Amadeus Revival

Upcoming Theatre Communication Group Member Shows - 10/30 for San Diego

Upcoming Theatre Communication Group Member Shows - 10/30 for Los Angeles

Upcoming Theatre Communication Group Member Shows - 10/30 for San Francisco

Upcoming Theatre Communication Group Member Shows - 10/30 for Thousand Oaks

Upcoming Theatre Communication Group Member Shows - 10/30 for Costa Mesa

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Upcoming Theatre Communication Group Member Shows - 10/30 for Sacramento

Merging the vanguard of Polish theatre artists with America's most innovative contemporary music composers, Mozart's Sister tells the story of the keyboard virtuoso, composer, and child prodigy in her own right - Nannerl Mozart. This other Mozart toured throughout Europe, performing side by side with her brother Amadeus, to equal acclaim. Yet none of her compositions have survived and today hardly anyone knows she existed. Using Nannerl's own letters and those of her family, the performance investigates how this female prodigy, this Mozart, faded from the world - and whether this loss was inevitable.

Today we continue our special series consisting of five entries total, each of which highlight a different facet of the rich and wonderful world of William Shakespeare and all with a particular emphasis on the controversial new feature film that explores the time, place, politics and goings-on of the Elizabethan era and focuses on the possibility that the true author of the esteemed plays we now know may very well have been someone else entirely - Edward de Vere - and how the question of the canon's true creation then comes into play - ANONYMOUS. "All the world's a stage," after all, so it should come as no surprise that acts of lust, bloodshed and betrayal would exist in the actual life - or even the supposed one - of the man who created the most bloody and thought-provoking tragedies in the history of literature - whoever he may have actually been. Perhaps some brief analysis of the finest leading players, most memorable lines and moments, as well as an exploration of other notable acts of grand betrayal in Shakespeare's plays will aid us on the journey to understanding the thesis of ANONYMOUS and bring us into a closer relationship with the individual who penned the greatest plays in the English language. Now that we have already analyzed the top ten male and female Shakespearean performers of the last few decades, as well as the most memorable lines, today we are going to take a look at some of the most famous scenes and noted moments from Shakespeare's plays - by both laymen and scholars - and some of the best audiovisual examples of these in their dramatic context - including clips from MACBETH, THE WINTER'S TALE, THE MERCHANT OF VENICE, KING LEAR and more!

Michael Sheen, one of the finest actors of his generation, plays Hamlet under the direction of one of Britain's leading directors Ian Rickson (Jerusalem), who makes his Shakespearean debut with this electrifying new production. The world-class creative team includes designer Jeremy Herbert (The Glass Menagerie; Young Vic), costume designer Nicky Gillibrand (Government Inspector; Young Vic, Anna Nicole; ROH) and Punchdrunk associate director Maxine Doyle (Masque of the Red Death; BAC) who will choreograph.

David Cale returns to Kansas City Rep with his new one-actor play The History of Kisses, which opens Friday, October 28, at the Rep's downtown theatre Copaken Stage, and runs through November 27.

Drury Lane Theatre, 100 Drury Lane, presents THE SOUND OF MUSIC, the Tony Award and Academy Award-winning musical by Richard Rodgers and Oscar Hammerstein, previewing October 20, opening October 27 and running through December 23.

Set inside the racial tensions of 1940s Mississippi, THE RIVER WAS WHISKEY pulses with revenge and retribution. Some things demand to be remembered, whether we like it or not-especially if we love someone we shouldn't.

