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See Prince Igor only noble Warrior, caring only to defend Russia and acting purely out of good intentions is a bit not stick with what posted by Borodin. In the Opera, the Prince goes to campaign against the polovtsy against all odds, condemning the deaths of their soldiers, ignoring even God's omen – so great his urge to take revenge over Konchak. Even today Kon?ak was his ally, but yesterday Ihar can't wait to overpower it, assert their ego. And it leaves a denuded Putivl, leaving the fragile shoulders of his wife Yaroslavna all burden of power – the Principality has actually remained defenseless.
Galician is a little speech keynote speech the candidate who will participate in the elections. The theme is what I can give to you? -Today again sounds vital as ever. Galician also intends to take revenge, only other plan – in fact he takes power into his own hands and goes to pererazdel – we've seen this in 1917, and during the times of collectivization when she overcame thirst for profit people because they do not belong. Scene of Galician we interpret as not drunk, like street yard Putivl – watch here what has happened many times in our history.
Kon?ak is not good, prudent owner. First of all is the person being betrayed. Konchak's ARIA is a refined form of mockery-I would call it "refined" interrogation. Here is your son, "he said to the Prince," and we can do anything you want. Here are the Warriors, whom thou here left. Here are the girls who were also there when something yours, but now all it does not belong to you. And you don't have a choice – either you're with me and do all, or you will lose it all. And when Kon?ak pulls out his sword to sword-dedov ask: "do you know how many I killed them?" (subtext: "and I can also do away with you"). Go check on the "strength" – at least, for me it sounds that way, not just as a collection of knives pohvalenie.
So you can go through all the characters. Vladimir Igorevich forgot all his love – and that the defeated team, and that the father in captivity – he intoxicated by sensuality, no wonder the theme music was written by tomnymi Kon?akovny, lusciously erotic intonations. From the city walls and Christian laws Igorevich gets under the influence of free steppes where allowed to so much more. Luxury Kon?akovna are naturally more experienced and actually manipulates him, enveloping his amorous fimiamov syrup. Enchanted spell of love, he forgets about everything and protrezveet only during the polovtsian Act, which we interpret as a wedding. It appears that this is a very different world. But too late: he has become his hostage.
Apart for me is Yaroslavna. This is the kind of person to whom fell the burden of responsibility for what is happening. She has had to confront the revelry, the outrage and the actual internal degradation of Galician. It must defend the city – and it is succeeding, we see that she defended putivl, and one can only guess what it cost her. Bear the burden of the authorities is unbearable hard but she copes with it all and forgive in advance. She is waiting and will take any, whatever's it is. For me the mental qualities of Yaroslavna should join the Ecumenical vsepoglo?aû?emu feeling of love, which we ascribe to the Blessed Virgin Mary. I would like the Viewer is felt, so we have the first Act appears stage-poloveckom vision Yaroslavna.
I cannot fail to mention such characters as Skula and Eroshka, who often were solved only in the comic vein. Meanwhile, these are people who have betrayed Igor, switched to service to Vladimir and then betrayed and Vladimir. Again, we have here a great number of historical associations, when people have in the party, then tore up their party cards, and some time later again returning – and it seems to be no way to release it, because it's quite scary characters – such people survive in any situation under any circumstances.
Cast and Creative team for PRINCE IGOR at Ekaterinburg State Academic Opera and Ballet Theatre
Conductor-producer – people's artist of Russia,
Laureate of the State Prize of Russia Alexander Lazarev
Director-producer -people's artist of Russia Yury Laptev
Artist-supplier -the honoured artist of Russia,
USSR State Prize laureate Igor Ivanov
Chorus master-supplier -the honoured worker of Arts of Russia and Bashkortostan,
people's artist of Bashkortostan Elvira Gajfullina
Ballet master-supplier – Alexander Tikhomirov
Assistant producer – Igor Ushakov
Laureate of the State Prize of Russia Alexander Lazarev
Director-producer -people's artist of Russia Yury Laptev
Artist-supplier -the honoured artist of Russia,
USSR State Prize laureate Igor Ivanov
Chorus master-supplier -the honoured worker of Arts of Russia and Bashkortostan,
people's artist of Bashkortostan Elvira Gajfullina
Ballet master-supplier – Alexander Tikhomirov
Assistant producer – Igor Ushakov
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