The American Popular Song Society will honor Lee Roy Reams in a star-studded benefit concert celebrating the art and legacy of the American popular song, at The Cutting Room, 44 East 32nd Street, on Sunday June 12, at 5pm.
Artists from the Metropolitan Opera, Broadway and beyond will entertain and uplift audiences with their moving performances. The concert program will feature popular favorites - and some hidden gems! - from opera, musical theater and the great American songbook, along with poignant poetry and a few moving instrumental works to inspire and restore our sense of hope and community.
In celebration of her soon to be released album Ann Kittredge:reIMAGINE(Jazzheads, Inc./King Kozmo Music), a specially curated collection of songs uniquely re-imagined, Ms. Kittredge, will appear at The Laurie Beechman Theatre (407 West 42nd Street – between 9th & 10th Avenues) on Thursday, May 26th at 7pm.
The Public Theater announced complete casting for the Free Shakespeare in the Park production of RICHARD III, kicking off the 60th Anniversary Season at The Delacorte Theater.
Karen Mason returned to Birdland for one night only to share her love of songwriters John Kander and Fred Ebb in this new show. As one of the original stars of the off-Broadway production of And The World Goes ‘Round, Mason has a personal connection to these legends and their music.
Broadway World Cabaret has collected a few select videos of just some of the women who have made their mark on the cabaret and concert stages of the world.
The Manhattan Association of Cabarets has announced the 2022 MAC Award nominees. The nominees were determined by votes cast by the active MAC membership, except for the song and recording categories, which were determined by special committees.
Royal Family Productions will present a workshop production of MAMA ROSE. This piece is written and stars Richard E. Waits (A Turtle on a Fence Post, RFP: Worth St.), with direction by Royal Family Creative Director Lorna Ventura and Royal Family Artistic Director Chris Henry.
FOOD FOR THOUGHT PRODUCTIONS, now in its 21st year, continues celebrating the oft-neglected one-act play and theatre at its best with Award-winning actors, writers and directors, with a tremendously fun production on December 6th, 2021.
After two years of producing the Waa-Mu Show virtually, the co-chairs of Northwestern University's 91st Annual Waa-Mu Show have announced the show will move back to Cahn Auditorium, 600 Emerson St., on the Evanston campus.
So what does a cabaret director do? Today in my ongoing series, THERE ARE NO ONE-PERSON SHOWS, we will find out from one of the busiest cabaret directors in New York, Marc Tumminelli. Marc is the founder of Broadway Workshop, which provides year-round, professional-level classes and workshops for kids 8-19 with some of the finest artists working on Broadway and in the West End. He is also the founder of Project Broadway, a non-profit that provides scholarship opportunities to young performers.
What is it that we’re living for? On Wednesday, September 22nd, the answer will be the reunion of the hit 1970 musical Applause, produced by Backstage Babble and streaming on YouTube starting at 8:00 PM EDT.
These spooky classics are given new life as chilling theatrical stories. Though told with some humor, this production might be too intense and scary for very young audiences.
The York Theatre Company in association with Riki Kane Larimer, will present the world premiere of Cheek to Cheek: Irving Berlin in Hollywood, a song and dance celebration featuring the music and lyrics of the legendary Irving Berlin, with book by Barry Kleinbort, music direction by David Hancock Turner, and directed by Randy Skinner.
Penny Fuller may have had the quote of the evening when she and Anita Gillette unveiled the new version of their show SIN TWISTERS. She was quoting the great Barbara Cook, who said 'I wish someone had told me I was working in The Golden Age. I would have paid attention.' That is a mouthful. Anita Gillette (Carnival, All-American, Mr. President, They're Playing Our Song, Chapter Two) and Penny Fuller (Applause, Rex, A New Brain, The Dinner Party, Anastasia) brought a bit of The Golden Age to the stage of Feinstein's 54 Below. And the audience paid attention. In fact, the audience was spellbound.