Video: The WIZ Tiny Desk Concert Featuring Nichelle Lewis, Melody A. Betts, Alan Mingo, Jr., & More
by Josh Sharpe
- Jul 12, 2024
The Broadway revival of The Wiz took part in a Tiny Desk concert, featuring the cast from the current production. Vocalists included Nichelle Lewis, Melody A. Betts, Alan Mingo, Jr., Kyle Ramar Freeman, Phillip Johnson Richardson, and Avery Wilson. Watch it now!
Paul Kelly Joins Keb'Mo' and Shawn Colvin on Fall Tour
by Josh Sharpe
- Jul 11, 2024
After an extended absence from North America, celebrated Australian singer/songwriter Paul Kelly will return for a long-awaited tour this Fall. Supporting fellow icons Keb’Mo' and Shawn Colvin for a circle of dates that kicks off September 11th in Ottawa, Kelly will bring his colorful masterclass in narrative songwriter back to the States after a seven-year absence.
Photos: Inside Andrew Lloyd Webber's Visit to CATS: THE JELLICLE BALL
by Joshua Wright
- Jul 11, 2024
Andrew Lloyd Webber made a visit to CATS: THE JELLICLE BALL at PAC NYC, and met with the company after the show. We spoke to the production's music supervisor, William Waldrop, about Webber's visit. See the photos and learn more about Webber's time at the Junkyard.
Review: Celebrate Tradition with FIDDLER ON THE ROOF at Broadway At Music Circus
by Courtney Symes
- Jul 11, 2024
Tradition. How do we know when to let go and embrace the future? That’s the question at the heart of the latest triumph at Broadway at Music Circus. Beloved classic Fiddler on the Roof has itself become a tradition for theatre lovers worldwide. It was a favorite of mine as a child, and continues to be many years later. Fiddler on the Roof was an instant hit when it opened on Broadway sixty years ago, winning nine Tony Awards, including Best Musical. It has inspired parodies, television shows, movies, and music. It opened in Sacramento on Tuesday night to an enthusiastic audience eager for its themes of love, family, and resilience.
Review: THE COLORED MUSEUM at Studio Theatre
by Roger Catlin
- Jul 11, 2024
It’s hard to imagine the impact George C. Wolfe’s razor-sharp satire “The Colored Museum” must have had when it opened in New York nearly 40 years ago.
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