Based on the Miramax motion picture by David Magee and the play The Man Who Was Peter Pan by Allan Knee, Finding Neverland follows the relationship between playwright J. M. Barrie and the family that inspired Peter Pan, or The Boy Who Wouldn't Grow Up, one of the most beloved stories of all time.
Final Broadway performance August 21.
For a show about releasing the imagination, the musical is surprisingly conventional -- a down-the-middle family entertainment with excellent actors...as well as sturdy storytelling that recreates the movie with dogged fidelity...the production has a low-wattage wow factor that...mostly misses the chance to transform the fantasies in Barrie's mind with 21st century magic...Morrison -- a major Broadway talent before the world knew him as Mr. Schue from 'Glee' -- has a beard and a three-piece suit and an endearing playfulness as yet-another sensitive father figure...Grammer gets all the best lines and delightfully makes the most of them...Designer Scott Pask's fantasy scenes -- except for a beautiful sparkly death scene for a beloved parent -- have an intentional homemade quality, while Mia Michaels' peculiar choreography traps high society in grotesque jerky cavorting. Brit pop composers Gary Barlow and Eliot Kennedy offer serviceable songs with elementary structures and rhymes we can sing before we hear them.
Surprisingly, there's no riff on singing at regionals, even though this new musical also stars Matthew Morrison, a?k?a Mr. Will Schuester of 'Glee.' That's pretty much the only sign of restraint in this overstuffed production...Holding it all together is Morrison. Sporting a beard and Scottish burr, he's tireless, if not especially charismatic, as J.M. Barrie...Barlow and Kennedy dutifully deliver the obligatory power ballads...but their heart is in the faster, livelier ensemble songs...Too bad Michaels' choreography has all the zest of vintage MTV. What's most striking is how a show about the power of whimsy and imagination is so lacking in both. Paulus and Company don't trust intimacy and charm, so everything is overplayed -- despite the advice to an actor rehearsing Barrie's 'Peter Pan' to go 'smaller.' Peter Pan taught others to free themselves and fly. For most of its running time, 'Finding Neverland' remains stuck to the ground.
2015 | Broadway |
Original Broadway Production Broadway |
2016 | US Tour |
First US National Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2015 | BroadwayWorld Awards | Best Leading Actor in a Musical | Matthew Morrison |
2015 | BroadwayWorld Awards | Best Lighting Design | Kenneth Posner |
2015 | BroadwayWorld Awards | Best Orchestrations | Simon Hale |
2015 | BroadwayWorld Awards | Best Scenic Design | Scott Pask |
2015 | BroadwayWorld Awards | Best Score | Gary Barlow |
2015 | BroadwayWorld Awards | Best Sound Design of a Musical | Jonathan Deans |
2015 | Drama Desk Awards | Outstanding Actor in a Musical | Matthew Morrison |
2015 | Drama Desk Awards | Outstanding Featured Actress in a Musical | Carolee Carmello |
2015 | Drama League Awards | Distinguished Performance Award | Kelsey Grammer |
2015 | Drama League Awards | Distinguished Performance Award | Matthew Morrison |
2015 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | Finding Neverland |
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