The Queen of Versailles
4.5
Closed Dec 21, 2025
Little Bear Ridge Road
9.0
Closed Dec 21, 2025
Art
6.9
Closed Dec 21, 2025
Rob Lake Magic
2.8
Closed Nov 16, 2025
Punch
7.2
Closed Nov 2, 2025
Jeff Ross: Take a Banana for the Ride
6.0
Closed Sep 28, 2025
Cabaret at the Kit Kat Club
6.0
Closed Sep 21, 2025
John Proctor Is the Villain
8.3
Closed Sep 7, 2025
Purpose
8.5
Closed Aug 31, 2025
Call Me Izzy
6.5
Closed Aug 24, 2025
Gypsy
8.3
Closed Aug 17, 2025
Pirates! The Penzance Musical
7.8
Closed Jul 27, 2025
Sunset Boulevard
7.1
Closed Jul 20, 2025
BOOP! The Musical
7.1
Closed Jul 13, 2025
Real Women Have Curves
7.8
Closed Jun 29, 2025
Dead Outlaw
8.4
Closed Jun 29, 2025
The Picture of Dorian Gray
8.4
Closed Jun 29, 2025
Stephen Sondheim's Old Friends
7.3
Closed Jun 29, 2025
Glengarry Glen Ross
7.0
Closed Jun 28, 2025
The Last Five Years
5.2
Closed Jun 22, 2025
Smash
6.4
Closed Jun 22, 2025
Floyd Collins
7.4
Closed Jun 22, 2025
Good Night, and Good Luck
6.4
Closed Jun 8, 2025
Othello
5.6
Closed Jun 8, 2025
Redwood
5.1
Closed May 18, 2025
English
8.4
Closed Mar 2, 2025
A Wonderful World: The Louis Armstrong Musical
5.9
Closed Feb 23, 2025
All In: Comedy About Love
5.3
Closed Feb 16, 2025
Romeo + Juliet
5.6
Closed Feb 16, 2025
Eureka Day
7.6
Closed Feb 16, 2025
Cult of Love
7.9
Closed Feb 2, 2025
Left on Tenth
4.5
Closed Feb 2, 2025
Our Town
6.9
Closed Jan 19, 2025
Stereophonic
9.5
Closed Jan 12, 2025
Back to the Future: The Musical
5.6
Closed Jan 5, 2025
Suffs
7.5
Closed Jan 5, 2025
Elf The Musical
6.5
Closed Jan 4, 2025
Review Roundups
August Wilson is back on Broadway with Taraji P. Henson and Cedric “The Entertainer” and more in a new production of Joe Turner's Come and Gone, directed by the legendary Debbie Allen. The critics are weighing in on the show! See what they're saying in tonight's review roundup!
The critics have returned from their strange journey into the world of The Rocky Horror Show on Broadway and the verdict is in! Read all the reviews in our roundup below!
Reviews are rolling in for the Broadway production of Beaches, a new musical based on the classic film, celebrating the power of female friendship. Did critics have a day at the beach at Beaches? Find out in our review roundup!
The critics are weighing-in on the world premiere of The Balusters, a new play by Tony Award and Pulitzer Prize winner David Lindsay-Abaire, directed by Tony Award winner Kenny Leon. Read the reviews and learn more about this new comedy now at the Samuel J. Friedman Theatre in our review roundup!
Reviews are in for Michael, the anticipated new biopic about music icon Michael Jackson. Starring Michael's nephew Jaafar Jackson as the late musician, find out what critics are saying in our roundup below.
Schmigadoon! is now open at the Nederlander Theatre! Alex Brightman & Sara Chase star — read what every major critic is saying in our full review roundup.
Regional Reviews
All Regional Reviews ›
The Wizard will certainly see you now.
The blame game’s the thing in this world premiere play from Scooter Pietsch. FAULT is playing at the Chicago Shakespeare Theater.
For an evening of terrific talent, beautiful staging, and emotional performances, check out Theatre Harrisburg’s production of Godspell on stage through May 10th.
A live-looped musical comedy about how far one woman will go to escape her demons… and which ScotRail service will get her there the fastest.
