JOE'S PUB LIVE! Continues With Alan Cumming, Shaina Taub and More
by Chloe Rabinowitz
- Apr 15, 2020
Joe's Pub, a program of The Public Theater, continues JOE'S PUB LIVE!, its free series of live-streamed and archived performances from their iconic stage in New York City. Designed to facilitate social connection during this time of physical distancing, Joe's Pub will share events with audiences worldwide each Thursday, Friday, and Saturday at 8PM.
Photo Flash: Pan Asian Repertory Theatre Presents THE EMPEROR'S NIGHTINGALE
by A.A. Cristi
- Jan 15, 2020
By popular demand, a Lunar New Year Special: Pan Asian Repertory Theatre (Tisa Chang, Founding Artistic Producing Director), continuing their educational initiative to serve elementary grade students and families with children, has launched its 43rd season with the return engagement of the acclaimed 2018 production of The Emperor's Nightingale by Damon Chua.
Alex Boniello, Loren Allred, Molly Pope and More are Heading to Joe's Pub This Winter & Spring
by Chloe Rabinowitz
- Jan 13, 2020
This winter and spring, Joe's Pub a?" a program and venue of The Public Theater a?" is honoring new voices in musical theater through a variety of shows. From Broadway performers in concert to new musicals presented in the concert setting, there's something for every fan of musicals happening this season. Audiences are invited to celebrate the art of musical theater in non-conventional yet intimate ways with returning artists and new faces alike at Joe's Pub.
Pan Asian Repertory Theatre's THE EMPEROR'S NIGHTINGALE Begins Performances Tomorrow
by Chloe Rabinowitz
- Jan 10, 2020
A Lunar New Year Special: Pan Asian Repertory Theatre (Tisa Chang, Founding Artistic Producing Director), continuing their educational initiative to serve elementary grade students and families with children, launches its 43rd season with the return engagement of the 2018 production of The Emperor's Nightingale by Damon Chua.
Jean-Michel Blais, Loren Allred, and More Are Coming to Joe's Pub
by A.A. Cristi
- Jan 9, 2020
Check out Joe's Pub lineup for the Under the Radar festival featuring new and experimental work from Rizo (fka Lady Rizo), Lucy McComick, Daniel J. Watts, and Ryan J. Haddad. Rounding out the week is Kittel & Co, Ethan Lipton & His Orchestra, Jean-Michel Blais, Rev Billy, a very fun showcase from DANCE NOW, Nellie McKay, Aditya Prakash, Damien Sneed, William Prince, Xenia França, Luis Enrique and, as always, a ton more.
Pan Asian Repertory Theatre Announces Cast and Creative of THE EMPEROR'S NIGHTINGALE
by Chloe Rabinowitz
- Nov 15, 2019
By popular demand, a Lunar New Year Special: Pan Asian Repertory Theatre (Tisa Chang, Founding Artistic Producing Director), continuing their educational initiative to serve elementary grade students and families with children, launches its 43rd season with the return engagement of the acclaimed 2018 production of *The Emperor's Nightingale by Damon Chua*.
Photo Flash: Take a Look Inside the NAAP Developmental Workshop THE MONKEY KING: A MODERN MUSICAL
by Chloe Rabinowitz
- Nov 4, 2019
Get a glimpse into the legendary world of a?oeThe Monkey King, A Modern Musicala??, which had a developmental workshop presented by National Asian Artists Project (NAAP). The workshop took place on Thursday, Oct 3, 2019 at Actors Temple Theatre in NYC. A cast of 9 actors representative of the asian theatre community and members of NAAP, under the direction of Steven Eng, brought an explosive new musical to life at the Actors Temple Theater (339 W 47th St, New York, NY) on Oct 3.
Cheeyang Ng Opens Musical Theatre Factory's Fifth Season
by Julie Musbach
- Sep 18, 2018
Award winning singer-songwriter Cheeyang Ng will make his composer debut at Joe's Pub on September 24 (Monday) 9:30pm, opening Musical Theatre Factory's (MTF) fifth season with new Producing Artistic Director, Mei Ann Teo, at the helm.
Ann Harada, Raymond J. Lee and More Join Cast of NAAP's INTO THE WOODS
by Julie Musbach
- Sep 17, 2018
National Asian Artists Project (NAAP) and Prospect Theater Company are proud to partner for a third year to present a special one-night-only concert reading of Into the Woodson Saturday, October 20 at 7:30pm at The TimesCenter (242 W. 41st Street).
MITF 2017: The Oldest Continuing Theatre Festival in NYC Returns This Summer
by BWW
News Desk
- Jul 12, 2017
This is an auspicious year for John Chatterton and the Midtown International Theatre Festival. MITF is now the OLDEST CONTINUING THEATRE FESTIVAL IN NEW YORK! John Chatterton has set the gold standard for presenting new and exciting independent theatrical works in NYC. This year's special festival brings more than 100 productions to Manhattan - as well as an astounding number of international works. The 18th Annual Midtown International Theatre Festival once again proves itself to be one of the best reasons to stay in New York in July!
MITF 2017: The Oldest Continuing Theatre Festival in NYC Returns This Summer
by Julie Musbach
- Jun 3, 2017
This is an auspicious year for John Chatterton and the Midtown International Theatre Festival. MITF is now the OLDEST CONTINUING THEATRE FESTIVAL IN NEW YORK! John Chatterton has set the gold standard for presenting new and exciting independent theatrical works in NYC. This year's special festival brings more than 100 productions to Manhattan - as well as an astounding number of international works. The 18th Annual Midtown International Theatre Festival once again proves itself to be one of the best reasons to stay in New York in July!
Instrumental Musical Dance Experience FOR WHAT IT'S WORTH Comes to NYC
by A.A. Cristi
- Apr 6, 2017
NYC actor/producer/musician Christopher Bayon is proud to announce the world premiere of his new Off-Broadway musical, FOR WHAT IT'S WORTH. Under the musical direction of award-winning New York big band leader/composer, Seth Weaver, FWIW presents a unique portrayal of a love story told entirely through music and dance. Inspired by STOMP, the story pits jazz versus classical musicians in a musical battleground. When the jazz Trumpet player (Bayon) falls for the classical Violinist (Xiaoqing Zhang), will love be "instrumental" in bridging the two genres?
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