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SCOTLAND THEATER REVIEWS

The latest reviews and critic recommendations from Scotland
Review: Righ Iasgair: The Fisher King, Oran Mor

Review: Righ Iasgair: The Fisher King, Oran Mor

by Natalie O'Donoghue — October 25, 2025
Lexie and Effie are best friends, but Lexie has a secret that she won’t share, and Effie is determined to find out what it is....
Review: ARLINGTON, Tron Theatre

Review: ARLINGTON, Tron Theatre

by Gary Naylor — October 24, 2025
Bleak, yet hopeful, drama/dance hybrid gives food for thought...
Review: THE GLASS MENAGERIE, Citizens Theatre

Review: THE GLASS MENAGERIE, Citizens Theatre

by Natalie O'Donoghue — October 24, 2025
Tom, trapped in a soul-crushing job and burdened with the weight of supporting his overbearing mother, Amanda, and painfully shy sister, Laura, longs for escape. When he invites Jim, a charming but well-meaning acquaintance, to dinner, Amanda seizes the moment to secure Laura’s future happiness....
Review: FLICK & PIE GO FISHING, Òran Mór

Review: FLICK & PIE GO FISHING, Òran Mór

by Natalie O'Donoghue — October 19, 2025
A new comedy-drama that takes a delicate, humorous and honest look at love, and asks whether it is ever enough....
Review: COMMON TONGUE, Paisley Arts Centre

Review: COMMON TONGUE, Paisley Arts Centre

by Natalie O'Donoghue — October 18, 2025
Bonnie’s life has been defined by wirds; the richt wans, the wrang wans, aun the wans used against her. Now, Bonnie haes a chance to speak aboot it. But the last time she done any public speaking wis a solo talk in Primary School. This time roon she’s no really sure whit she’s gonnae say, or ...
Review: RIVERDANCE 30: THE NEW GENERATION, King's Theatre

Review: RIVERDANCE 30: THE NEW GENERATION, King's Theatre

by Natalie O'Donoghue — October 14, 2025
To celebrate this incredible 30th year milestone, Riverdance 30: The New Generation will embark on a special anniversary tour in 2025, bringing its magic to audiences around the world....
Review: MAYBE TOMORROW, Oran Mor

Review: MAYBE TOMORROW, Oran Mor

by Natalie O'Donoghue — October 11, 2025
Sian Silver has been on stage her whole life, with years in show business and countless seasons under her belt. Now at the end of the pier (and her wits) in a dingy dressing room full of unrealised ambitions, there’s still one dream she just can’t shake....
Review: ENDGAME, Bedlam Theatre

Review: ENDGAME, Bedlam Theatre

by Iona Rose — October 6, 2025
Set in a post-apocalyptic dystopia, there is a chilling and unsettled edge to Endgame as the shadow of death haunts the characters. This is cleverly done from the off, as ghostly fabric hides the set pieces and a blank picture frame hangs on the wall. Staging is minimal and effectively chosen overal...
Review: BLACK HOLE SIGN, Tron Theatre

Review: BLACK HOLE SIGN, Tron Theatre

by Mary Baillie — September 29, 2025
Black Hole Sign presents a compelling premise: an understaffed A&E department in disarray, where Senior Charge Nurse Crea (Helen Logan) struggles to steer a failing ship under the immense pressures facing the NHS. The play offers an interesting insight into the challenges of nursing and raises impor...
Review: TINA- THE TINA TURNER MUSICAL, King's Theatre

Review: TINA- THE TINA TURNER MUSICAL, King's Theatre

by Natalie O'Donoghue — September 26, 2025
From humble beginnings in Nutbush, Tennessee, to her triumphant transformation into a multi award-winning global superstar, Tina Turner didn’t just break the rules, she rewrote them, winning 12 Grammy Awards...
Review: THE LIGHTNING THIEF: THE PERCY JACKSON MUSICAL, Festival Theatre

Review: THE LIGHTNING THIEF: THE PERCY JACKSON MUSICAL, Festival Theatre

by Natalie O'Donoghue — September 24, 2025
The epic adventures of Percy Jackson are coming to the stage in Edinburgh. A thrilling tale for gods and mortals of all ages, this gripping story proves that being ‘normal’ is anything but....
Review: THE GLASGOW POISONER, Òran Mór

Review: THE GLASGOW POISONER, Òran Mór

by Natalie O'Donoghue — September 22, 2025
Madeleine Smith, a Glasgow socialite living in Blythswood Square, was accused of a secret affair and poisoning her lover to death....
Review: THE MAN WHO WAS MAGIC, Adelphi Theatre

Review: THE MAN WHO WAS MAGIC, Adelphi Theatre

by Christiana Rose — September 29, 2025
James Phelan’s latest production, The Man Who Was Magic, arrives at the Adelphi Theatre for one night only after a triumphant Edinburgh run and confirms his reputation as a magician with both flair and heart. The show opens to the smooth sounds of the Rat Pack and swing, the stage bathed in the wa...
Review: FEIS, Òran Mór

