After The Fall - 2004 - Broadway Articles Page 1

Jaiden Leo Riley discusses making his professional leading man debut as Edward Lewis in PRETTY WOMAN: THE MUSICAL at Clear Space Theatre Company, running July 1 through August 25, 2026 in Rehoboth Beach.

Triple Fringe First Award winners Xhloe and Natasha will bring their new show to London's Soho Theatre following an Edinburgh Festival Fringe run, co-produced with NYC's SoHo Playhouse.

Caramoor Center for Music and the Arts will conclude its 2026 Summer Season on August 2 with the Orchestra of St. Luke's under the baton of Xian Zhang and violinist Gil Shaham, who returns to the festival for the first time in a decade to perform Barber's Violin Concerto.

A24 will release Jesse Eisenberg's new theater-themed film, The Debut, for a limited theatrical run beginning December 11, before a wide release on Christmas.

Country artist Randy Travis will release his first album of original music in over 18 years. The album is a collection of lost songs from throughout Travis's career, which have been assembled, remixed, and remastered by longtime producer Kyle Lehning.

Funkier and more humbly budgeted than Charlotte Ballet's extravaganzas at larger venues, FLIP at the McBride Bonnefoux provided a different kind of adventure, substituted promise for polish, and dug deeper into the company's soul.

The show is directed by Olivier Award nominee Stafford Arima and features choreography from Rujuta Vaidya, music and lyrics by Sam Willmott, and a book by Rehana Lew Mirza and Mike Lew,

The first trailer is here for The Debut, Jesse Eisenberg’s forthcoming musical comedy starring Julianne Moore and Paul Giamatti. In addition to directing the A24 feature, Eisenberg wrote the screenplay, original songs, and also stars in the film. Watch it now.

'...today's musical theater performer kids are smart...they understand...that there is an innate honesty to the material, all the while inhabiting this kind of stylistic choice in allowing it to be bigger than life.'

It's the end of an era on Broadway. As BroadwayWorld reported last month, the curtain has officially come down on Boneau/Bryan-Brown, the iconic Broadway press office founded by ATPAM-members Chris Boneau and Adrian Bryan-Brown, after more than three decades representing theatre on Broadway, Off-Broadway and around the world.

The Toronto Stage Company has revealed Season One at The Terminal Theatre, its first complete season at the former Fleck Dance Theatre. The lineup includes 145+ performances spanning dance, opera, and theatre.

Due to continued demand, Celine Dion has added ten new dates to her Paris residency. Celine Dion PARIS 2026 will now play in May 2027 at the Paris La Défense Arena, in addition to her previously announced dates this fall.

Laura Benanti is in for a busy Tony weekend. The popular performer will join Tituss Burgess to co-host “The Tony Awards: Act One,” a live pre-show, which will include the presentation of the first round of this year’s Tony Awards, airing free on Pluto TV.

Lake Tahoe Dance Collective will present its 14th annual Lake Tahoe Dance Festival, featuring artists from New York City Ballet, American Ballet Theatre, Boston Ballet, Houston Ballet, and Broadway across multiple venues in North Lake Tahoe.

After a two-year run, Country Music Hall of Fame legend Randy Travis will conclude the More Life Tour this fall with stops in Georgia, Kentucky, Pennsylvania, New York, New England, Texas, and beyond.

Dennis Hensley's debut play, THE POINT OF PINECONES, a sex comedy about desire and regret, will play three staged readings at the Actors Company's Other Space Theater during the Hollywood Fringe Festival.

The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the novel and memorable film moments, whilst breathing in new voices and new scenes that add different layers to these familiar characters.

Ahead of the debut PBS airing of Suffs, BroadwayWorld caught up with Shaina Taub to discuss the origins of the Suffs proshot, the importance of arts accessibility, and why PBS was the right platform to spotlight this history-making musical. 

Beginning May 1, fan-favorite sci-fi franchise Battlestar Galactica will arrive on Paramount+ and Pluto TV following a deal with NBCUniversal Global TV Distribution.

Love is one of the most wonderful parts of human existence; it is beautiful, but one of the hardest things a person can experience. Love is not just a feeling, but a venture that must constantly be worked at and put effort into to be maintained. THE NOTEBOOK, currently playing at ASU Gammage and based on Nicholas Sparks’ novel of the same name, explores what a lifelong love story looks like.

Marc Anthony has added new fall 2026 performance dates to his BleauLive Theater residency, “VEGAS… MY WAY!, returning to the stage this September. Tickets for the new dates go on sale on Friday, April 10, at 10 a.m. PDT.

Marcos Morau and the Ballet Nacional de España bring Afanador to Paris — a hypnotic fusion of flamenco, contemporary dance, photography, and queer aesthetics. A work of ravishing strangeness, formal brilliance, and emotional generosity

Broadway has a long history of one-person shows, including many that have been added to the canon in this century.  Seeing one actor powerfully create a whole world on stage can be an exceptional experience. Of course, one handers are hardly one-person projects; while there may only be one actor on stage, they are collaborating with an entire team of creatives, designers, and behind-the-scenes personnel to bring a show to life. 

Little Theatre of Fall River, the birthplace of theatre on the South Coast, will present Indoor/Outdoor, a play by Kenny Finkle at Little Theatre's Firebarn.

Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.