Company - 2007 - New York Articles Page 5

While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.

Following the success of its predecessor 'Thanks for Being Here', the Belgian theatre company Ontroerend Goed is once again joining forces with city theatre NTGent for 'SUMMIT', which has it world premiere on  February, 12.

The Octagon Theatre, Bolton has announced that its Christmas show for 2026-27 will be Cinderella: A Fairy Tale, opening on Friday 20 November 2026. Learn more here!

Giordano Dance Chicago has announced three world premieres to headline their upcoming April 10 & 11 Harris Theater program. The works are being choreographed by GDC Resident Choreographer and Emmy Award-winning Al Blackstone.

The Broadway production of Ragtime was a glorious accomplishment, a riveting testament to the original American musical and to all that America itself could be. The show ran for 834 performances at the Ford Center, closing in the final year of the 20th century. It was nominated for 13 Tony Awards, taking home four.

Ground Floor Theatre has revealed the cast for the regional premiere of Yellow Face written by David Henry Hwang at Ground Floor Theatre.

Light Opera of New Jersey (LONJ) has announced the appointment of Susan Speidel as the company's first Youth in Arts Director. This landmark position was established through the generous support of LONJ Trustee Shari Loe.

Susan Speidel joins Light Opera of New Jersey as its inaugural Youth in Arts Director, a role supported by trustee Shari Loe to enhance arts accessibility for young audiences. Speidel will focus on developing educational programs and partnerships to engage youth in the arts.

New Vic Theatre will launch their 40th anniversary year with Joyce Branagh's new production of Steven Canny and John Nicholson's acclaimed adaptation of The Hound of The Baskervilles.

Manhattan Theatre Club is presenting the first Broadway production of Tracy Letts' Bug, the sci-fi thriller written by Tony Award and Pulitzer Prize winner Tracy Letts and directed by Tony Award winner David Cromer. Read reviews for the production!

New York City Ballet’s 2026 Winter Season will feature a world premieres by Justin Peck and NYCB Artist in Residence Alexei Ratmansky, two early ballets by Balanchine and more.

The Movement Theatre Company has been awarded a $300,000 grant from the Mellon Foundation, an nvestment that will empower Producing Artistic Leaders to strengthen and expand their leadership.

This February, Seattle Opera will present the trailblazing opera Fellow Travelers, a gay love story set during the Lavender Scare, a McCarthy-era witch hunt that ousted thousands of gay and lesbian employees from the federal government.

What did our critic think of the national touring company production of DR. SEUSS' HOW THE GRINCH STOLE CHRISTMAS! THE MUSICAL, running at the National Theatre.

Orlando Shakes, in partnership with the University of Central Florida and Arden Theatre Company, will commission a new stage adaptation of Zora Neale Hurston’s Their Eyes Were Watching God. Pulitzer Prize–winning playwright James Ijames will develop the adaptation through workshops, readings, and co-world premieres. The project continues Ijames’ longstanding collaboration with Arden Theatre Company.

Isabel Leonard has had a career that has brought her to leading opera houses and concert halls around the world. This season, she will return to her native New York, where she curates a four-concert Perspectives series at Carnegie Hall.

Davidson Community Players will kick off its 61st season in January at Armour Street Theatre with a co-production of Shakespeare's The Winter's Tale in partnership with Charlotte's Shepherd Shakespeare Company.

The cult BBC comedy series The High Life comes to Scottish stages as a brand-new musical, with Alan Cumming and Forbes Masson teaming up with writer Johnny McKnight and director Andrew Panton.

Theatre Passe Muraille has announced the launch of the Andy McKim Endowment Fund for New Works. The annual fund will provide sustained support for artists developing original Canadian theatre aligned with TPM’s mandate.

Hans van Manen, one of the most influential choreographers in contemporary ballet and a longtime affiliate of Dutch National Ballet, has died at the age of 93.

​Dallas Theater Center has appointed Jaime Castañeda as its Enloe/Rose Artistic Director. Castañeda is the sixth artistic director in the theater's more than sixty-year history and will present his inaugural season at DTC in 2026-27. 

Pina Bausch's ‘Sweet Mambo' will come to Sadler's Wells Theatre from Wednesday 11 February – Saturday 21 February 2026.  First staged in 2008, the choreographer's penultimate work makes its London premiere at Sadler's Wells. 

London is a city built on ghosts. Romans, plague pits, abandoned Tube stations and the collective memory of audiences who still shudder about The Woman in Black. There’s even a theatre supposedly inhabited by a ghost dolphin called Flipper.

The Auditorium will present the Martha Graham Dance Company in a one-night-only performance. Martha Graham Dance Company is celebrating its 100th Anniversary this season.

Director Will Bonfiglio, Music Director Larry D. Pry, Choreogrpaher Jo Palisoc, and the entire company deserve a lot of credit for their all in committed, peppy, and high-spirited production of a marginal show that is staged as a pet project far too often. There are thousands of musical theater assets that have arguably better books and scores that are rarely produced. Legally Blonde the Musical is like a pink piece of bubblegum. At first it sounds appealing, but the flavor does not last long.