BORN & BRED To Be Presented By Seaglass Theater Company
by Marissa Faith Curley - Aug 29, 2026
As part of the MA250 celebration, commemorating the 250th anniversary of the founding of the United States and Massachusetts' pivotal role in our nation's history, this special concert honors the Commonwealth's rich musical heritage.
Review: THE PROM at Arizona Broadway Theatre
by Herbert Paine - Aug 24, 2026
The 2018 Broadway musical THE PROM transforms what sounds like a groan-inducing premise into a sneakily moving musical; four self-absorbed Broadway actors descend on a small Indiana town to save a lesbian teenager and discover that becoming a decent human being requires more than finding the right cause on social media.
Interview: Inon Barnatan of LA JOLLA MUSIC SOCIETY'S SUMMERFEST at The Conrad
by Ron Bierman - Aug 4, 2026
Inon Barnatan became music director of La Jolla Music Society’s annual SummerFest chamber-music festival in 2018. This year, on its 40th anniversary, the celebration’s theme is “Making History.” More than 100 artists are participating in a month of 21 adventurous concerts.
Born in Tel Aviv, the pianist began playing on his own at the age of three. Half a year later his parents realized he had perfect pitch and was likely to respond well to lessons. From his youthful point of view, it probably didn’t hurt that his first teacher rewarded him with chocolates.
As he progressed, he studied at Tel Aviv University before moving to London at the age of 16 to study at the Royal Academy of Music with Maria Curcio, a student of Artur Schnabel. The late Leon Fleisher was also an influential teacher and mentor.
The versatile musician, “One of the most admired pianists of his generation” (The New York Times) performs with the world’s finest orchestras and in recitals of solo and chamber music. His most recent recording is a set of Brahms Cello Sonatas with Alisa Weilerstein.
I met with Barnatan via Zoom to discuss the festival, how he approached its programming, and his career as a soloist.
Review: UTOPIAS at Kindling Arts Festival
by Catherine Burford - Jul 28, 2026
For nine years, the Kindling Arts Festival has been bringing audiences together by giving local artists the chance to display their creativity. From July 23rd to the 26th this year, over one hundred and fifty local artists got to perform twenty-two shows spread across eight venues in Nashville.
Review: Encore Performing Arts Warms a FROZEN Heart at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Jul 19, 2026
The selection of Frozen as the summer musical served multiple masters. Thematically, it fit within Encore’s 2025-2026 season’s theme of “Finding Yourself,” as the story of Queen Elsa discovering how to better control her powers also serves as a metaphor for self-love, self-acceptance, and self-esteem. Frozen also, let’s be honest, has always been a crowd-pleaser. It has a near universal appeal for various attendees who’d be interested in seeing a production at Dr. Phillips Center. Musical Theatre Acolytes. Disney Adults. Families looking for kid-friendly entertainment.
Review: ICONIC WORKS at Woolly Mammoth Theatre Company
by Steve Sucato - Jul 14, 2026
For her final production as Artistic Director of Washington, D.C.-based Chamber Dance Project (CDP), Diane Coburn Bruning chose to pair a few of her signature contemporary ballets with others from CDP’s rich repertory, along with a world premiere ballet by up-and-coming choreographer William Moore.
Review: FLIP at Charlotte Ballet
by Perry Tannenbaum - Jul 7, 2026
Funkier and more humbly budgeted than Charlotte Ballet's extravaganzas at larger venues, FLIP at the McBride Bonnefoux provided a different kind of adventure, substituted promise for polish, and dug deeper into the company's soul.