Backyard Renaissance Closes Out Its Seventh Season With Its Next World Premiere
by A.A. Cristi
- Oct 21, 2022
Over the last seven years, Backyard Renaissance (BYR) has proudly accepted the monikers 'edgy,' 'scrappy,' and 'gutsy,' all bequeathed by local media. Creative playing spaces, purposefully bad B-movie readings, a La Jolla Playhouse Residency, teeny-tiny musicals, a 5-camera filmed production and several world premieres have all been part of BYR's short but lively history.
Who Has Worn the Most Hats on Broadway? Part 1
by Jennifer Ashley Tepper
- Oct 16, 2022
Today's question is: Who has worn the most hats on Broadway- director, producer, writer, actor, etc.? Here are a few folks that could hold a record for the 'number of hats' they've worn on Broadway shows. Part one includes those who have worn four or five hats on Broadway shows and part two will include those who have held even more positions than that!
Frédéric Sonntag's GEORGE KAPLAN Will Make New York Premiere at The New Ohio
by Stephi Wild
- Oct 5, 2022
The Bridge Production Group (Max Hunter, Artistic Director) will present the New York Premiere of Frédéric Sonntag’s George Kaplan with an English Translation by Samuel Buggeln (Cherry Arts), directed by Max Hunter ([title of show] at Brooklyn Navy Yards; See You at The New Ohio). The production will run November 15-December 3 at The New Ohio (154 Christopher Street New York, NY 10014).
Frog & Peach Theatre Company Presents Shakespeare's AS YOU LIKE IT
by Stephi Wild
- Sep 28, 2022
New York's critically acclaimed and revolutionary Shakespeare ensemble, Frog & Peach Theatre Company will return to the stage with a LIVE showing of their long-anticipated comedy blockbuster, AS YOU LIKE IT. Directed by Lynnea Benson, the production will feature music by Ted Zurkowski, Lyrics by WS.
Players' Ring's MOONGLOW to Move to The Firehouse Center in October
by Blair Ingenthron
- Sep 24, 2022
The Players' Ring of Portsmouth's new hit comedy MOONGLOW, by Jack Neary, will be presented for four performances only at the Firehouse Center for the Arts in Newburyport on October 6-9, co-produced by the Actors Studio of Newburyport and the Players' Ring.
LeLand Gantt Brings RHAPSODY IN BLACK to TPAC This Weekend for Three Performances
by Jeffrey Ellis
- Sep 23, 2022
As with most intelligent and clever actors struggling to find paying work during difficult times, LeLand Gantt readily admits that he was inspired to create Rhapsody in Black, which has been described as “a powerful personal narrative on racism, identity, and self-image” to provide some work for himself, allowing him to “stay in town to do more tv and film.” Now, however, as acclaim for his one-man show continues to grow, he’s finding himself “out of town” – he's based in New York – to give theater-goers all over the country a chance to see his the result of his creativity on his personal journey to transcene racism in America.
Queens Theatre's Training Program For Actors With Disabilities Returns In October
by Stephi Wild
- Sep 13, 2022
Applications are being accepted now through September 23rd for the fifth round of Queens Theatre's Theatre For All (TFA) Professional Actor Training Program. The free, two-week program will run virtually this season, from Monday, October 17th through Friday, October 28th and is open to Deaf or Disabled performers, aged 18 and over. Through intensive workshops over the two weeks, students will build skills, as well as their networks.
MR. YUNIOSHI Comes To FreeFall Next Month
by Stephi Wild
- Aug 30, 2022
In Mr. Yunioshi, J. Elijah Cho cleverly explores Mickey Rooney's infamous performance as Mr. Yunioshi in 'Breakfast at Tiffany's,' often pointed to as the most egregious example of yellowface in the movies. Rooney's 'over the top' characterization is cringeworthy to watch to this day, but it also raises several questions: Should actors have the opportunity to play ANY role? Could there ever have been a 'right' way to play it? And what compels an actor to play a character that they really shouldn't be playing? Asian-American writer/performer J. Elijah Cho attempts to explore these topics and more in this poignant and funny satire.
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