The Orange Girls and St. Louis Actors’ Studio’s The Half-Life of Marie Curie is a beautiful work. The production brings together all the design elements of a play into an artistic expression of friendship and feminism through intelligent story telling. It is flawlessly directed, convincingly acted, and meticulously executed. Its originality, integrity, honesty, and impact would make any Nobel prize winning scientist proud.
The St. Louis Theatre Circle has announced their nominations for their annual awards to be distributed on March 23, 2026, at the Loretto-Hilton Center. 172 theatre artists have been nominated in 34 categories honoring the best in St. Louis Theater in 2025. The Repertory Theatre of St. Louis leads all companies with a record-breaking 38 nominations for their productions of Athena, Clyde’s, Emma, Ken Ludwig’s Sherwood: The Adventures of Robin Hood, The Brothers Size, and The Cottage. Emma is the most nominated comedy of the season with 11 nominations.
Prism Theatre Company has revealed the cast for its upcoming production and world premiere of Progress, a new play by John Wolbers, running at the Kranzberg Black Box Theatre.
The Search for Signs of Intelligent Life in the Universe is a one actor play examining life, relationships, and art on Earth. The play opens with an introduction to Trudy, a kooky bag lady who serves as a medium for extra-terrestrials attempting to understand life on earth. Trudy attempts to explain the complexities of human life to the aliens through a series of vignettes. The audience and the aliens are introduced to eight other women, all portrayed by the same actor.
MEET ME AT DAWN is not macabre or depressing but it is sorrowfully somber in tone. Michelle Hand and Lizi Watt enmesh with contemplative, cathartic, and pensive portrayals. The subtleties in their doleful performances are as impressive as their outward acting. Larissa Lury’s solemn direction creates ruminative storytelling with long-lasting effect.
Upstream Theater is having an existential crisis. Meet Me At Dawn, the finale of the company’s 20th season is an intense rumination on reality and grief that plays games with the concept of reality.
As the final show of its 20th Season, Upstream Theater will present Meet Me at Dawn, by UK playwright Zinnie Harris, directed by Larissa Lury. Learn more here!
This outstanding production of AS YOU LIKE IT is a perfect introduction for Shakespeare newbies and delivers a high-quality performance for the most ardent of Shakespeare aficionados. The directorial vision is beyond remarkable.
The entertaining 8th Annual Aphra Bren Festival successfully gave fresh female, transgender, and non-binary voices the medium to have their works professionally produced and be heard. Four playwrights presented new works as part of the Festival. Anne Valentino’s play THE THE stood out amount the produced works. It was creatively staged, paced, and magnificently blocked by director Michelle Hand. Valentino’s play illustrated a maturity in storytelling with strong voice that provided a message that resonates. Hand, Baker, Keating, and David Cooperstein collaborated to create a memorable production.
The St. Louis Theatre Circle announced their 2024 Nominations on Friday. STAGES St. Louis’ production of CLUE and New Jewish Theatre’s production of INTO THE WOODS lead all productions with 11 nominations each. Twenty-four different companies and 55 unique productions were represented among 165 nominations in 33 categories. Awards will be handed out on Monday, March 25th, 2024, at The Loretto-Hilton Center for the Performing Arts on the Webster University campus.
This past year was a spectacular season for theatre in St. Louis. Forbes magazine recognized St. Louis as having “America’s most exciting emerging arts district.” The article credits the The Kranzberg Foundation for buying and operating spaces where artists can create. Many of the smaller theatre companies in St. Louis rely on The Kranzberg Foundation venues for performance and rehearsal space. In addition to the smaller professional companies, the mid-size and larger companies including The Muny, STAGES St. Louis, and The Black Rep all presented stellar musicals and plays that were produced locally. Blue Strawberry and The St Louis Cabaret project advanced cabaret performing in St. Louis booking amazing shows with Tony nominated Broadway performers Adam Pascal, Beth Leavel, and Robin de Jesús.
Michelle Hand is mesmerizing as Heidi, driving nearly all of the play’s dialogue. Her indelible presence is captivating. She enters, introduces herself as Heidi and tells the audience about her mother’s vision to help her pay for college by winning VFW sponsored debates about what the constitution means to her. Throughout the play, Hand steps in and out of character as the adult Heidi, the 15-year-old Heidi, and as herself addressing the audience. As the play unfolds, she unpacks her thoughts on The Constitution, the Ninth and Fourteenth Amendments, and she tackles themes of women’s equality, reproductive rights, sexual assault, domestic abuse, immigration, and the decisions significant legal cases have had on women in the United States. Hand’s outstanding performance and her conviction for presenting Heidi’s dialogue is unforgettable. When she is playing Heidi, she completely disappears into the role and her electric oration of the subject matter is authentic and convincing.
Playwright Heidi Schreck's highly impactful and timely memoir, What the Constitution Means to Me, winner of Best American play, and finalist for the Pulitzer Prize, opens Max & Louie Productions upcoming 2023 theatrical season, running at The Marcelle Theatre, April 6-23rd in Saint Louis, Missouri.
The Repertory Theatre of St. Louis (The Rep) is inviting you to experience St. Louis' new holiday tradition. Ring in the season with the second annual production of Michael Wilson's adaptation of the Charles Dickens classic, A Christmas Carol.
Paul Aguirre is taking over our Instagram today, December 22, to take our followers behind the scenes of The Repertory Theatre of St. Louis' production of A Christmas Carol.
While there have been hundreds of adaptations of Charles Dickens’ A Christmas Carol, few of them have had the energy and contemporary flair of Hana Sharif's revised production currently onstage at the Repertory Theatre of St. Louis.
The Repertory Theatre of St. Louis (The Rep) will launch a brand new holiday tradition with its first-ever annual production of Michael Wilson’s adaptation of the Charles Dickens classic, A Christmas Carol. The show begins previews on Friday, December 3, officially opening Friday, December 10 and running through December 23, 2021.
Tiny Beautiful Things, arrival to St. Louis could not be more prescient. Excellently presented and emotionally compelling, its themes of healing, love, courage, and acceptance remain important local communities struggle to return to normalcy.
Max & Louie Productions announced its “Comeback” with the St. Louis premiere of “Tiny Beautiful Things” based on the New York Times bestseller, “Tiny Beautiful Things: Advice on Love and Life from Dear Sugar” by Cheryl Strayed and adapted for the stage by Oscar nominee, Nia Vardalos, playing at The Grandel Theatre July 29-August 8,2021.
Max & Louie Productions announces its “Comeback” with the St. Louis premiere of “Tiny Beautiful Things” based on the New York Times bestseller, “Tiny Beautiful Things: Advice on Love and Life from Dear Sugar” by Cheryl Strayed and adapted for the stage by Oscar nominee, Nia Vardalos, playing at The Grandel Theatre July 29-August 8,2021.
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