First developed and workshopped at South Coast Repertory’s annual Pacific Playwrights Festival in 2025, celebrated new “it” playwright Talene Monahon’s freshly birthed play EAT ME is currently being presented at OC’s Tony Award-winning regional theater as a fully-formed World Premiere production directed by Caitlin Sullivan. The new work continues performances at its Costa Mesa home through May 3. Equally intriguing and confounding, the brand new play, honestly, comes off for me as one of those creatively-ambitious but somewhat incomplete stage experiments that left me with more questions than answers.
This show has so many modern aspects that are blended in with the historic backdrop that the audience initially find the contrast comical. As the story unfolds and the offensive aspects that once seemed silly and outdated are suddenly not so different from modern issues, we are suddenly left with the heavy burden of reality.
If you’re in the mood for something light, silly, and a little bit chaotic with a musical flair, “Lend Me a Soprano” won’t disappoint.
Australia is not a classless society. Class is based in wealth and social standing.
On Saturday, April 25th, at 12:00 PM, I saw the newest Theatre for Young Audiences production at the Downtown Cabaret Theatre in Bridgeport, CT, THE PRINCESS AND THE FROG. The Theatre for Young Audiences shows at Downtown Cabaret Theatre continue to entertain the entire family! This one breaks the fourth wall in numerous ways, even encouraging the youth to audition to dance in the aisle during one part of the show, which got numerous children up and dancing, many of which may become future performers. The story is written by Robert Peterpaul and directed by Ashley DePascale, putting two of the Downtown Cabaret Theatre’s greatest stage performers behind the scenes, as other stars, both new and returning get to shine on stage.
This production of Fiddler on the Roof is a triumph! It is fresh, exciting, engaging, entertaining, and unlike any other seen. Caleb Long and Colin Healy have created a transformative piece of theater. It has a slight contemporary sound while staying true to the source material. Long inspires affecting performances from his actors and musicians.
What did our critic think of BALLET HISPÁNICO ASKS DANCE TO CARRY THE WEIGHT OF CULTURAL SURVIVAL at New York City Center?
Carlos Acosta’s favourite ballet full of Spanish sun and slapstick humour is a very silly story. But with an audience who’ve braved tube strike misery Don Quixote (Don Q) is just the ticket for a bit of carefree escapism, transporting us to an exotic and colourful land and danced with great relish by a spirited Birmingham Royal Ballet (BRB).
Spanning from 1980 to 1995, the story dives into the highs and lows of queer life during a time of upheaval, hope, and hard-won joy. Through laughter, heartbreak, gossip, and glitter, The Jessies discover what it truly means to find family - not the one you’re born into, but the one you choose.
Based on astounding true events, Jackals is a contemporary retelling of the bewildering professional relationship between the young, ambitious Emma, and her fledgling doctor with a point to prove.
For many, Burt Bacharach is a household name, the soundtrack that spans from childhood to adulthood. For some, Bacharach’s name might not ring a bell, but his wide discography of songs that spans decades, mediums, collaborators, and genres is sure to have even the most musically naive audience members dancing in their seats to some familiar favorites.
What did our critic think of PROCESSION at National Arts Centre?
A brand new musical about the Rat Pack icons Frank Sinatra, Dean Martin and Sammy Davis jr.
A true feelgood musical!
We never get a sense of what draws these two women to each other (other than sex), or what they have in common other than auditioning for acting work. Nor do we witness them falling in love, which makes it difficult to care whether or not their relationship succeeds.
We are introduced to Littlest One, played by Fia DiMercurio, as the newest dream giver. With child-like wonder and enthusiasm, she is guided by her mentors as she learns about who she is and her purpose. The Littlest One’s first assignment is a young boy and his foster parent who are terrorized by nightmares. The play contrasts whimsy and lightness of dreams with the heavy, darkness of trauma.
There was a time early in this century when conductor Lorin Maazel led Massenet’s opera THAIS, surprising audiences by picking up a violin during Act II to play the work’s famous “Meditation” himself—usually the realm of the concertmaster. At the NY Philharmonic’s performance of Poulenc’s monodrama, LA VOIX HUMAINE, on Thursday, soprano/conductor Barbara Hannigan did him one better.
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