Review: GRACE PERVADES, Starring Ralph Fiennes
by Cheryl Markosky
- Jul 4, 2025
Fiennes captures the voice and gait of actor-manager Sir Henry Irving and Miranda Raison conveys the intuitive nature of actress Ellen Terry in a superb production by director Jeremy Herrin in Fiennes' new season at Theatre Royal Bath.
Review: THE PROMISE, Minerva Theatre, Chichester
by Debbie Gilpin
- Jul 30, 2024
'To promise nearly fifty million people truly universal health care - ‘cradle to the grave’ - is crackers.' Despite this quote featuring quite prominently in promotional material, and the poster image showing a pair of midwives, The Promise isn’t wholly about the founding of the NHS. Paul Unwin’s new play instead depicts the rise of Clement Attlee’s Labour Party in the wake of the Second World War, and their attempts to create unity and growth in the years that follow.
Review: Dizzying Night at the Met with Grigorian's Splendiferous BUTTERFLY in House Debut
by Richard Sasanow
- Apr 29, 2024
Those of us who keep an eye on the comings and goings of singers at major opera houses around the world, have known that Friday’s debutant, Lithuanian soprano Asmik Grigorian, was going to be one to watch. And it was. No worries about whether her voice would translate from Europe’s smaller houses to the Met’s enormous hall: Grigorian may have been singing Puccini’s Cio-Cio-San/Madama Butterfly this time around, but she’s a well-schooled Lady Macbeth and Turandot as well, bringing a notably large voice with her. She survived the Met’s notoriously short rehearsal time for revivals (particularly for the second cast of the season). Lastly, she even made it through the final curveball, when tenor Jonathan Tetelman became ill and standby Chad Shelton had to take over as Pinkerton; he did well considering the circumstances, but he was no match for her.
THE PEARL FISHERS and REQUIEM Lead Opera North's Spring Season
by Stephi Wild
- Mar 29, 2023
Opera North's season for Spring 2023 includes two new productions exploring loss, memory and renewal: Bizet's The Pearl Fishers and a contemporary dance staging of Mozart's Requiem paired with After Tears, a new commission by South African composer Neo Muyanga.
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