The Bay Area is enjoying a renaissance of black theatre, perhaps in conjunction with Black History Month: NCTC's Dot, MTC's Pass Over and now Shotgun Players' spectacular revival of Passing Strange, the Tony, Obie, and Drama Critics Circle Award winning musical. First premiered by Berkeley Rep in 2006, the story chronicles a young middle class black man's journey to self-discovery through an explosion of witty dialogue, eye popping visuals, a magical multi-genre score and brilliant ensemble performances.
This is the last chance to vote for the 2021 BroadwayWorld Sacramento Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.
Time is running out to vote for for the 2021 BroadwayWorld Sacramento Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.
Aurora Theatre Company continues its 30th season with the World Premiere of Kait Kerrigan's FATHER/DAUGHTER, a recipient of the 2021 Edgerton Foundation New Play Award. Bay Area theatre artist M. Graham Smith directs William Thomas Hodgson and Sam Jackson (The Bluest Eye, Exit Strategy, Splendour) in this beautifully innovative play about love, family, and relationships.
On Tuesday, October 13 a radio production of Sinclair Lewis' novel It Can't Happen Here will broadcast at 5PM PDT/8PM EDT via YouTube. Written in 1935 during the rise of fascism in Europe, Lewis' darkly satirical It Can't Happen Here follows the ascent of a demagogue who becomes president of the United States by promising to return the country to greatness.
Berkeley Repertory Theatre today has announced that nearly 100 organizations nationwide are onboard to share the free radio play, It Can't Happen Here. The new audio adaptation will premiere on Tuesday, October 13 at 5pm PT/8pm ET, followed by a live Q&A with the creative team, director Lisa Peterson & co-adaptors Tony Taccone & Bennett S. Cohen.
Pittsburgh Public Theater will join theaters across the nation to help spread the word about Berkeley Rep's YouTube radio production of Sinclair Lewis' novel It Can't Happen Here on Tuesday, October 13 at 8pm ET.
International City Theatre has signed on to join regional theaters across the U.S. in support of Berkeley Repertory Theatre's upcoming stream of a new radio play, It Can't Happen Here, adapted by Tony Taccone and Bennett S. Cohen from the novel by Sinclair Lewis.
On Tuesday, October 13 a radio production of Sinclair Lewis' novel It Can't Happen Here will broadcast at 5PM PDT/8PM EDT via YouTube. The audio drama has been made available to organizations across the country. The intent for the project is to encourage dialogue and motivate citizens to exercise their civic power and vote.
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, announces that it is one of a select group of nonprofit arts organizations participating in a free livestream theatrical event, an adaptation of Sinclair Lewis' novel It Can't Happen Here. The radio play, produced by Berkeley Rep and featuring David Strathairn (Good Night, and Good Luck), will broadcast live on October 13, 2020 at 7pm via YouTube.
Shows on O!, Oregon Shakespeare Festival's new streaming service, will launch July 2, bringing the first full-length video recordings of OSF plays to living rooms, laptops, tablets, mobile phones, and wherever patrons and supporters of live performance theatre are.
The Oregon Shakespeare Festival, which is entering its 85th year, today announced the casts for the 2020 season, featuring some of the most beloved performers from OSF's history alongside newcomers from around the country. OSF is one of the most prominent theatre companies across the nation that have joined the Jubilee, a yearlong nationwide commitment by theatres to feature work generated by those who have traditionally been excluded from or marginalized by the theatre industry. Five Shakespeare plays staged as four productions, alongside two new plays inspired by him, take the Festival's stages in 2020. Two more commissions from OSF's multi-decade commissioning program American Revolutions: the United States History Cycle will also premiere.
In T. Adamson's scorcher of a road trip, best friends Phoebe and Nina navigate hitchhikers, shoplifting, drugs, and a flood of selfies as they hurtle through the heart and heartlessness of America. A kaleidoscopic new play with unlimited mileage.
The Oregon Shakespeare Festival will open How To Catch Creation, helmed by Incoming Artistic Director Nataki Garrett in her OSF directorial debut, on July 27 in the Thomas Theatre. Preview performances are July 23, 25 and 26, and the play runs through Oct. 26, 2019.
Oregon Shakespeare Festival will host its annual Juneteenth Celebration on Monday, June 17. The day's activities include a variety show on OSF's Courtyard Stage, a play reading and an exhibit. The celebration also continues Wednesday, June 19, at the Ashland Public Library with a book reading and panel discussion.
The Oregon Shakespeare Festival invites audiences to enjoy two plays by William Shakespeare-plus one about a young girl with a crucial superpower, curiosity, and the beloved fantastical dream adventure in which she tries to figure out how to stay true to who she is-under the stars when its flagship outdoor theatre opens the weekend of June 7-9, 2019. The Allen Elizabethan Theatre will feature Macbeth, directed by Jose Luis Valenzuela; Alice in Wonderland, adapted from Lewis Carroll by Eve Le Gallienne and Florida Friebus, directed by Sara Bruner; and All's Well That Ends Well, directed by Tracy Young. Previews begin May 28, and all three shows will run through the weekend of October 11-13.
As usual, Mixed Blood Theatre is doing something pretty remarkable right now. They're presenting three plays in rep, all written by young black men. Under the umbrella 'Prescient Harbingers' (meaning: 'having or showing knowledge of events before they take place;' 'a person or thing that announces or signals the approach of another'), these three brilliant plays explore what it means to be a black man in America, directly or indirectly (one is even subtitled BEING BLACK FOR DUMMIES), along with commenting on race relations in America and more generally on modern life in America. Young black men are dying at an alarming rate, and these are voices we need to listen to if we ever hope to understand the problem so that we can stop it from happening. If you are a young black man, I can only imagine how validating it must feel to see these voices and these stories on stage. If you're not, I encourage you to go see one, two, or preferably all three of these plays with an open mind and an open heart. Listen, hear, laugh, cry, be disturbed, get angry, join the movement for justice and equality.
The Oregon Shakespeare Festival invites audiences to enjoy two plays by William Shakespeare-plus one about saving his words and securing his legacy-under the stars when its flagship outdoor theatre opens the weekend of June 15-17, 2018. The Allen Elizabethan Theatre will feature Romeo and Juliet, directed by Damaso Rodriguez; Lauren Gunderson's The Book of Will, directed by Christopher Liam Moore; and Love's Labor's Lost, directed by Amanda Dehnert. Previews begin June 5, and all three shows will run through the weekend of October 12-14.
