BWW Review: Intiman's THE EVENTS - A Powerful Piece, Interrupted
Whenever I see a play, Dear Readers, I want that play to just tell me a story. I want it to flow nicely, build at a steady pace, and have a good payoff. I don't necessarily need the trappings of superfluous gimmickry. If the added bits lend themselves to the piece or the story, that's great, but ...
BWW Review: Sound Theatre's Searing Look at Racial Inequality in America with CITIZEN: AN AMERICAN LYRIC
Sound Theatre Company, with their season theme of "Un-Erasable" focusing on diversity and "hyper invisibility" of some in America, have started off their season with a stunning piece, "Citizen: An American Lyric" based on the poetry of Claudia Rankine and adapted for the stage by Stephen Sachs. But...
BWW Review: Taproot Presents BRIGHT STAR, The Musical that Would Have Been Better as a Play
Edie Brickell and Steve Martin's 'Bight Star', currently playing at Taproot Theatre, has a lovely and heartbreaking story, but is a musical that suffers from two things. First, it can never quite come to terms with which era it's in, and second (and most importantly) it's a musical that doesn't hav...
BWW Review: ArtsWest's THE LAST WORLD OCTOPUS WRESTLING CHAMPION and the Promise of Greatness
Back in 2015, the Seattle theater scene was abuzz with a brand-new musical premiering at the Seattle Rep from local wunderkind Justin Huertas called 'Lizard Boy'. I even remember seeing a workshop of it in 2013. Since then the Lizard has gone on to perform all over, including San Diego and New Yor...
BWW Review: Saddle Up and Come to Can Can's EL DORADO
The folks at the Can Can are back and ready to knock your spurs off in an all new, decidedly Western style show with "The Legend of El Dorado" and once again they've upped their game. First, they brought us sexy ass dancers and comedy to bust a gut over, then they brought in fabulous singers, recen...
BWW Review: BEHOLD THE DREAMERS from Book-It Left Me Wanting
Finish strong and they'll forgive a multitude of sins. This old adage of the theater rings truer than ever in this TV-binging, short attention span world in which we live. Unfortunately, the folks at Book-It Repertory Theatre didn't take that into account with their current production of "Behold t...
BWW Review: Get Green! WICKED at the Paramount is Still Luminous!
Well before that founding father refused to throw away his shot, even before those Mormons made us giggle with their irreverence, the hot ticket in town was "Wicked". Well, Stephen Schwartz and Winnie Holzman's witches have returned to the Emerald City and the bloom is still quite firmly attached t...
BWW Review: BOY from Fantastic.Z Falls Flat from Little Connection
Anna Ziegler's play 'Boy' gives an unflinching look at gender identity. I was fortunate enough to see it's Off-Broadway premiere back in 2016 and found it quite moving and engaging. But it's a tough one to get into and requires some top-notch performances to grab the audience as it's all talk. I ...
BWW Review: Café Nordo's THE CHAMPAGNE WIDOW is a Bubbly Good Time
Cafe Nordo has come to be known in town for their sumptuous meals and fun, frothy and fascinating shows but this time they've outdone themselves with "The Champagne Widow". With a book by Opal Peachey and Music by Annastasia Workman and Lyrics by Peachey, Workman as well as director Billie Wildrick...
BWW Review: 5th Ave's WEST SIDE STORY Looks Pretty but Fizzles as a Love Story
I used to hate Arthur Laurents, Leonard Bernstein, and Stephen Sondheim's "West Side Story". My only exposure was the movie and I found the story flat and unconvincing. I mean, an entire song just repeating her name? Geeze, learn how to write a lyric. But then a touring production came through t...
BWW Review: PASS OVER at ACT Gives a Visceral Look at Racial Injustice
Dear Readers, back in 2011 I was fortunate enough to see a play entitled "The Brothers Size" at a local theater. It was an evening that shook me to my core theatrically. I mention this, not to compare it with Antoinette Nwandu's "Pass Over", currently being offered at ACT, but to explain that not ...
BWW Review: BLACKBIRD at 18th & Union Delivers Shocking Portrayal of Sexual Abuse
Dear Readers, there are shows out there that are all dessert and give you the fun and fluff. A certain pee-soaked musical comes to mind. Then there are the shows that slip the meaningful messages or vegetables in with the yummy portions to trick you into enriching your mind and soul. There's a ba...
BWW Review: Strawberry Theatre Workshop's TAKE ME OUT Knocks it Out of the Park
Back in 2002, Dear Readers, I became obsessed with a new play from Richard Greenberg, "Take Me Out". Already a fan of Greenberg's works, this story of a high profile Major League Baseball player coming out was quite intriguing. I got ahold of the script and my obsession grew. I annoyed all my fri...
