexander Coddington and starring Jonathan Riker, the play delves into the life of Charlotte von Mahlsdorf.
Bristol Riverside Theatre will present (120 Radcliffe St, Bristol, PA 19007)! Alibi, a sharp and stylish adaptation of legendary mystery writer Agatha Christie’s The Murder of Roger Ackroyd, begins previews May 27 at Bristol Riverside Theatre, with Opening Night on May 29. See photos from the production.
Step through the revolving door of 1928 Berlin and into a world of glamour, longing, and quiet desperation as Alchemy Theatre brings the rarely staged musical GRAND HOTEL to life at ZACH Theatre’s Whisenhunt Stage.
“We’ll Take a Glass Together” when 54 Below presents Grand Hotel: The 35th Anniversary Original Broadway Cast Reunion Concert. This very special immersive concert received rave reviews in February. It runs 11/15 and 11/16. See photos from 11/14.
All new photos have been released from the new off-Broadway musical Orlando. Check out the photos here!
Mint Theater Company has released a first look at the New York Premiere of Sump'n Like Wings by Lynn Riggs, author of more than thirty plays including Green Grow the Lilacs, the basis for Rodgers & Hammerstein’s landmark musical Oklahoma! Written in 1925, Sump'n Like Wings was published in 1928.
Directed by Fernando Philbert, and starring Suely Franco, Deborah Evelyn e Nathalia Dill the play brings a biting comedy that reflects on the passage of time through the settling of accounts between three generations.
Theatre Pro Rata presents Orlando by Sarah Ruhl at The Crane Theater this spring under the direction of Carin Bratlie Wethern. Ruhl’s theatrical adaptation of Virginia Woolf’s novel premiered in New York City in 2010 and artfully plays with the attributes of gender, sexuality, identity, and freedom in both blithe and earnest ways.
The production features Emanuelle Araujo, in the role of sarcastic Velma Kelly; Paulo Szot, as the charming and unscrupulous Billy Flynn (a role he currently played on Broadway); and Carol Costa as the “innocent” and surprising Roxie Hart. L. Candido (Mary Sunshine), Lilian Valeska (Mama Morton) and Eduardo Amir (Amos Hart) complete the main cast.
Now celebrating its 18th year, the annual production of THE MANOR has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors who each inhabit their characters to a tee, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 91 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the tragic Doheny family saga have been changed, of course, a?oeto protect the guiltya?? as we are told before the play begins by the mansion's loyal butler, James, portrayed this year by David Hunt Stafford who also produces the show for Theatre 40 in association with The City of Beverly Hills.
With the topic of illegal immigration so prevalent in today's news, now is the perfect time to take a very personal look at the trials and tribulations of those who immigrated, both legally and illegally, to our country in THE NEW COLOSSUS, a new play co-written by The Actors' Gang ensemble and its Artistic Director Tim Robbins, who also directs the production. In it, twelve of the acting troupe's members tell their ancestors' stories, reflecting their great diversity, struggles and journeys from oppression to freedom, a real personal testament celebrating the courage and great character of the refugees who came to this country throughout the last 200 years.
Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.
Quintessence Theatre Group, Philadelphia's professional classic repertory theatre, continues its tenth anniversary season of progressive classic theatre with a heartwarming classic tale for all ages.
THE DROWSY CHAPERONE with music and lyrics by Lisa Lambert and Greg Morrison, book by Bob Martin and Don McKellar, offers audiences a toe-tapping trip back to the golden age of musicals, and took Broadway by storm, winning five Tony Awards. It spoofs musical-comedy fanatics and the genre itself, often called one of the wittiest, craziest shows ever to hit Broadway. The very entertaining production at Santa Monica's Morgan-Wixson Theatre through October 13 is directed by Kristie Mattsson, produced by Michael Jackson Heimos, with music direction by Daniel Koh, and choreography by Niko Montelibano.
The Drowsy Chaperone, the Tony-award winning Broadway musical, will be presented at the Morgan-Wixson Theatre, running now through October 13 as the first production of the 2019-20 Mainstage season.
The third show in the 2019 season is the Broadway At Music Circus premiere of the award-winning musical comedy The Drowsy Chaperone is now on stage, starring writeractorcomedian Bruce Vilanch and featuring a cast of Broadway veterans. The show runs Tuesday, July 9 through Sunday, July 14 at the Wells Fargo Pavilion in Sacramento. Check out photos of the cast in action!
