Cold War Choir Practice
8 / 10
The story’s timeline is not always intelligible—or, for that matter, possible—and Afsoon Pajoufar’s attractively curved Roll-a-Rama set, which employs mirrors very cleverly at one exit, doesn’t do much to define the play’s various physical spaces. But clarity is not exactly the goal. Reddick is not aiming for realism; a bomb in the climatic sequence is just bundled red sticks of dynamite, Looney Tunes style.
