Have a Nice Day - 2018 Off-Broadway History , Info & More
Have a Nice Day - 2018 - Off-Broadway Articles Page 13
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by Stephi Wild - Jun 18, 2019
This Christmas, Camden People's Theatre will host its first ever Christmas commission with Sh!t Actually (3 21 Dec), a playfully sideways look at Sh!t Theatre's guilty pleasure: the much-loved (and definitely problematic) festive favourite Love Actually. Co-commissioned with HOME Manchester, Sh!t Actually is a live action, two-woman reimagining of one of the most contentious Christmas films of all time. Fusing live songs with queer love stories in a version that gives women, and not just Emma Thompson, actual lines to ask if in 2019 we can still love it, actually. Alongside Sh!t Actually, Camden People's Theatre's alternative Christmas offering includes SheGoat's The Undefinable (10 21 Dec), exploring unconventional relationships and celebrating the unusual and underrepresented qualities of love.
by A.A. Cristi - Jun 7, 2019
Ryan's Daughter is celebrating 40 years on East 85th Street! With the help of some good Friends, we are producing 4 shows in 4 days; June 20, 21, 22, 23. These events are specifically a celebration of the neighborhood, it's artists their art, its history, and the people who've made it. Change is constant, as we know well, and sometimes sticking around means saying good-bye. Building a community is the best way to preserving a neighborhood. Join us in celebration of doing just that! More Info on the 4 Shows 4 Days
by A.A. Cristi - May 31, 2019
Music legend and Beach Boys co-founder Brian Wilson and iconic British pop pioneers The Zombies recently announced a North American tour celebrating the music from the late 1960's and early 1970's called 'Something Great from 68' and beyond.
by Natalie de la Garza - May 29, 2019
Triple threat Christopher Tipps joins us to talk about Theatre Under the Stars' epic, season-closing production of JEROME ROBBINS' BROADWAY and share a little free advice.
by Stephi Wild - May 13, 2019
Today Underbelly announces the final 91 shows joining its Fringe programme this August. With a huge range of star names, challenging and intriguing topics and a host of great music this is set to be one of the most entertaining year's yet beneath George Square's udders and across Bristo Square, the Cowgate, Circus Hub and Central Hall.
by A.A. Cristi - May 8, 2019
New Line Theatre, "the bad boy of musical theatre," has announced its 29th season of adult, alternative musical theatre, including the return of the wild, comic rock musical CRY-BABY, which New Line first produced in 2012 in its American regional premiere, based on the John Waters film, running Sept. 26-Oct. 19, 2019; followed by the electrifying new rock musical fresh from Broadway, in its regional premiere, HEAD OVER HEELS, a high-energy, adult romp about gender and sexuality, based on a 16th century novel and using the songs of the pop group The Go-Go's, running March 5-28, 2020; and the season closes with the return of one of New Line's biggest hits, which the New Liners first presented in 2007, the pitch dark satire URINETOWN, the hilarious, outrageous fable of greed, corruption, love, revolution, and urination, running June 4-27, 2020.
by A.A. Cristi - May 2, 2019
In order to deliver studio-quality live mixes for some of music's biggest stars, renowned front-of-house mixer Kyle Hamilton uses JBL 708P monitors in rehearsal to craft a solid foundation that translates to any venue.
by Ellen Dostal - May 2, 2019
When it comes to developing a loyal fan base, Troubadour Theater Company has found the secret: do outstanding work, stay true to your aesthetic, and give the people what they want - a great time at the theater. Artistic Director Matt Walker started the troupe and, with the help of longtime friend and foil, Beth Kennedy, continues to lead his merry band into the great theatrical unknown. Next up for the company is JULIUS WEEZER, which combines Shakespeare's JULIUS CAESAR and the music of Weezer to tell its tale of political intrigue Troubie style. Today, they talk about what it's like putting together a new show and why they keep on coming back for more.
by Stephi Wild - Apr 29, 2019
Co-founded by Vincent Dowling and H. Newman Marsh in 1990 with the belief that every town should have a professional theatre, Chester Theatre Company (formerly The Miniature Theatre of Chester) prepares to celebrate its landmark 30th Season with four works, each a New England Premiere.
