Set in the magical world of La Belle Epoque in turn-of-the-century Paris, GIGI is a timeless romantic comedy about a young woman groomed in the custom of her family to be a companion to a bored, wealthy playboy, until the two unexpectedly realize this is in fact true love.
This year marks the 40th Anniversary of the debut of Gigi on Broadway. Lerner and Loewe's Tony Award-winning score was first heard in the 9-time Academy Award-winning Best Picture of the same name, directed by Vincente Minnelli. The movie, which was the last of the classic MGM musicals, was based on the Broadway play by Anita Loos and the popular novella by Colette.
Alan Jay Lerner and Frederick Loewe's beloved musical GIGI will return to Broadway in a production directed by Tony Award-nominee Eric D. Schaeffer (Follies), in a new adaptation by acclaimed British playwright and Emmy-nominated screenwriter Heidi Thomas ("Cranforde," "Upstairs Downstairs," "Call the Midwife".)
The stage version of the 1958 MGM movie musical 'Gigi' is a good example of what the late composer Mary Rodgers called a 'why musical' -- a tolerable but ultimately pointless adaptation that adds little to, and is inferior than, the source upon which it is based...Efforts to flesh out Gigi and her beau Gaston come off as labored...As directed by Eric Schaeffer ('Newsies'), the production has an elegant look and lively movement but nevertheless feels empty and stalled. Hudgens gives the sort of sincere but clumsy performance you'd expect to see in, well, a high school musical. But all things considered, she has been given a near-impossible task of injecting life and charm into what is essentially a two-and-a-half-hour slog.
The Eiffel Tower looms in the distance in 'Gigi,' a reminder that we're in Paris. It's easy to forget that because Vanessa Hudgens plays the title role of a 1900 French could-be courtesan like an all-American Gidget. The perky but ooh-la-la-less Broadway debut by Hudgens, a sufficient singer and actress known for 'High School Musical,' is par for the course in a shrill revival directed by Eric Schaeffer...Under Schaeffer's guidance, performances are all over the place. As the rich 'sugar prince' Gaston, who falls for Gigi, Corey Cott makes the most of the title song. But he's boyish and saccharine when he should be debonair and sexy. Howard McGillin's take on Honore is broader than the Champs-Elysees. Tony winner Victoria Clark adds grace notes as Gigi's compassionate Mamita. Dee Hoty is saucy and steely Aunt Alicia, who instructs Gigi to accept only the most special and sparkly jewels from men...As musical gems go, 'Gigi' is not Tiffany -- it's Jared.
| 2015 | Washington, DC (Regional) |
Kennedy Center Production Washington, DC (Regional) |
| 2015 | Broadway |
Broadway Revival Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2015 | Drama Desk Awards | Outstanding Costume Design | Catherine Zuber |
| 2015 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Victoria Clark |
| 2015 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Victoria Clark |
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