Come early for the interactive pre-show experience; enjoy close-up performances, curious characters and savour delicious food and drink. Then take your seats in a 700-seat Big Top where circus meets musical theatre in an epic Spectacular featuring a brand-new story inspired by the 20th Century Fox Motion Picture and featuring all the hit songs by Pasek and Paul including ‘This Is Me’, ‘Rewrite the Stars’, ‘A Million Dreams’, ‘Tightrope’ and ‘The Greatest Show’.
‘COME ALIVE!’ will feature the finest international circus stars (Cirque de Demain Medal Winners, Cirque du Soleil) and musical theatre talent from the West End. At the helm of the production is Drama Desk award-winning Creative Director Simon Hammerstein. As co-founder of The Box and the mastermind behind Usher’s sold-out ‘My Way’ Las Vegas Residency and producer of Queen of the Night, Hammerstein brings his unique flair and live experience expertise to ‘COME ALIVE!’.
The circus itself is, in the main, entertaining without being in any way memorable or groundbreaking. Circus choreographers Tilde Björfors and Mattias Andersson play it far too safe given the quality of the cast and the facilities (one of the updates to the venue was adding a huge mother truss to support the rigging). Some parts feel more plastic than organic and there’s rarely a genuine wow factor. There is very little on display that really stands out from what can be seen in big tops up and down the land. When the story calls for explosive action, Björfors and Andersson cram too much in with dazzling aerialists pitching and yawing above busy ground-based colleagues. creating a confusing and overloaded panorama. On press night, the trapeze act and the teeterboard piece both ended in very noticeable mistakes; in the latter case, the team decided to repeat the last segment while the next set of acrobats awkwardly waited in the background; whether this is a sign of general nerves or backstage shenanigans is hard to tell.
The performance takes part in a big top, following a young girl called Max who discovers her potential as a showman. But while the plot is pretty weak, the big budget song and dance spectacles and the circus exhibitions that go alongside them are truly brilliant. You’ve never seen a circus show like this before - the big songs, recognisable from the blockbuster movie that inspired it - feel like Hollywood-style performances. And the acts are top tier. We watched strongmen bounce each other into the sky, an acrobat spin 40ft high by her hair and an incredible fire display that saw a woman set fire to her body… on purpose.
| 2024 | West End |
West End |
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