by Chelcy Harrell - Apr 25, 2019
Beehive: The 60s Musical, takes audiences on a musical journey from hip to groovy to raw, from innocence to loss of innocence, and how the evolution of the music of the decade impacted and propelled the female empowerment movement. You are guaranteed to leave singing some of your favorite 60s tunes for hours, maybe even days afterwards!
by Stephi Wild - Apr 16, 2019
Shakespeare's Globe is delighted to announce the programme for 'Women & Power', a new festival of events opening on Sunday 12 May 2018. With performances, panel discussions, and a scholarly symposium, the festival will celebrate the work and voices of women of all backgrounds and will explore how the work of Shakespeare speaks to the current gender revolution, and how women can use Shakespearean performance to tell their own stories of oppression.
by Stephi Wild - Apr 15, 2019
Today Underbelly announces 86 new shows joining its Fringe programme. Exploring everything from mental health, millennials' issues, sibling competition, addiction and current state of politics to dinosaurs, 19th century palaeontology, ancient Troy, novels of Jane Austin, Mary Shelley and Brothers Grimm and, of course, the ultimate quest to find the love of your life, Underbelly's new additions to Edinburgh Festival Fringe programme have everyone covered!
by Cristina Pla-Guzman - Apr 11, 2019
HUNDRED DAYS is the uncensored, exhilarating and heartrending true story about embracing uncertainty, taking a leap, and loving as if you only had 100 days to live. With magnetic chemistry and anthemic folk-punk music, creators and stars Abigail and Shaun Bengson explore a fundamental question: how do we make the most of the time that we have? HUNDRED DAYS was written by The Bengsons and Sarah Gancher, Music & Lyrics by The Bengsons, Directed by Anne Kauffman, Movement Direction by Sonya Tayeh. It was the 2018 Lucille Lortel & Drama League Nominee for Outstanding Musical.
by Gil Kaan - Apr 8, 2019
Antaeus Theatre Company's 2018 Southern California premiere of NATIVE SON has been chosen as the third and final production of Center Theatre Group's BLOCK PARTY 2019, beginning April 18, 2019 at the Kirk Douglas Theatre. Nambi E. Kelley's adaptation of Richard Wright's classic novel Native Son will be reprised with its entire original Antaeus cast of nine, again with director Andi Chapman at its helm. I had the chance to ask some delving questions of Jon Chaffin, who portrays NATIVE SON's most integral character, Bigger Thomas.
by Jeffrey Ellis - Apr 4, 2019
Jack and the Giant is described as "a joyous, heartfelt, and family-friendly new folk musical." This new spin on the classic fairy tale 'Jack and the Beanstalk' has a dynamic score and intriguing new characters. Directed by Jacob Heinz, the world premiere production features Dwayne Benn, Ryan Harrelson, Brett Myers, Caroline Nelson and Alaina Smith who found time this week to answer our questions for the latest Friday 5 (+1) on Thursday...
by A.A. Cristi - Mar 29, 2019
YALE REPERTORY THEATRE the multiple Tony Award-winning theatre dedicated to the production of new plays and bold interpretations of classic works, has announced its 2019-20 Season.
by Alan Henry - Mar 29, 2019
Berkeley Repertory Theatre today announced the full cast for the world premiere of Kiss My Aztec! John Leguizamo teams up with Artistic Director Tony Taccone for this musical comedy, following their collaboration on the hit one-man show Latin History for Morons, which received its world premiere at Berkeley Rep before heading to Broadway. Leguizamo will serve as co-writer and co-lyricist only for Kiss My Aztec! - 11 other talented actors will perform in this production. Taccone will also direct.
by Jeffrey Ellis - Mar 26, 2019
Celebrating an opening night is always exciting, if exhausting, nerve-wracking and exhilarating, but when it's the very first production of a new theater company you've co-founded, odds are it's even more so. Just ask Emily Faith who is directing the premiere production of A Midsummer Night's Dream for the Dallas-based Lily & Joan theater company she co-founded in 2018 with Erika Larsen.