BWW Review: KIM'S CONVENIENCE at Taproot Theatre
KIM'S CONVENIENCE at Taproot Theatre is full of laughs and heart. A convenience store is often the hot spot of a community, where you can find a little of whatever you need. For the Kim family, the convenience store is much more than that. It is their hope, their conduit to a brighter future. Its co...
BWW Review: TINY BEAUTIFUL THINGS at the Seattle Rep Offers Up Sage Advice
Nia Vardalos' stage adaptation of Cheryl Strayed's book "Tiny Beautiful Things", currently playing at the Seattle Rep, on the surface may seem like just a string of Strayed's advice columns, but when you peel back the layers and dive deeper it becomes so much more. As we get into the advice, we als...
BWW Review: Reboot's SWEENEY TODD Needs to go Back in the Oven
Stephen Sondheim and Hugh Wheeler's "Sweeney Todd, the Demon Barber of Fleet Street" is arguably a masterpiece of American Musical Theatre. It's haunting, thrilling, and heartbreaking when it's done right. But in order to do it right you need to understand and be able to convey this complex story ...
BWW Review: THE CALL at Seattle Public Theater Should Pick a Story and Stick with It
Dear Readers, you know when you leave a play and you just feel unsatisfied? Maybe the performances weren't up to snuff or the direction faltered, but you have trouble putting your finger on why you feel this way. Such was my experience last night at Seattle Public Theater's Northwest Premiere of T...
BWW Review: SCHOOL OF ROCK at the Paramount - A Muffled, Mugging, Mess ... With Cute Kids
Say what you want about Sir Andrew Lloyd Webber but at least he's consistent. Consistently borrowing from others as is evident in the most recent offering from the Paramount Theatre, 'his' musical version of the 2003 movie 'The School of Rock'. And while it has adorable kids, absolutely shredding ...
BWW Review: MILLION DOLLAR QUARTET at Village Will Have You Rockin' in Your Seat
'Million Dollar Quartet', that Rock and Roll spectacular, has long held a special place in the hearts of Village Theatre patrons owing to it being one of those shows that made a name on Broadway after having its beginnings in the Village Originals workshops. Well, those prodigal sons (and daughter)...
BWW Review: THE SPITFIRE GRILL from Showtunes Is Brimming with Heart
Dear Readers, you may have never heard of the 1996 indie film "The Spitfire Grill". If so then it stands to reason you've never heard of the musical of the same name. Well, Showtunes Theatre Company is here to rectify one of those gaps in your knowledge as they've resurrected the not often done mu...
BWW Review: AS YOU LIKE IT at Seattle Shakespeare
AS YOU LIKE IT by Seattle Shakespeare Company is a grab bag of experiences. It has moments of delight mixed with quite a few confusing bits. The show takes a while to get going, but then the comedy pulls it along with fresh energy. At times it seemed as if some of the characters were in a different...
BWW Review: Seattle Rep's Stunning NINA SIMONE: FOUR WOMEN
Dear Readers, when seeing the west coast premiere of Christina Ham's "Nina Simone: Four Women", currently at the Seattle Rep, if you're expecting a light, jukebox musical about the works of Nina Simone then you may be disappointed and you probably don't know much about Nina Simone in the first place...
BWW Review: THE LIGHTNING THIEF at the 5th Ave is Fun and Frothy ... If You're Twelve
Dear Readers, I am not the intended audience for 'The Lightning Thief: The Percy Jackson Musical', currently playing at the 5th Avenue Theatre, and if you're over the age of twelve and a musical theater aficionado like me, I suspect it's not for you either. However, if you are indeed a pre-teen or ...
BWW Review: Don't Be the Bunny, Go See URINETOWN at ACT
Since the joint production between the 5th Avenue Theatre and ACT of "Urinetown" was announced I heard far too often from people that they wouldn't want to see that. A stupid musical about pee? "I don't care for shows that are all bathroom humor," I would hear. And I'd have to defend this wonderf...
BWW Review: Heartbreaking Yet Hopeful, THE DIARY OF ANNE FRANK at SCT
Sit in a crowded attic room, 24 hours a day, 7 days a week. You never get to go outside, and during the day you can't make any noise. If you do, monstrous people will find you can take you away to be killed simply because you're different from them. Do this for two years. Now, one last thing, ha...
Videos
























