Discover the best reviewed Broadway shows by top critics on BroadwayWorld.
The world premiere stage adaptation of Black Swan, directed and choreographed by Tony Award winner Sonya Tayeh, has officially opened at American Repertory Theatre. Read the reviews here!
Performances are underway for The Public Theater’s Free Shakespeare in the Park production of Romeo & Juliet. Learn more about the show and read the reviews here!
See what the critics are saying about Julia May Jonas's A Woman Among Women, now playing Off-Broadway at Lincoln Center Theater. Read the reviews in BroadwayWorld's Review Roundup here.
Reviews are in for GIRL, INTERRUPTED, the world premiere production written by Pulitzer Prize winner Martyna Majok and based on Susanna Kaysen's bestselling memoir, now playing at The Public Theater.
See what the critics are saying about Robert Monatno's Small, now officially open Off-Broadway at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center. Read the Review Roundup here!
See what the critics are saying about And Then The Rodeo Burned Down at Ars Nova, the first Off-Broadway production of playwriting and performing duo Xhloe and Natasha. Read BroadwayWorld's Review Roundup here!
Ginger Ristorante is a distinctive Roman inspired spot situated in the Theater District on 49th Street between 6th and 7th Avenues.
Closing on Sunday, June 21, Artist Playground and Kho-Lab Productions present 'Double Take,' featuring the twin bill, AL.TER by Joaquin Pablo and 'Reverse Card' by Chase Kyle Loza.
El rooftop del Teatro Calderón acogerá Midsummer Fest, una adaptación contemporánea inspirada en El sueño de una noche de verano que combina comedia, música y fantasía bajo el cielo de Madrid.
Jonny Hawkins (writer and performer) and Nell Ranney’s (director) TRUCK DRIVER is an incredible new Australian work that centres on the men that keep Australia moving, the owner-drivers of freight trucks.
I truly enjoyed Water for Elephants far more than I thought I would. I came to the theater fearing the puppetry of the elephant would over shadow the actors. While it was spectacular, it did not over shadow the actors and for that I am grateful. And in an effort of full disclosure, admittedly, I also really hate the circus. No need to judge, just offering a little vulnerability here. Still, in spite of that I enjoyed the performance a great deal.
The women’s suffrage movement in the United States spanned 72 years, finally concluding in 1920 when women gained the right to vote. Thousands of women lended their lives to the cause with a hope for the future, that subsequent generations would be inspired by the suffragists. Yet, their names were consistently left out of history books. Until Shaina Taub’s Suffs. Suffs at The National Theatre revives the legacy of luminaries like Alice Paul and Ida B. Wells through a musical journey that cements the suffragists’ rightful place in history.
Every aspect of 10 Days in a Madhouse, directed by Joanna Settle, exemplified why opera has the power to bring stories to life in ways that no other genre can. Score, libretto, set, costumes, lighting, and vocal and orchestral performances of the highest quality mingled into something that was more than the sum of its parts, rendering a haunting true story with more nuance and pathos than theatre, film, or literature alone could have achieved.
Austin Playhouse’s Seared, directed by Lara Toner Haddock, serves up a grounded, well-paced production with strong ensemble work and a working kitchen that adds real texture. The staging feels alive, even when Theresa Rebeck’s script leans preachy and predictable.
The crowd itself remains unseen, but a growing cult hangs over nearly every scene, transforming Emery’s private sanctuary into something far more complicated. Michael Zimmerman's sound design gives the invisible crowd a character of its own, a foreboding entity lurking just behind the treeline. The production's real challenge lies in sustaining the sense of a growing
The national tour of A Beautiful Noise rocks into town this week, bringing enough sequins to light up all of Toledo. As the final engagement of Broadway in Toledo’s 2025–2026 season, this musical offers a closer look at the life of Neil Diamond while delivering a thoroughly entertaining evening of music and storytelling. It’s a beautiful celebration of Diamond’s catalog and a rare glimpse into the man behind the legend. Filled with iconic hits, a stellar cast, and an emotionally resonant story, A Beautiful Noise is a memorable theatrical experience.
BEAUTY AND THE BEAST, the reimagined Broadway touring musical, is a truly magical experience at Centennial Hall. This touring production, which features new musical arrangements and choreography, is largely a success. The production mostly stays faithful to the music by Alan Menken, lyrics by Howard Ashman and Tim Rice and book by Linda Woolverton.
Celebrating the 90th anniversary of the Congregação Israelita Paulista (CIP), Um לugar Para Nós – From Broadway to Brazil premieres on August 16 at Sala São Paulo. Directed by Gustavo Barchilon, this one-night benefit concert brings together leading stars of Brazilian musical theatre, accompanied by the São Paulo Big Band and Orchestra. Through iconic songs from Broadway classics, the production pays tribute to the extraordinary contribution of Jewish composers, lyricists and producers who helped shape American musical theatre, while also honoring the pioneers who introduced the genre to Brazil. Blending music, history and cultural reflection, the event celebrates immigration, diversity and artistic exchange in a moving journey from Broadway to Brazil
Profile Theatre's THE ROOMMATE is a dark comedy that surprises, moves, and lingers, with knockout performances by Gail Dartez and Eleanor O'Brien. One week left, don't miss it.
Untitled Vampire Play — a world premiere from Lookingglass ensemble member Kevin Douglas — is a fun, wacky romp. The play doesn’t take itself seriously, and director Devon de Mayo’s cast has plenty of fun with vampire and human antics alike. Douglas’s script draws on all sorts of vampire lore for his vision and vividly imagines what it might be like if vampires roamed the streets of Chicago.
Norm Lewis is one in a million. A talent so special, you don't dare miss any of his shows. NORM LEWIS: BROADWAY & BEYOND runs nightly through Saturday
Many of us have less-than-fond memories of high school, and can relate to the idea that “high school is hell” – enough so that a musical about a high school literally at the mouth of hell, overrun by demons and evildoing feels fairly apropos.
Have you ever wondered what really goes on in cemeteries when memories are shared with those seen and unseen at grave sites? Then head on over to see two, funny and life-affirming plays in this year’s Hollywood Fringe Festival, bundled together as Amazing Graves, produced by Amanda Lynne for Neo Ensemble Theatre.
The Play That Goes Wrong, now playing at the Keegan Theatre, amusingly subverts classic murder mystery tropes by merrily mixing the physical comedy of the Three Stooges with the verbal intricacy of the Marx Brothers. This frenetically and madcap play conveys the double-entendre of Charlie Chan and the mass appeal of detectives we have all come to know through literature and film (for, indeed, the marvelous Matthew Pauli does a superb job of portraying “Chris” as Inspector Carter-- who reminded me of an absent-minded Hercule Poirot or Miss Marple).
El espacio Lírico del Teatro Calderón será el escenario de Alma de zarzuela, un concierto dramatizado que conectará algunas de las obras más representativas del género con la historia del propio teatro y de la ciudad de Madrid.
What did our critic think of THE SOUND OF MUSIC at Rialto Community Theatre?
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