by Jeffrey Ellis - Mar 20, 2019
In 2017, the Broadway musical version of Anastasia (which opened at Hartford Stage nice months earlier), based on the 1997 film, featuring music by Stephen Flaherty, lyrics by Lynn Ahrens and a book by Terrence McNally debuted to much fanfare, and now Nashville audiences are in the thrall of the cast and crew of the national touring company, onstage at Tennessee Performing Arts Center's Andrew Jackson Hall through Sunday, March 24.
by Tori Hartshorn - Mar 13, 2019
Fuse Media, a multiplatform entertainment media brand for Latino and multicultural youth, today unveiled the slate of linear and digital programming it is presenting to advertisers during its 2019-2020 upfront meetings. This includes an expansion of the company's successful strategy of leveraging both homegrown original and acquired content that was initially launched on digital platforms, to develop new shows for its linear channels.
by David Green - Mar 15, 2019
The McCallum Theatre presents Piaf! - The Show on Tuesday, March 26, at 8:00pm. With a million tickets sold in more than 50 countries and acclaimed reviews worldwide,Piaf! - The Show is a musical celebration of the life and music of the legendary French chanteuse Edith Piaf. Starring Anne Carrere, a young French performer hailed as "Edith Piaf's legitimate musical heiress," Piaf! - The Show narrates the rags-to-riches story of the Parisian singer's career through her unforgettable songs, complemented by a visual tapestry of previously unreleased photographs and images of famous locations of the Edith Piaf era.
by Julie Musbach - Mar 6, 2019
Dorset Theatre Festival announces its 42nd Season, featuring the classic revival of Noel Coward's Private Lives directed by Evan Yionoulis (June 20 - July 6), the World Premiere of Dig, written and directed by Theresa Rebeck (July 11 - 27), the World Premiere of Mrs. Christie by Heidi Armbruster, directed by Giovanna Sardelli (August 1 - 17), Slow Food by Wendy MacLeod, directed by Jackson Gay (August 22 - 31), and Pipeline Series: Three New Works in Process (July 2, July 23, and August 13). All performances will take place at the Dorset Playhouse (104 Cheney Rd, Dorset, VT 05251)
by Maeve Riley - Mar 8, 2019
At Second Stage Theater, theatre fans are gathering to see Tom Kitt's newest musical come to life. Superhero -a new musical about a fractured family, the mysterious stranger in apartment 4-B, and the unexpected hero who just might save the day- is captivating audiences, and making a heroic splash off-Broadway- so much so, that this new, adventurous musical scored itself an extended run.
by Marika O'Hara - Mar 6, 2019
Nassim Soleimanpour is an Iranian playwright whose new play NASSIM is currently being presented by Barrow Street Theatricals at New York City Center Stage II. NASSIM has previously played to sold-out audiences across the globe and features a unique set-up of a new guest actor at each performance who has not read or rehearsed the play. Soleimanpour previously explored this concept in his play WHITE RABBIT RED RABBIT, which ran Off-Broadway for nine months in 2016. So far in its run, NASSIM has been performed by guest actors such as Michael Urie, Tatiana Maslany, Beth Malone, Ethan Slater, Kate Walsh and many more.
Nassim Soleimanpour talked to BroadwayWorld about working with these amazing guest artists, how NASSIM differs from WHITE RABBIT RED RABBIT, and the difficult process that almost didn't allowed him to be in the country for the play's American premiere.
by Cristina Pla-Guzman - Feb 28, 2019
"I Am Wild About You" Pie. My cheeks hurt. Yes, you read that right. My cheeks hurt from smiling. Well, I should explain that my cheeks hurt from smiling, I have been craving pie all day (Key Lime Pie, if you must know) and I have been singing "Sugar, Butter, Flour" in a nonstop loop since watching the national tour of Waitress. Broadway Across America's production of Waitress at the Adrienne Arsht center leaves you giddy and guarantees that you'll come back for seconds.
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