Have I Got a Girl For You! 1986

I initially started working on this show, and now I am the biggest Dylan fan. He's so ubiquitous. He's out there in the culture. So, of course, I knew Dylan and Dylan's songs, but this has made me a huge fan of his.

With special guests, laughter and music, Lea DeLaria is back! This time, she’s doing it at brunch! Catch the first of her new brunch series at 54 Below starting May 12th and June 2nd at 1 pm featuring guests Gabe Ebert (Matilda) and Alexis Michelle (RuPaul's Drag Race). Read a conversation with DeLaria about the new show and what's coming up next.

Portland’s 2024 Fertile Ground Festival of New Works is officially over. What a great festival it was! I enjoyed everything I saw, and there are several that I believe merit full productions.

Join Theater Resources Unlimited's Meet the Coaches 2024, a virtual workshop for actors preparing for the TRU Audition.

We see them in minor parts and in the background on stage, and they're always first at the curtain call. But what's life really like in the ensemble of a mega-musical?

Let's hear it for New York! The new Broadway musical HELL’S KITCHEN, conceived by 16-time Grammy Award winner Alicia Keys and directed by Tony Award nominee Michael Greif opens tonight at the Shubert Theatre. Check out what the critics are saying!

We begin with Kaelan Trough (Doherty) gleefully repeating the word “Love,' grinning as he wanders around the stage. Kaelan and his partner, Jeremy, are having a gender reveal party for their baby. There is a black balloon hanging from the ceiling. Once popped, if the baby is a boy, blue rose petals will fall. If it’s a girl? Cooked shrimp.

Following the release of “Pages” and “On The Run,” acclaimed Scottish singer, songwriter, producer and multi-instrumentalist, Nina Nesbitt returns with “Mansion,” a spectral, gossamer track that pleads with a close friend to see the beauty within themselves. The song will appear on Nina’s forthcoming fourth studio album, Mountain Music, which is due to be released on September 27, via her own record label—Apple Tree Records. Listen to the song here!

Hotly tipped alternative indie pop artist Rachel Chinouriri has shared her new single “It Is What It Is,” the final preview of her long-awaited debut album What A Devastating Turn Of Events, out May 3rd via Elektra. “It Is What It Is” channels Rachel’s frustrations about being messed around by a potential partner, featuring exasperated spoken word verses and voice notes from friends reminding her to know her worth. Listen to the song here!

More like one elongated impromptu jam session than a typical musical, Musical Theatre West's new production of MILLION DOLLAR QUARTET doesn't involve a complex storyline, but instead focuses on imagining what it must have been like to be in the room where music history happened. The resulting concert-like jukebox musical is a rollicking good time.

The last blog I wrote about my major, I was pretty confident. I had decided to stop pursuing a major in technical theater, something I found unfulfilling, in favor of multimedia. I felt excited about the new creative opportunities. And yet I still had a lingering feeling of uncertainty.

I am unsure if I know of any other music diva who needs three different actresses to play her, but Cher seems to have required that. We have not one, not two, but three Chers in this show. And do they trot on, do their part of life, and leave? Heck no! They all talk to each other, advise each other, and sing together all night long. It’s like the three musketCHERs or something!

Cameron Mackintosh has announced that his new co-production with Chichester Festival Theatre of Lionel Bart's iconic musical, Oliver!, which he has fully reconceived with director and choreographer Matthew Bourne, will open in London at the end of the year.

Fresh on the heels of Revolution Stage Company’s sold out and extended Avenue Q earlier this year, comes The 25th Annual Putnam Spelling Bee, and it is just as much, if not even more, fun than Avenue Q, and that’s saying a lot.

Girl from the North Country fails to deliver on the promise of a Bob Dylan-Conor McPherson collaboration. Dylan famously asked, how does it feel? In this play, not so good.

THE ZIEGFELD GIRLS REVUE, on April 13th at the Green Room 42, puts a lot on view: Female pulchritude, nearly nude, with attitude.

As news of additional cuts comes from more councils in the UK, in the US, a new piece of legislation looks to support the still struggling live entertainment industry as it emerges into the new normal. As evidence of the need for such action, we’ve got stories about layoffs at a New Jersey NPR station, as well as another urgent fundraising plea.

In this column, I write about the development of one of this spring’s jukebox musicals, The Heart of Rock and Roll. My old friend, Gordon Greenberg (represented off-Broadway earlier this season with Dracula: A Comedy of Terrors), is directing it, and I recently chatted with him about his decade-long involvement with the show.

A Showstopping AMT Live Concert at Auguste Théâtre in Paris.

This month, I had the pleasure of attending Amber’s concert tour stop in Vancouver, BC and chatting with Amber on behalf of BroadwayWorld. Reflecting on both her recent “No More Sad Songs” tour as well as her career past and present, it was clear that her journey as an artist was about more than just her music.

I am delighted to have had a chance to interview Jill Van Velzer who plays the role of Mrs. Burke in GIRL FROM THE NORTH COUNTRY. An accomplished actress, Velzer has also toured with productions of Phantom of the Opera and King & I, in addition to acting in numerous regional productions.

Get ready for 11 days of theatrical discovery!

Let’s face it, the world of theatre, at times, can be misogynistic. Even though we joke about the multitude of gay men that are involved in theatre, that does not mean it is exempt from the repercussions of “the patriarchy”. As a gay man myself, I understand this problem all too well, but here in Dayton, we have luckily had some incredibly impactful pieces that were not only led by women, but speak upon the experiences of womanhood.

When a successful theatre company presents a period musical they pray for a hit. With good actors, a witty script, great music, excellent direction, and clever choreography that can transport an entire audience back in time; Coachella Valley Repertory has compiled such a hit.

Singer Klea Blackhurst has long been doing tribute shows rich in song and Broadway history. Now, starting this Sunday, April 14th at 7 pm, Blackhurst will be revisiting each of these shows in a season-long series of “The Box Set” at Chelsea Table + Stage, starting this Sunday with “Autumn in New York: Vernon Duke’s Broadway.”