Skip to main content
Shop Merch Add a Show Listing
My Shows
News on your favorite shows, specials & more!

EDINBURGH 2026 Review: GOOD WITH FACES, Summerhall

Runs until 31 August.

By:
EDINBURGH 2026 Review: GOOD WITH FACES, Summerhall

EDINBURGH 2026 Review: GOOD WITH FACES, Summerhall Image

A social worker has shown up at Anne’s door trying to figure out what’s going on with her 5-year-old son, Max, who was seen with a large bruise on his ear. A power struggle begins. As Anne maintains that Max is being perfectly taken care of, Liam tries hard to silence his suspicions. But this isn’t the first time that Anne has been reported to the authorities, and he has a duty of care. Steps need to be taken in order to safeguard the child. But Anne isn’t willing to lose Max.

What starts as a polite family drama grows into a breathless psychological thriller in Oisín Kearney’s disturbing and shifty play. The plot twists and pivots with Kearney’s slender dialogue and snappy direction. His scenes burn slowly. The red flags make themselves known quickly, but only start to wave once we’ve disregarded them as red herrings. The situation spirals at a hypnotising pace. Kearney lets the energy in the conversations coil, leaving Anne’s hurt to fester before detonating her self-preservation in measured and realistic bursts. The stakes are high.

At one point, Kearney lulls us into a sense of narrative familiarity. Once we think we know where we’re going, he changes the trajectory again. And again. And again. By the end, we’ve been on an exhilarating rollercoaster and have no answers to show for it. He imbues the text with delicious dramatic pull, building it into an heady tension that makes us beg for more. We leave the theatre with more questions than we had when we entered it. And what a pleasure it is to do so!

Patrick McBrearty and Clodagh Mooney Duggan deliver exquisite performances too. They linger on the details in the script, leaning into the irresistible tonal rhythm of the language. Mooney Duggan is controlled and collected in her portrayal; she puts up a friendly smile when a scared look threatens her gaze. McBrearty grips her with stern, inflexible eye contact. They keep circling each other, feral, and as their dynamic evolves.

If you’re after an exciting piece of original writing that feels as addictive, intense, and gripping as the latest bingeable Netflix docu-thriller, this is the play for you. It’s a great watch, regardless of whether you want to enjoy it for the sake of the story or feel like diving in and analysing its more alarming societal implications.

Click Here to Get Tickets
More on Summerhall
Recent Articles
EDINBURGH 2026: Review: AS FAR AS WE KNOW, Summerhall
EDINBURGH 2026: Review: AS FAR AS WE KNOW, Summerhall
8/22/2026

Reader Reviews



BroadwayWorld TV


Trainspotting The Musical in Scotland Trainspotting The Musical
Alhambra Theatre (3/01-3/06)
Joseph and the Amazing Technicolor Dreamcoat in Scotland Joseph and the Amazing Technicolor Dreamcoat
Alhambra Theatre (10/07-10/10)
Ed Byrne: No Dramas in Scotland Ed Byrne: No Dramas
Music Hall (2/10-2/10)
Rollers Forever in Scotland Rollers Forever
King's Theatre (10/27-10/31)
The Steamie in Scotland The Steamie
Alhambra Theatre (10/29-10/31)
Count Arthur Strong - And It’s Goodnight From Me! in Scotland Count Arthur Strong - And It’s Goodnight From Me!
EICC (5/30-5/30)
Alex McAleer - Mind Reader in Scotland Alex McAleer - Mind Reader
Eastgate Theatre (9/26-9/26)
Mark Thomas: 40 In Stand Up Years in Scotland Mark Thomas: 40 In Stand Up Years
The Lemon Tree (9/24-9/24)
Giovanni: Unstoppable in Scotland Giovanni: Unstoppable
Alhambra Theatre (4/11-4/11)
Venue Premium - Two Doors Down in Scotland Venue Premium - Two Doors Down
OVO Hydro (9/25-10/11)