Sadler’s Wells has released a film on Digital Stage celebrating the first 10 years of National Youth Dance Company (NYDC) and announced that acclaimed choreographer Oona Doherty will be Guest Artistic Director for 2023/24.
Joe Leather will bring Wasteman to Edinburgh Fringe this summer.
After nine sold-out performances this past April, Garden Party, a collaborative work by choreographer Douglas Dunn, visual artist/designer Mimi Gross, and lighting designer Lauren Parrish, will return this fall.
Following a record-breaking eighteen months in London, the final performance of Punchdrunk's The Burnt City will be held on 24 September 2023, at the end of the current booking period.
The 92nd Street Y Harkness Dance Center’s 2022/23 Studio Series will present …she was becoming untethered., a world premiere from choreographer Annie Rigney, who was first introduced to 92NY as a finalist in the 2021 Future Dance Festival.
Check out photos from opening night of This Land Was Made at Vineyard Theatre!
Friday 9 June marks the 45th anniversary of Jeff Wayne's Musical Version of The War of The Worlds, one of the best-selling albums of all time. In tandem, Composer and Producer Jeff Wayne announces that the multi-award-winning immersive experience, described as 'boundary pushing, pulse quickening' and 'the future of entertainment' will be relocating to a bigger location in London and feature the newest cutting-edge technology.
All new production photos have been released from This Land Was Made, written by Tori Sampson (New York Times Critic’s Pick If Pretty Hurts, Ugly Must Be A Muhf**ka) and directed by LPTW Lucille Lortel Award and 2023 Obie Award winner Taylor Reynolds (Tambo & Bones).
TodayTix, the digital gateway to cultural experiences, has announced the return of its 25 West End Shows at £25 campaign in London's West End just in time for the summer season.
Regent’s Park Open Air Theatre has announced full cast and creative team for their forthcoming production of Robin Hood: The Legend. Re-written.
Ulla! Martians, music and mayhem: who could ask for more from an immersive show? Layered Reality has taken HG Wells classic story, scored It with Jeff Wayne’s much-loved album, added some very effective VR and placed it inside a dedicated space in the City of London.
The McKittrick Hotel (530 West 27th Street, NYC), home of Sleep No More, announced an all-new seasonal celebration, A Midsommar Night's Dream: One Trip of a Party. The one-night-only soirée will take place throughout the hotel on Saturday, June 24.
The global celebration of performing arts, Edinburgh International Festival, today unveils an expansive programme of world-class music, opera, dance and theatre to take place from 4 – 27 August 2023. This year marks the first Festival under the direction of new Festival Director, Nicola Benedetti, one of today's most influential classical music artists.
Theatre of Young Audiences/USA (TYA/USA), the national service organization supporting, connecting, and advocating for the field of theatre for young audiences, will co-present the 2023 Write Now Festival in partnership with Childsplay in May.
Midnight Circle Theatre finally gets an opening night.
Can the best get better? In my 2022 year-end roundup, I ranked Phantom Peak as my favourite immersive show of 2022, ahead of bigger shows like Punchdrunk’s The Burnt City and TV show-based drama Peaky Blinders: The Rise. The latest iteration has a new platypus theme and even more mysteries to solve but will it be enough to retain top spot?
Harlem Stage will present the 2023 edition of E-Moves, the institution’s signature dance series, which for more than 20 years has convened choreographers, dancers, artists, and musicians of color in an exploration of movement and message.
Vineyard Theatre has announced the cast and design team for the World Premiere of This Land Was Made, written by Tori Sampson. See how to purchase tickets!
The King's Head Theatre has announced further details of A QUEER INTERROGATION, the second season of the Takeover, curated by Guest Artistic Director Tom Ratcliffe, playing at the iconic Islington pub theatre 19 April – 14 May.
After the excitement of the participatory pre-show, we are sat down in a hodgepodge of rickety, old chairs and spoon-fed a mediocre staging of The Tempest. The whole evening takes on a feeling that Beil warns against in her program note; the immersive elements become a gimmick, a brief reward for taking our medicine.
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