For Better or Worse - 1927 - Broadway Articles Page 20

These are the coolest kids on the programme, with a sold-out run at Summerhall and a London transfer on their hands. Bigfoot... duo Xhloe and Natasha deserve every second of the hype they’re getting. Their idiosyncratic brand of absurdist physical theatre is what the Fringe should be. Experimental. Daring. Layered. Exhilarating in its stagecraft. Unafraid to take risks. Their mise en scène is young, slick, intuitive in the fragmented nature of its writing, and precise in its physical language. They’re transfixing.

Roo Sutcliffe is funny. Properly funny. Her gags are clever, and her physicality is equally remarkable. Thank goodness her mothers sat through her dramatic readings of The Hungry Caterpillar while she was dressed as Elton John when she was a child and subsequently sold their cat to afford her training. She has a great future ahead of her.

What did our critic think of SANCTUARY at Pleasance Dome?

Streit seamlessly jumps between timelines alongside Kevin Cahill, who portrays her grandfather, reciting from the missives and digging through memories. Jessica Whiley directs this beautifully poetic piece with a dreamy vision. Melancholic and almost regretful, Streit weaves this old-timey love story with a delicate touch.

There was a distinctly Italian air to the Proms for Rossini's 'Stabat Mater'. Exciting Italian-Turkish conductor Nil Venditti paired Rossini's choral masterpiece with Ottorino Respighi's instrumental 'Vetrate di chiesa' or 'Church Windows' and all four soloists for Rossini's work were Italian. It made for a captivating evening, full of emotion and musical prowess.

Jenny meets her favourite A-List celebrity in Costa and they instantly fall in love. She knows that they are meant to be, but some jealous sceptics don't seem to agree. How far will she go in the name of love? Parasocial Activity is a dark comedy exploring parasocial relationships in the digital age.

Sold out Fringe run 2025 and Sir Billy Connolly Spirit of Glasgow nominee 2025 and 2026. CLUES – Single Item (1) Foolish Bird (5,5) Onstage Routine (5,2) Stage Presentation (4)

What did our critic think of CATS at Xiqu Centre?

Two best friends struggle to process surviving a school shooting that is overshadowed by a much worse school shooting on the same day. A dark comedy about America’s traumatized, despondent, yet somehow hilarious youth. Developed with hundreds of students, teachers, and survivors whose gallows humour helps them cope with the United States' gun violence epidemic. Written by former US public school teacher Alice Stanley Jr and directed by Riley Rose Critchlow.

Four-time Fringe First and Olivier Award winning Fishamble presents For Dolores by Fringe First Award winning Eva O’Connor.

Sally has been cursed. Unexpected, unwanted and hard to shake. Worst of all, no one will believe her. As the line between certainty and doubt begins to blur, Sally must decide whether to trust what she sees, and what happens if she’s right.

What did our critic think of MURDER AND MATTERS MORE PRESSING at New Players' Theatre Company?

Avid churchgoer Lydia has organized a charity tombola at her local church, but there is a major snag: a severed foot turns up inside one of the tombola prizes. As the revelations grow increasingly bizarre, Lydia becomes determined to solve the whodunnit mystery herself.

Having consistently wowed Fringe audiences, Voloz Collective returns with a welcome revival of their hit show 'The Man Who Thought He Knew too Much' - an undisputed masterclass in physical theatre.

Miki Abraham is returning with a cabaret that takes an intimate look at their personal life over the last few years. On 8/23 at 6:00 PM, Abraham will take the stage at Joe’s Pub and explore heartbreak, grief, love, and the joy of community.

Hannah Solow explains why there is no pre-show announcement at Broadway's 'Oh, Mary!' and how she tries to deal with ‘soul-crushing’ audience reactions.

Art as Activism on Broadway is a recurring series exploring how theater can move beyond entertainment to serve as a catalyst for social change, advocacy, and cultural dialogue. Through the Harriet Tubman Effect, Dr. Nicole Johnson is using storytelling, imagination and intentional action to transform who gets to create, lead and experience theater.

Broadway icon Ellen Greene joins The Roundtable with Robert Bannon for a rare and unforgettable conversation celebrating 40 years of Little Shop of Horrors. As she travels across the country meeting fans and revisiting one of the most beloved musicals of all time, Ellen looks back on the role that made theatre history. How did she discover Audrey? What inspired her unforgettable voice, mannerisms, and heart? What was it like collaborating with legendary creatives Howard Ashman, Alan Menken, Frank Oz, Jim Henson, and the incredible team that brought Little Shop from a tiny stage musical to an enduring cultural phenomenon? Watch in this video.

Virtuoso guitarist and singer/songwriter Zane Carney brought dazzling musicianship and emotional honesty to The Green Room 42, blending inventive originals and breathtaking reinventions of classic songs into a mesmerizing one-man performance.

Broadway says goodbye to three productions. Cats: The Jellicle Ball takes its final bow at the Broadhurst Theatre following 21 previews and 141 regular performances; Every Brilliant Thing concludes its limited run at the Hudson Theatre after 22 previews and 169 regular performances; and Death of a Salesman concludes its run at the Winter Garden Theatre after 36 previews and 131 regular performances.

When Philly and NYC meet to celebrate the late, great Tony Bennett.

Here are a few top picks to consider this week including free outdoor concerts, Allison Bailey (Glinda from the touring cast of Wicked) in her NYC solo show debut, a Shuffle Along reunion, and more.

John-Luke Roberts returns to the Edinburgh Festival Fringe with What I Talk About When I Run About Talking, his first new hour in four years. He delivers an intellectually playful and deeply personal show, blending absurdism with sharp observation and moments of genuine poignancy into an inventive hour.

Alice Fraser brings an intellectually rich and entertaining hour of stand up to the stage with a show which cleverly blends philosophy, social commentary and sharp observational comedy. Packed with wit, irony and thoughtful storytelling.

Comedian's Choice Award winner Sid Singh returns to the Edinburgh Fringe with activism, political intention and a good dose of love-based reckless abandon.