Megan Lang News

Dixon Place's commission tiger tiger (on the nature of violence) written and directed by playwright Jessica Almasy, will have its world premiere today, November 6th at 7:30 PM.  The music is composed by Dan Veksler in collaboration with Ms. Almasy. tiger tiger (on the nature of violence) will play six performances only - November 6th, 7th, 13th, 14th, 20th, and 21st at 7:30PM, at Dixon Place (161A Chrystie Street). Tickets are $18 for general admission, and $15 for seniors and students. Tickets can be purchased by visiting www.dixonplace.org or by calling 866-811-4111. 

Dr. Lynn Hunter, an established early childhood educator and the writer and producer of the acclaimed children's show THE DOOPLES IN THE LAND OF DOO - THE MUSICAL! announced that the show will return to the New York stage for a limited engagement at the renowned Cherry Lane Theatre, 38 Commerce St., NYC from December 16 - 20, 2015.

Dixon Place's commission tiger tiger (on the nature of violence) written and directed by playwright Jessica Almasy, will have its world premiere on Friday, November 6th at 7:30 PM.  The music is composed by Dan Veksler in collaboration with Ms. Almasy. tiger tiger (on the nature of violence) will play six performances only - November 6th, 7th, 13th, 14th, 20th, and 21st at 7:30PM, at Dixon Place (161A Chrystie Street). Tickets are $18 for general admission, and $15 for seniors and students. Tickets can be purchased by visiting www.dixonplace.org or by calling 866-811-4111. 

{Breathing Time Machine} presents PANORAMANIA as part of the 16th annual New York International Fringe Festival - FringeNYC. Written by David Jackson and Directed by Jacob Sexton, with Music by PartyFolk and Video by Closing Eye Studios. Mentored by historian Roger Panetta, Ph.D.

{Breathing Time Machine} presents PANORAMANIA as part of the 16th annual New York International Fringe Festival - FringeNYC. Written by David Jackson and Directed by Jacob Sexton, with Music by PartyFolk and Video by Closing Eye Studios. Mentored by historian Roger Panetta, Ph.D.

Most theater artists would agree that tech rehearsals can be incredibly boring. They are repetitive and slow and tedious. You might go over a single moment once, or twice, or five times, or two hundred times. That one moment, which may have seemed interesting and thought-provoking at first, quickly becomes torturously mind-numbing. These tech rehearsals are where the work of designers, stage managers, actors, directors, and all manner of theater artists involved in a production comes together to create the play that audience members will experience just a few days later.