The timeless tale of Ebenezer Scrooge comes to thrilling new life as Tony Award® winner Jefferson Mays (I Am My Own Wife, Gentleman’s Guide…) plays over 50 roles in a virtuosic, master class of a performance that must be seen to be believed. This theatrical achievement comes from the haunting and hope-filled vision of one of Broadway’s most imaginative directors, Michael Arden (Tony-winning Best Revival – Once on this Island).
The noir-like design for the show by Dane Laffrey, though, is really something, and its sudden visual tricks and life-affirming pleasures far exceed what most people would expect from a one-person show. Joshua D. Reid’s sound offers as visceral and riveting a sonic affair as any show currently on Broadway.
Arden moves his subject forward through each of Dickens' staves, but the production arrives nowhere. There is no unique point of view or revelation from this solo 'Carol,' which puts Mays' malleability to waste. The production skews gloomier than most modern retellings. A casket taunts us from center stage before the show begins. Then, a loud, booming sound (design by Joshua D. Reid) shocks us into action. Courtesy of lighting designer Ben Stanton, deep shadows envelop the stage - an effect which successfully relays a cinematic-like quality of ominousness, but unsuccessfully keeps its audience awake.
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