Holed up in a seedy motel on the edge of the Mojave Desert, two former lovers unpack the deep secrets and dark desires of their tangled relationship, passionately tearing each other apart. Beaten down by ill-fated love and a ruthless struggle for identity, can they ultimately live with, or without, each other? Led by director Daniel Aukin (Back Back Back at MTC; 4,000 Miles), Tony Award winner Nina Arianda (Venus in Fur at MTC, Born Yesterday)and Sam Rockwell (A Behanding in Spokane, The Way Way Back) bring an explosive intensity to Sam Shepard's (Buried Child, True West) landmark myth of the new Wild West.
...while there's no denying their combustible chemistry, I couldn't get past the impression that only Rockwell seems a natural inhabitant of Shepard country...The actor's loose physicality, his slyly ingratiating quality, his off-kilter swagger and insouciant humor all add flavor to a guy who has proved a fatal attraction for May since high school. He knows she's bad for him and vice versa, but he can't keep away...As May...[Arianda] works her blonde mane and long legs to bewitching effect, proving no less physical a performer than Rockwell. But the volatile characterization seems more studied than lived-in. May clings like a vine to Eddie one minute and then breaks their passionate kiss with a knee to the groin the next, but the desperation behind her push-pull instability in this production is unpersuasive.
...it's a welcome shock to see the actor stripped of all that allure in the opening tableau of Sam Shepard's Fool for Love, in which Arianda plays bucking bronco to Sam Rockwell's dusty cowpoke. Slumped on a motel bed in unflattering, baggy clothes, head slung low, this is Arianda as a broken doll, as trashed as the grubby room around her. She may spring to life with a furious attack and eventually pour herself into a little red number, but Arianda's May is not the glamor fest one expects. Just as surprising is Rockwell's Eddie...here he seems to dig deep into painful places for Eddie, a tight-lipped fellow whose leathery exterior hides a frightened boy...Daniel Aukin's painterly diorama production benefits from key support from a fine Tom Pelphrey as May's bemused beau and Gordon Joseph Weiss as a spectral old-timer who may have fathered both fractious lovers (there's a whisper of Greek tragedy amidst the tumbleweeds). But it's Rockwell and Arianda who most strike the sparks, blow on the embers and get the fire raging.
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