Today we continue our special series consisting of five entries total, each of which highlight a different facet of the rich and wonderful world of William Shakespeare and all with a particular emphasis on the controversial new feature film that explores the time, place, politics and goings-on of the Elizabethan era and focuses on the possibility that the true author of the esteemed plays we now know may very well have been someone else entirely - Edward de Vere - and how the question of the canon's true creation then comes into play - ANONYMOUS. "All the world's a stage," after all, so it should come as no surprise that acts of lust, bloodshed and betrayal would exist in the actual life - or even the supposed one - of the man who created the most bloody and thought-provoking tragedies in the history of literature - whoever he may have actually been. Perhaps some brief analysis of the finest leading players, most memorable lines and moments, as well as an exploration of other notable acts of grand betrayal in Shakespeare's plays will aid us on the journey to understanding the thesis of ANONYMOUS and bring us into a closer relationship with the individual who penned the greatest plays in the English language. Since we have now analyzed the top ten male and female Shakespearean performers of the last few decades, today we are going to take a look at some of the most famous lines from Shakespeare's plays and some of the best audiovisual examples of them given full weight in their dramatic context - ROMEO & JULIET, AS YOU LIKE IT, RICHARD III included - with leading players as iconic as Marlon Brando, Kevin Kline, Sir Ian McKellen, Kenneth Branagh and Leonardo Dicaprio!

Connecticut Repertory Theatre (CRT) will present the world premiere of Mike Reiss' comedy I'm Connecticut, December 1 - 10 in the Harriet S. Jorgensen Theatre, Storrs.

Long Wharf Theatre, under the director of Artistic Director Gordon Edelstein and Interim Managing Director Joshua Borenstein, presents the Tony Award-winning musical Ain't Misbehavin' on the Mainstage from Oct. 26 through Nov. 20.

David Cale returns to Kansas City Rep with his new one-actor play The History of Kisses, which opens Friday, October 28, at the Rep's downtown theatre Copaken Stage, and runs through November 27.

Walnut Street Theatre continues its landmark 203rd season with an all-new production of Broadway's Tony Award-winning family musical, Rodgers and Hammerstein's THE KING AND I.

Connecticut Repertory Theatre (CRT) will present the world premiere of Mike Reiss' comedy I'm Connecticut, December 1 - 10 in the Harriet S. Jorgensen Theatre, Storrs.

CLASS REUNION, the new musical created by Phil Benson with Music and Lyrics by Dani B. Tapper and Book by Holly-Anne Ruggiero (Jersey Boys) will be presented in a industry reading on Friday, November 18th at Ripley Grier Studios in New York City.

Today we continue our special series consisting of five entries total, each of which highlight a different facet of the rich and wonderful world of William Shakespeare and all with a particular emphasis on the controversial new feature film that explores the time, place, politics and goings-on of the Elizabethan era and focuses on the possibility that the true author of the esteemed plays we now know may very well have been someone else entirely - Edward de Vere - and how the question of the canon's true creation then comes into play - ANONYMOUS. "All the world's a stage," after all, so it should come as no surprise that acts of lust, bloodshed and betrayal would exist in the actual life - or even the supposed one - of the man who created the most bloody and thought-provoking tragedies in the history of literature - whoever he may have actually been. Perhaps some brief analysis of the finest leading players, most memorable lines and moments, as well as an exploration of other notable acts of grand betrayal in Shakespeare's plays will aid us on the journey to understanding the thesis of ANONYMOUS and bring us into a closer relationship with the individual who penned the greatest plays in the English language. Picking up where we left off, now, with the second entry in the five days of Top 5s, here is a look at the best leading ladies to have done Shakespeare onstage and onscreen this century and last - featuring Judi Dench, Meryl Streep, Jessica Lange, Helen Mirren, and, an ANONYMOUS star herself, Vanessa Redgrave!

Walnut Street Theatre began its landmark 203rd season with Andrew Lloyd Webber's ASPECTS OF LOVE. Directed by award-winning Director Bruce Lumpkin, this all-new production filled with passion, love and loss closes October 23rd on the WST Mainstage.

Romeo and Juliet-the timeless story of passion, intrigue and generational discord-will close on October 23, 2011 at Northern Stage in White River Junction, VT.

