El Mago Pop Broadway Review. Antonio Diaz’s Magic, Charm and Hype.
6 / 10
The irony of the show’s self-aggrandizement is that much of Diaz’s appeal lies in his down-to-earth informality. Speaking in a heavily-accented English, he delivers no over-the-top patter; he doesn’t introduce any of his effects as being, say, the most death-defying attempt to overcome the laws of physics in human history. He dons no top hat or cape. He wears a t-shirt, jeans and a pair of sneakers – one of which he keeps on losing. Indeed, that is among the most disarming of his tricks. He keeps on retrieving the sneaker in the oddest of places, like the bottom of a tank of water — at which point we realize the sneaker had somehow disappeared from his foot yet again while we weren’t looking.
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