Harvey was first brought to the Broadway stage in 1944 and was directed by Antoinette Perry. The play won the Pulitzer Prize for drama in 1944, and its initial run lasted for four years—1,775 performances. James Stewart assumed the role of “Elwood” from Frank Fay in the 1944 production and originated the role in the 1970 production as well as the film adaptation in 1950. Helen Hayes played “Veta” opposite Mr. Stewart in the 1970 production. Jim Parsons stars as one of modern theatre’s most lovable characters, Elwood P. Dowd. Charming and kind, Elwood has only one character flaw: an unwavering friendship with a 6-foot-tall, invisible white rabbit named Harvey. In order to save the family’s social reputation, Elwood’s sister Veta (Jessica Hecht) takes Elwood to the local sanatorium. But when the doctors mistakenly commit his anxiety-ridden sister, Elwood — and Harvey—slip out of the hospital unbothered, setting off a hilarious whirlwind of confusion and chaos as everyone in town tries to catch a man and his invisible rabbit.
The Pulitzer Prize committee may have never erred more egregiously than it did in favoring “Harvey” over Tennessee Williams’s first masterwork, “The Glass Menagerie.” But handled with care, as it has been in this Roundabout Theater Company production, this winsome comedy about a lovable eccentric can cast a satisfying spell. Mr. Ellis’s amiable staging—which features expert supporting performances from Jessica Hecht, as Elwood’s dithery sister, Veta, and Charles Kimbrough, as the eminent psychiatrist she hopes will lock her troublesome brother up for good—strikes the right, gently dizzy tone. Most important, Mr. Parsons carries the weight of a role immortalized on film by the inimitable James Stewart as lightly as Elwood does the hat and coat he keeps on hand for his furry companion. Mr. Parsons possesses in abundance the crucial ability to project an ageless innocence without any visible effort: no small achievement for an actor in these knowing times.
In retrospect, it's hard to believe that 'Harvey' won the 1945 Pulitzer Prize over Tennessee Williams' 'The Glass Menagerie.' Even so, 'Harvey' remains a well-crafted, cute play with a terrific leading role, an invisible supporting character and a good deal of psychological dimension. Parsons' Elwood is not unlike a sweet and innocent child who is far more likable and trustworthy compared to the overstressed, often silly adults around him.
1944 | Broadway |
Broadway |
1970 | Broadway |
Broadway |
2012 | Broadway |
Roundabout Theatre Production Broadway |
West End |
West End West End |
Year | Ceremony | Category | Nominee |
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2013 | Drama League Awards | Distinguished Performance Award | Jessica Hecht |
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