Review: FEIS, Òran Mór

by Natalie O'Donoghue — September 21, 2025
A dark comedy about Irish dancing, mothers and their daughters, and the importance of securing a win at any cost....
Review: MARY, QUEEN OF SCOTS, Theatre Royal

Review: MARY, QUEEN OF SCOTS, Theatre Royal

by Natalie O'Donoghue — September 18, 2025
This major new production from Scottish Ballet’s choreographer-in-residence Sophie Laplane and co-creator, James Bonas (The Crucible), draws on the complex relationship between Mary, Queen of Scots and Elizabeth I of England. Laplane’s bold choreography blends classicism with modernity, reshapin...
Review: BALLAD LINES IN CONCERT, Cottiers

Review: BALLAD LINES IN CONCERT, Cottiers

by Natalie O'Donoghue — September 16, 2025
The musical began in 2014, commissioned jointly by the Royal Conservatoire of Scotland and Northwestern’s American Music Theatre Project. An earlier iteration of the musical received its world premiere in 2023 at Macrobert Arts Centre, Stirling under its former title A Mother’s Song....
Review: OUR BROTHER, Òran Mór

Review: OUR BROTHER, Òran Mór

by Natalie O'Donoghue — September 14, 2025
Inspired by a true story, Our Brother is a high-stakes political drama by Jack MacGregor about the language of denial, centring on a fateful interview with one of the bloodiest dictators of the 20th-century....
Review: SMALL ACTS OF LOVE, Citizens Theatre

Review: SMALL ACTS OF LOVE, Citizens Theatre

by Natalie O'Donoghue — September 13, 2025
In the wake of the Pan Am 103 atrocity in December 1988, the people of Lockerbie responded with heartwarming acts of kindness for the relatives of people who died on board. In the face of the most extraordinary adversity, these two distant communities from Southwest Scotland and New York State built...
Review: FIDDLER ON THE ROOF, Festival Theatre

Review: FIDDLER ON THE ROOF, Festival Theatre

by Natalie O'Donoghue — September 10, 2025
It’s 1905 in the tiny village of Anatevka and Tevye, a Jewish milkman, lives his life by their proud traditions. For his five daughters, that means a visit from the matchmaker. As each daughter challenges his beliefs, against the backdrop of a changing world, can Tevye hold on to his roots, or mus...
Review: WALLACE, Oran Mor

Review: WALLACE, Oran Mor

by Natalie O'Donoghue — September 6, 2025
Three performers take the mic to retell the life of William Wallace — from birth to his brutal death and beyond, in this thundering new musical featuring original hip hop music....
EDINBURGH 2025: Review: PALDEM, Summerhall

EDINBURGH 2025: Review: PALDEM, Summerhall

by Mark Carnochan — August 26, 2025
David Jonsson is sure to be a bonafide star come the end of this year and the world premiere of his first credit as playwright, Paldem, is certain to be part of the reason why. ...
EDINBURGH 2025: Review: DEISEIL: DANCING IN TIME, Venue 45 At TheSpace @ Venue 45

EDINBURGH 2025: Review: DEISEIL: DANCING IN TIME, Venue 45 At TheSpace @ Venue 45

by Erin Roche — August 26, 2025
Deiseil in older Gaelic means “sunwise” or “clockwise”. Traditionally, moving in a deiseil motion was an act of good fortune, invoking protection; to move in widdershins (counter-clockwise) was considered unlucky. Contemporary Gaelic meaning of the word refers t being ready, prepared.  “T...
EDINBURGH 2025: Review: RUSSIAN ROULETTE, Bedlam Theatre

EDINBURGH 2025: Review: RUSSIAN ROULETTE, Bedlam Theatre

by Mark Carnochan — August 26, 2025
If you’re looking for absurdist comedy at this year's Fringe, then look no further! Fresh off his last play, another absurdist treat about a gibberish-talking Jellyfish-person and the repressive nature of traditional family values, Will Osbon returns with his latest show, Russian Roulette. ...
Review: 2:22 A GHOST STORY, King's Theatre

Review: 2:22 A GHOST STORY, King's Theatre

by Natalie O'Donoghue — August 26, 2025
Following seven West End seasons, a record-breaking UK and Ireland tour and thirty productions across the globe, the stage phenomenon 2:22 A Ghost Story now comes to Glasgow....
EDINBURGH 2025: Review: THANYIA MOORE: AUGUST, Pleasance Courtyard

EDINBURGH 2025: Review: THANYIA MOORE: AUGUST, Pleasance Courtyard

by Natalie O'Donoghue — August 25, 2025
After 10 years of comedy, Thanyia was finally set to do her long-awaited, anticipated debut hour at the Edinburgh Festival Fringe. Everything was going to plan. Then August happened. A show about mental strength, the female body and how awesome the NHS is in Scotland....
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