Today we begin a special series consisting of five entries total, each of which will highlight a different facet of the rich and wonderful world of William Shakespeare and all with a particular emphasis on the controversial new feature film that explores the time, place, politics and goings-on of the Elizabethan era and focuses on the possibility that the true author of the esteemed plays we now know may very well have been someone else entirely - Edward de Vere - and how the question of the canon's true creation then comes into play - ANONYMOUS. "All the world's a stage," after all, so it should come as no surprise that acts of lust, bloodshed and betrayal would exist in the actual life - or even the supposed one - of the man who created the most bloody and thought-provoking tragedies in the history of literature - whoever he may have actually been. Perhaps some brief analysis of the finest leading players, most memorable lines and moments, as well as an exploration of other notable acts of grand betrayal in Shakespeare's plays will aid us on the journey to understanding the thesis of ANONYMOUS and bring us into a closer relationship with the individual who penned the greatest plays in the English language. Kicking off the five days of Top 5s, here is a look at the best leading men to have done Shakespeare onstage and onscreen this century and last - featuring Kenneth Branagh, Ian McKellen, Al Pacino, James Earl Jones, and, the ANONYMOUS narrator (and a confirmed Oxfordian himself), Sir Derek Jacobi!

Drury Lane Theatre, 100 Drury Lane, presents THE SOUND OF MUSIC, the Tony Award and Academy Award-winning musical by Richard Rodgers and Oscar Hammerstein, previewing October 20, opening October 27 and running through December 23.

Drury Lane Theatre, 100 Drury Lane, will extend THE SOUND OF MUSIC, the Tony Award and Academy Award-winning musical by Richard Rodgers and Oscar Hammerstein, through January 8, 2012 due to popular demand. The production opens October 27.

Drury Lane Theatre, 100 Drury Lane, will extend THE SOUND OF MUSIC, the Tony Award and Academy Award-winning musical by Richard Rodgers and Oscar Hammerstein, through January 8, 2012 due to popular demand

On October 19th several of Broadway's greatest stars will be sharing their talents in the name of supporting Cancer research and patient care at a special benefit produced by EMMY® Award-Winning RWS and Associates Entertainment, Inc. (Ryan Stana, Executive Producer). Tony Award Winners Christine Ebersole and Brian Stokes Mitchell will be performing songs from Broadway hits they starred in such as 42nd Street, Ragtime, and Man of La Mancha at the 2011 Hillman Cancer Center Gala. Veteran Broadway actress and Tony Award winner Michele Pawk will lead the evening as the Mistess of Ceremonies.

Orchestra of St. Luke's (OSL) marks the beginning of the 2011/2012 season of its celebrated chamber music series with Kindred Spirits, a program of three Romantic trios that will be presented at Brooklyn Museum (Saturday, October 15, 2011 at 2PM) and The Morgan Library & Museum (Wednesday, October 19, 2011 and Friday, October 21, 2011 at 7:30PM).

Am Sonntag, 23. Oktober 2011, findet um 11.00 Uhr die zweite Matinee der Reihe 'Das Ensemble stellt sich vor' im Gustav Mahler-Saal der Wiener Staatsoper statt.

On October 19th several of Broadway's greatest stars will be sharing their talents in the name of supporting Cancer research and patient care at a special benefit produced by EMMY® Award-Winning RWS and Associates Entertainment, Inc. (Ryan Stana, Executive Producer).

In 1987 on the Sunset Strip, a small-town girl met a big-city dreamer - and in L.A.'s most legendary rock club, they fell in love to the greatest songs of the ‘80's. It's ROCK OF AGES, a hilarious, feel-good love story told through the hit songs of iconic rockers Journey, Styx, REO Speedwagon, Foreigner, Pat Benatar, Whitesnake, and many more.

Two weeks of concerts in November will feature Atlanta Symphony Orchestra musicians as soloists. Guest Conductor Oliver Knussen will return to Atlanta Symphony Hall to lead Concertmaster David Coucheron, Principal Cello Christopher Rex, and the Atlanta Symphony Orchestra in Brahms?fs Double Concerto in A minor on November 10 and 12 at 8:00 p.m., and November 13, 2011, at 3:00 p.m. in Atlanta Symphony Hall at the Woodruff Arts Center. Mr. Knussen will also lead the Orchestra in the Atlanta Symphony premiere of his own composition, Symphony in One Movement. The concert will also include the Atlanta Symphony premiere of the Overture to Britten?fs The Building of the House and The Young Person?fs Guide to the Orchestra.

Am Samstag, 22. Oktober 2011, 11.00 Uhr findet die zweite Matinee der neuen Reihe 'Kammermusik der Wiener Philharmoniker' im Gustav Mahler-Saal der Wiener Staatsoper statt.

Amsterdams Marionetten Theater sinds 1985 de Europese traditie van het klassieke marionettentheater

Upcoming Theatre Communication Group Member Shows - 10/16 for Los Angeles

Upcoming Theatre Communication Group Member Shows - 10/16 for Costa Mesa

Upcoming Theatre Communication Group Member Shows - 10/16 for Thousand Oaks

Upcoming Theatre Communication Group Member Shows - 10/16 for San Francisco

Amsterdams Marionetten Theater sinds 1985 de Europese traditie van het klassieke marionettentheater

Today we are completing BroadwayWorld's seven part analysis of Shakespeare's works, all with an eye towards the new movie ANONYMOUS - which questions the authorship of William Shakespeare - with a look at the greatest moments of deception in theatre taken from the last few decades. While deception and betrayal are both tried and true tactics of creating some tense, terse, taught drama by playwrights and filmmakers the world round - both onstage and onscreen - and it is certainly as much a hackneyed trope used today as it was used five hundred years ago in Shakespeare's time - the acts themselves that we will be focusing on today are the most surprising, effective and entertaining examples of them all. Analyzing moments from entities as diverse as SWEENEY TODD, CARRIE, WICKED, GYPSY, CATCH ME IF YOU CAN, ANYONE CAN WHISTLE, THE MUSIC MAN, SISTER ACT, SIX DEGREES OF SEPARATION, HAMLET, ENRON and more - split into three categories: musical tragedies, musical comedies and straight plays - it becomes quite clear over the course of analyzing these double-crosses that Shakespeare was not the only dramatist who could make the drama's biggest twist also be the moment that stays with us long after the curtain has come down or the screen has gone black. Note: given the nature of today's topic, be forewarned that spoilers copiously abound from here on out!

Musical America, now in its third century as the indispensable resource for the performing arts, today announced the winners of the annual Musical America Awards, recognizing artistic excellence and achievement in the arts.

On November 25, a beloved Rochester tradition returns to the Geva Theatre Center Mainstage. A Christmas Carol, Dickens' classic tale of redemption for the most despised man in London, will awaken your heart and rekindle your spirit this holiday season.

Today we continue our special series consisting of five entries total, each of which highlight a different facet of the rich and wonderful world of William Shakespeare and all with a particular emphasis on the controversial new feature film that explores the time, place, politics and goings-on of the Elizabethan era and focuses on the possibility that the true author of the esteemed plays we now know may very well have been someone else entirely - Edward de Vere - and how the question of the canon's true creation then comes into play - ANONYMOUS. "All the world's a stage," after all, so it should come as no surprise that acts of lust, bloodshed and betrayal would exist in the actual life - or even the supposed one - of the man who created the most bloody and thought-provoking tragedies in the history of literature - whoever he may have actually been. Perhaps some brief analysis of the finest leading players, most memorable lines and moments, as well as an exploration of other notable acts of grand betrayal in Shakespeare's plays will aid us on the journey to understanding the thesis of ANONYMOUS and bring us into a closer relationship with the individual who penned the greatest plays in the English language. Now that we have already analyzed the top ten male and female Shakespearean performers of the last few decades, as well as the most memorable lines and moments, today, in our final installment of the 5 Top 5 countdown, we are focusing on the most surprising and dramatic moments of deception in Shakespeare - including moments from HAMLET, JULIUS CAESER, THE WINTER'S TALE, AS YOU LIKE IT and more!

When opera began in the 1500s, it was considered a new theatrical art form, not a new musical art form.

NYC & Company, New York City's marketing, tourism and partnership organization, today announced that The Metropolitan Opera is the Culture Spot pick for November, the City's monthly cultural program that encourages local and visitor exploration by spotlighting a different arts organization each month. Located at Lincoln Center in the Upper West Side of Manhattan, New York City's iconic opera company has been presenting world-class productions since 1883.